Sacred Cantatas. Vol. 10: BWV 183-188, 192, 194-199

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt, Leonhardt-Consort, Gustav Leonhardt (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Sie werden euch in den Bann tun, BWV 183: No. 1. Rezitativ. "Sie werden euch in den Bann tun"
bass vocals:
Thomas Hampson (baritone) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": I. Recitativo (Bass) "Sie werden euch in den Bann tun" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:19
2Sie werden euch in den Bann tun, BWV 183: No. 2. Aria. "Ich fürchte nicht des Todes Schrecken"
tenor vocals:
Kurt Equiluz (tenor) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": II. Aria (Tenor) "Ich fürchte nicht des Todes Schrecken" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach7:31
3Sie werden euch in den Bann tun, BWV 183: No. 3. Rezitativ. "Ich bin bereit, mein Blut und armes Leben"
alto vocals:
Paul Esswood (countertenor) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": III. Recitativo (Alt) "Ich bin bereit, mein Blut und armes Leben" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:46
4Sie werden euch in den Bann tun, BWV 183: No. 4. Aria. "Hochster Tröster, Heiliger Geist"
treble vocals:
Helmut Wittek (boy soprano) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": IV. Aria (Sopran) "Höchster Tröster, Heilger Geist" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
arranger:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach3:47
5Sie werden euch in den Bann tun, BWV 183: No. 5. Choral. "Du bist ein Geist, der lehret"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": V. Choral "Du bist ein Geist, der lehret" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 126)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:11
6Erwünschtes Freudenlicht, BWV 184: No. 1. Rezitativ. "Erwunschtes Freudenlicht"
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenor) "Erwünschtes Freudenlicht" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:37
7Erwünschtes Freudenlicht, BWV 184: No. 2. Duett. "Gesegnete Christen, glückselige Herde"
alto vocals:
Paul Esswood (countertenor) (from 1987-01-10 until 1987-01-11)
treble vocals:
Alexander Raymann (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Sopran, Alt) "Gesegnete Christen, glückselige Herde" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach9:21
8Erwünschtes Freudenlicht, BWV 184: No. 3. Rezitativ. "So freuet euch, ihr auserwählten Seelen"
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenor) "So freuet euch, ihr auserwählten Seelen" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach2:07
9Erwünschtes Freudenlicht, BWV 184: No. 4. Aria. "Glück und Segen sind bereit"
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenor) "Glück und Segen sind bereit" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach4:32
10Erwünschtes Freudenlicht, BWV 184: No. 5. Chor. "Herr, ich hoff je"
choir vocals:
Collegium Vocale Gent (from 1987-01-10 until 1987-01-11) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
chorus master:
Heinz Hennig (conductor) (from 1987-01-10 until 1987-01-11) and Philippe Herreweghe (Belgian conductor) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Choral "Herr, ich hoffe je, du werdest die" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Anarg von Wildenfels (Hymn-Writer) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 283)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach1:17
11Erwünschtes Freudenlicht, BWV 184: No. 6. Chorale "Guter Hirte, Trost der Deinen"
bass vocals:
Max van Egmond (bass-baritone) (from 1987-01-10 until 1987-01-11)
choir vocals:
Collegium Vocale Gent (from 1987-01-10 until 1987-01-11) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1987-01-10 until 1987-01-11)
treble vocals:
Alexander Raymann (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
chorus master:
Heinz Hennig (conductor) (from 1987-01-10 until 1987-01-11) and Philippe Herreweghe (Belgian conductor) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Coro (+ Sopran, Bass) "Guter Hirte, Trost der Deinen" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach2:32
12Barmherziges Herze der ewigen Liebe, BWV 185: No. 1. Duett. "Barmherziges Herze der ewigen Liebe"
tenor vocals:
Kurt Equiluz (tenor) (in 1989)
treble vocals:
Helmut Wittek (boy soprano) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": I. Aria Duetto (Sopran, Tenor) "Barmherziges Herze der ewigen Liebe" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:57
13Barmherziges Herze der ewigen Liebe, BWV 185: No. 2. Rezitativ. "Ihr Herzen, die ihr euch"
alto vocals:
Paul Esswood (countertenor) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo (Alt) "Ihr Herzen, die ihr euch" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:03
