Volume II - Trauerode

~ Release by Johann Sebastian Bach; American Bach Soloists (see all versions of this release, 1 available)

Tracklist

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1Cantata BWV 156: Sinfonia
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:44
2Cantata BWV 156: Aria and Chorale, "Ich steh mit einem Fuss im Grabe"
soprano vocals:
American Bach Soloists
tenor vocals:
Jeffrey Thomas (tenor and conductor)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johann Hermann Schein (composer) (in 1628)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach6:25
3Cantata BWV 156: Recitative, "Mein Angst und Not"
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:42
4Cantata BWV 156: Aria, "Herr, was du willst, soll mir gefallen"
alto vocals:
Steven Rickards (countertenor)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach4:42
5Cantata BWV 156: Recitative, "Und willst du, daß ich nicht soll kranken"
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:11
6Cantata BWV 156: Chorale, "Herr, wie du willst, so schicks mir mit"
choir vocals:
American Bach Soloists
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:19
7Cantata BWV 198: Chorus, "Laß, Fürstin, laß noch einen Strahl"
choir vocals:
American Bach Soloists
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:33
8Cantata BWV 198: Recitative, "Dein Sachsen, dein bestürztes Meißen"
soprano vocals:
Judith Nelson (soprano)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:14
9Cantata BWV 198: Aria, "Verstummt, verstummt, ihr holden Saiten"
soprano vocals:
Judith Nelson (soprano)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:16
10Cantata BWV 198: Recitative, "Der Glocken bebendes Getön"
alto vocals:
Judith Malafronte (mezzo-soprano)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:43
11Cantata BWV 198: Aria, "Wie starb die Heldin so vergnügt"
alto vocals:
Judith Malafronte (mezzo-soprano)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:19
12Cantata BWV 198: Recitative, "Ihr Leben ließ die Kunst zu sterben"
tenor vocals:
Jeffrey Thomas (tenor and conductor)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:04
13Cantata BWV 198: Chorus, "An dir, du Fürbild großer Frauen"
choir vocals:
American Bach Soloists
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:58
14Cantata BWV 198: Aria, "Der Ewigkeit saphirnes Haus"
tenor vocals:
Jeffrey Thomas (tenor and conductor)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:02
15Cantata BWV 198: Recitative, Was Wunder ists? Du bist es wert"
bass vocals:
William Sharp (baritone)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:40
16Cantata BWV 198: Chorus, "Doch Königin! du stirbest nicht"
choir vocals:
American Bach Soloists
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:50
17Cantata BWV 8: Chorus, "Liebster Gott, wenn werd ich sterben?"
choir vocals:
American Bach Soloists
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:35
18Cantata BWV 8: Aria, "Was willst du dich, mein Geist, entsetzen"
tenor vocals:
Jeffrey Thomas (tenor and conductor)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach3:53
19Cantata BWV 8: Recitative, "Zwar fühlt mein schwaches Herz"
alto vocals:
Steven Rickards (countertenor)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach0:55
20Cantata BWV 8: Aria, "Doch weichet, ihr tollen, vergeblichen Sorgen!"
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:05
21Cantata BWV 8: Recitative, "Behalte nur, o Welt, das Meine!"
soprano vocals:
Julianne Baird (soprano)
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach0:55
22Cantata BWV 8: Chorale, "Herrscher über Tod und Leben"
choir vocals:
American Bach Soloists
orchestra:
American Bach Soloists
conductor:
Jeffrey Thomas (tenor and conductor)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (from 1992-01-10 until 1992-03-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:09