14Barmherziges Herze der ewigen Liebe, BWV 185: No. 3. Aria. "Sei bemüht in dieser Zeit"
alto vocals:
Paul Esswood (countertenor) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria (Alt) "Sei bemüht in dieser Zeit" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach4:41
15Barmherziges Herze der ewigen Liebe, BWV 185: No. 4. Rezitativ. "Die Eigenliebe schmeichelt sich"
bass vocals:
Thomas Hampson (baritone) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": IV. Recitativo (Bass) "Die Eigenliebe schmeichelt sich" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach1:01
16Barmherziges Herze der ewigen Liebe, BWV 185: No. 5. Aria. "Das ist der Christen Kunst"
bass vocals:
Thomas Hampson (baritone) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": V. Aria (Bass) "Das ist der Christen Kunst" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:15
17Barmherziges Herze der ewigen Liebe, BWV 185: No. 6. Choral. "Ich ruf zu dir, Herr Jesu Christ"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": VI. Choral "Ich ruf zu dir, Herr Jesu Christ" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Agricola (German 16th century protestant reformer)
part of:
Breitkopf 389 Choralgesänge (number: 184)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach1:18
18Ärgre dich, o Seele, nicht, BWV 186: No. 1. Chor. "Ärgre dich, o Seele, nicht"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": I. Coro "Ärgre dich, o Seele, nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach3:16
19Ärgre dich, o Seele, nicht, BWV 186: No. 2. Rezitativ. "Die Knechtsgestalt, die Not, der Mangel"
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": II. Recitativo (Bass) "Die Knechtsgestalt, die Not, der Mangel"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:28
20Ärgre dich, o Seele, nicht, BWV 186: No. 3. Aria. "Bist du, der mir helfen soll"
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": III. Aria (Bass) "Bist du, der mir helfen soll"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:37
21Ärgre dich, o Seele, nicht, BWV 186: No. 4. Rezitativ. "Ach, daß ein Christ so sehr"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IV. Recitativo (Tenor) "Ach, daß ein Christ so sehr"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:15
22Ärgre dich, o Seele, nicht, BWV 186: No. 5. Aria. "Mein Heiland läßt sich merken"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": V. Aria (Tenor) "Mein Heiland läßt sich merken"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:55
23Ärgre dich, o Seele, nicht, BWV 186: No. 6. Choral. "Ob sichs anließ, als wollt er nicht"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VI. Choral "Ob sichs anließ, als wollt er nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:56
24Ärgre dich, o Seele, nicht, BWV 186: No. 7. Rezitativ. "Es ist die Welt die große Wüstenei"
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VII. Recitativo (Bass) "Es ist die Welt die große Wüstenei"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:43
25Ärgre dich, o Seele, nicht, BWV 186: No. 8. Aria. "Die Armen will der Herr umarmen"
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VIII. Aria (Sopran) "Die Armen will der Herr umarmen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach3:00
26Ärgre dich, o Seele, nicht, BWV 186: No. 9. Rezitativ. "Nun mag die Welt mit ihrer Lust vergehen"
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IX. Recitativo (Alt) "Nun mag die Welt mit ihrer Lust vergehen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:25
27Ärgre dich, o Seele, nicht, BWV 186: No. 10. Aria. "Laß, Seele, kein Leiden"
alto vocals:
Paul Esswood (countertenor)
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": X. Duetto (Sopran, Alt) "Laß, Seele, kein Leiden"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach4:57
28Ärgre dich, o Seele, nicht, BWV 186: No. 11. Choral. "Die Hoffnung wart' der rechten Zeit"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": XI. Choral "Die Hoffnung wart' der rechten Zeit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:58
29Es wartet alles auf dich, BWV 187: No. 1. Chor. "Es wartet alles auf dich"
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": I. Coro "Es wartet alles auf dich"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach7:10
30Es wartet alles auf dich, BWV 187: No. 2. Rezitativ. "Was Kreaturen hält, das große Rund der Welt"
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": II. Recitativo (Bass) "Was Kreaturen hält"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach0:56
31Es wartet alles auf dich, BWV 187: No. 3. Aria. "Du Herr, du krönst allein das Jahr"
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach4:31
32Es wartet alles auf dich, BWV 187: No. 4. Aria. "Darum sollt ihr nicht sorgen"
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach2:46
33Es wartet alles auf dich, BWV 187: No. 5. Aria. "Gott versorget alles Leben"
treble vocals:
Michael Emmermann (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach4:19
34Es wartet alles auf dich, BWV 187: No. 6. Rezitativ. "Halt ich nur fest an ihm"
treble vocals:
Michael Emmermann (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VI. Recitativo (Sopran) "Halt ich nur fest an ihm"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach1:17
35Es wartet alles auf dich, BWV 187: No. 7. Choral. "Gott hat die Erde zugericht"
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VII. Choral "Gott hat die Erde zugericht'"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Hans Vogel (in 1563)
part of:
Breitkopf 389 Choralgesänge (number: 308)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach2:06
36Ich habe meine Zuversicht, BWV 188: No. 1. Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach7:35
37Ich habe meine Zuversicht, BWV 188: No. 2. Aria. "Ich habe meine Zuversicht"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach8:06
38Ich habe meine Zuversicht, BWV 188: No. 3. Rezitativ. "Gott meint es gut mit jedermann"
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach2:00
39Ich habe meine Zuversicht, BWV 188: No. 4. Aria. "Unerforschlich ist die Weise"
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach5:42
40Ich habe meine Zuversicht, BWV 188: No. 5. Rezitativ. "Die Macht der Welt verlieret sich"
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach0:34
41Ich habe meine Zuversicht, BWV 188: No. 6. Choral. "Auf meinen lieben Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 25)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach0:50
42Nun danket alle Gott, BWV 192: No. 1. Chor. "Nun danket alle Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach5:28
43Nun danket alle Gott, BWV 192: No. 2. Duett. "Der ewig reiche Gott"
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
treble vocals:
Helmut Wittek (boy soprano) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": II. Duetto (Sopran, Bass) "Der ewig reiche Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach3:40
44Nun danket alle Gott, BWV 192: No. 3. Choral. "Lob, Ehr und Preis sei Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": III. Coro "Lob, Ehr und Preis sei Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach3:05
45Höchsterwünschtes Freudenfest, BWV 194: No. 1. Chor. "Höchsterwünschtes Freundenfest"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": I. Coro "Höchsterwünschtes Freudenfest" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach5:02
46Höchsterwünschtes Freudenfest, BWV 194: No. 2. Rezitativ. "Unendlich großer Gott"
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": II. Recitativo (Bass) "Unendlich großer Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:10
47Höchsterwünschtes Freudenfest, BWV 194: No. 3. Aria. "Was des Höchsten Glanz erfüllt"
baritone vocals:
Thomas Hampson (baritone)
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Bass) "Was des Höchsten Glanz erfüllt" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach4:47
48Höchsterwünschtes Freudenfest, BWV 194: No. 4. Rezitativ. "Wie könnte dir, du höchstes Angesicht"
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IV. Recitativo (Sopran) "Wie könnte dir, du höchstes Angesicht" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:24
49Höchsterwünschtes Freudenfest, BWV 194: No. 5. Aria. "Hilf, Gott, daß es uns gelingt"
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": V. Aria (Sopran) "Hilf, Gott, daß es uns gelingt" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach6:04
50Höchsterwünschtes Freudenfest, BWV 194: No. 6. Choral. "Heilger Geist ins Himmels Throne"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VI. Choral "Heilger Geist ins Himmels Throne" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 100)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach2:10
51Höchsterwünschtes Freudenfest, BWV 194: No. 7. Rezitativ. "Ihr Heiligen, erfreuet euch"
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VII. Recitativo (Tenor) "Ihr Heiligen, erfreuet euch" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:07
52Höchsterwünschtes Freudenfest, BWV 194: No. 8. Aria. "Des Höchsten Gegenwart allein"
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VIII. Aria (Tenor) "Des Höchsten Gegenwart allein" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach3:48
53Höchsterwünschtes Freudenfest, BWV 194: No. 9. Rezitativ. "Kann wohl ein Mensch zu Gott"
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IX. Recitativo (Duetto Sopran, Bass) "Kann wohl ein Mensch" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach2:10
54Höchsterwünschtes Freudenfest, BWV 194: No. 10. Duett. "O wie wohl ist uns geschehn"
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": X. Aria (Duetto Sopran, Bass) "O wie wohl ist uns geschehn" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach9:24
55Höchsterwünschtes Freudenfest, BWV 194: No. 11. Rezitativ. "Wohlan demnach, du heilige Gemeine"
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XI. Recitativo (Bass) "Wohlan demnach" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach0:46
56Höchsterwünschtes Freudenfest, BWV 194: No. 12. Choral. "Sprich Ja zu meinen Taten"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XII. Choral "Sprich Ja zu meinen Taten" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Gerhardt (17th century hymn writer) (from 1647 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 268)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:18
57Dem Gerechten muß das Licht, BWV 195: No. 1. Chor. "Dem Gerechten muß das Licht"
alto vocals:
René Jacobs (conductor) (in 1988-01)
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
tenor vocals:
John Elwes (tenor) (in 1988-01)
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": I. Coro (Sopran, Alt, Tenor, Bass) "Dem Gerechten muß das Licht immer wieder aufgehen" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach5:24
58Dem Gerechten muß das Licht, BWV 195: No. 2. Rezitativ. "Dem Freudenlicht gerechter Frommen"
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": II. Recitativo (Bass) "Dem Freudenlicht gerechter Frommen" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach1:20
59Dem Gerechten muß das Licht, BWV 195: No. 3. Aria. "Rühmet Gottes Güt und Treu!"
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": III. Aria (Bass) "Rühmet Gottes Güt und Treu" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach4:21
60Dem Gerechten muß das Licht, BWV 195: No. 4. Rezitativ. "Wohlan, so knüpfet denn ein Band"
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": IV. Recitativo (Sopran) "Wohlan, so knüpfet denn ein Band" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach1:15
61Dem Gerechten muß das Licht, BWV 195: No. 5. Chor. "Wir kommen, deine Heiligkeit"
alto vocals:
René Jacobs (conductor) (in 1988-01)
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
tenor vocals:
John Elwes (tenor) (in 1988-01)
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": V. Coro (Sopran, Alt, Tenor, Bass) "Wir kommen, deine Heiligkeit" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach5:52
62Dem Gerechten muß das Licht, BWV 195: No. 6. Choral. "Nun danket all und bringet Ehr"
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": VI. Choral "Nun danket all und bringet Ehr" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1647)
part of:
Breitkopf 389 Choralgesänge (number: 236)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach0:45
63Der Herr denket an uns, BWV 196: No. 1. Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:11
64Der Herr denket an uns, BWV 196: No. 2. Chor. "Der Herr denket an uns"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:15
65Der Herr denket an uns, BWV 196: No. 3. Aria. "Er segnet, die den Herrn fürchten"
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:29
66Der Herr denket an uns, BWV 196: No. 4. Duett. "Der Herr segne euch"
bass vocals:
Thomas Hampson (baritone)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:52
67Der Herr denket an uns, BWV 196: No. 5. Choral. "Ihr seid die Gesegneten des Herrn"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach3:23
68Gott ist unsre Zuversicht, BWV 197: No. 1. Chor. "Gott ist unsre Zuversicht"
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": I. Coro "Gott ist unsre Zuversicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach6:18
69Gott ist unsre Zuversicht, BWV 197: No. 2. Rezitativ. "Gott ist und bleibt der beste Sorger"
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": II. Recitativo (Bass) "Gott ist und bleibt der beste Sorger"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:16
70Gott ist unsre Zuversicht, BWV 197: No. 3. Aria. "Schläfert allen Sorgenkummer"
harpsichord:
Siebe Henstra (harpsichordist)
alto vocals:
René Jacobs (conductor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": III. Aria (Alt) "Schläfert allen Sorgenkummer"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach6:43
71Gott ist unsre Zuversicht, BWV 197: No. 4. Rezitativ. "Drum folget Gott und seinem Triebe"
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IV. Recitativo (Bass) "Drum folget Gott und seinem Triebe"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:54
72Gott ist unsre Zuversicht, BWV 197: No. 5. Choral. "Du süße Lieb, schenk uns deine Gunst"
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": V. Choral "Du süße Lieb, schenk uns deine Gunst"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 255)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:04
73Gott ist unsre Zuversicht, BWV 197: No. 6. Aria. "O du angenehmes Paar"
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VI. Aria (Bass) "O du angenehmes Paar"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach5:39
74Gott ist unsre Zuversicht, BWV 197: No. 7. Rezitativ. "So wie es Gott mit dir getreu"
harpsichord:
Siebe Henstra (harpsichordist)
treble vocals:
Jan Patrick O'Farrell (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VII. Recitativo (Sopran) "So wie es Gott mit dir"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:47
75Gott ist unsre Zuversicht, BWV 197: No. 8. Aria. "Vergnügen und Lust"
harpsichord:
Siebe Henstra (harpsichordist)
treble vocals:
Jan Patrick O'Farrell (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach4:32
76Gott ist unsre Zuversicht, BWV 197: No. 9. Rezitativ. "Und dieser frohe Lebenslauf"
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IX. Recitativo (Bass) "Und dieser frohe Lebenslauf"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:54
77Gott ist unsre Zuversicht, BWV 197: No. 10. Choral. "Sing, bet und geh auf Gottes Wegen"
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": X. Choral "So wandelt froh auf Gottes Wegen"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 370)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:54
78Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 1. Chor. "Laß, Fürstin, laß noch einen Strahl"
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:11
79Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 2. Rezitativ. "Dein Sachsen, dein bestürztes Meißen"
harpsichord:
Siebe Henstra (harpsichordist)
treble vocals:
Jan Patrick O'Farrell (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:16
80Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 3. Aria. "Verstummt, verstummt, ihr holden Saiten"
harpsichord:
Siebe Henstra (harpsichordist)
treble vocals:
Jan Patrick O'Farrell (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:04
81Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 4. Rezitativ. "Der Glocken bebendes Getön"
harpsichord:
Siebe Henstra (harpsichordist)
alto vocals:
René Jacobs (conductor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:47
82Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 5. Aria. "Wie starb die Heldin so vergnügt"
harpsichord:
Siebe Henstra (harpsichordist)
alto vocals:
René Jacobs (conductor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:46
83Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 6. Rezitativ. "Ihr Leben ließ die Kunst zu sterben"
harpsichord:
Siebe Henstra (harpsichordist)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:11
84Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 7. Chor. "An dir, du Fürbild großer Frauen"
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:16
85Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 8. Aria. "Der Ewigkeit saphirnes Haus"
harpsichord:
Siebe Henstra (harpsichordist)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:06
86Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 9. Rezitativ. "Was Wunder ists?"
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:32
87Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 10. Chor. "Doch Königin! du stirbest nicht"
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:03
88Mein Herze schwimmt im Blut, BWV 199: No. 1. Rezitativ. "Mein Herze schwimmt im Blut"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:09
89Mein Herze schwimmt im Blut, BWV 199: No. 2. Aria. "Stumme Seufzer, stille Klagen"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach8:44
90Mein Herze schwimmt im Blut, BWV 199: No. 3. Rezitativ. "Doch Gott mus mir genädig sein"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach1:02
91Mein Herze schwimmt im Blut, BWV 199: No. 4. Aria. "Tief gebückt und voller Reue"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach6:36
92Mein Herze schwimmt im Blut, BWV 199: No. 5. Rezitativ. "Auf diese Schmerzensreu"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach0:15
93Mein Herze schwimmt im Blut, BWV 199: No. 6. Choral. "Ich, dein betrübtes Kind"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:06
94Mein Herze schwimmt im Blut, BWV 199: No. 7. Rezitativ. "Ich lege mich in diese Wunden"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach0:41
95Mein Herze schwimmt im Blut, BWV 199: No. 8. Aria. "Wie freudig ist mein Herz"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano) (in 1988-09)
orchestra:
Concentus Musicus Wien (in 1988-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-09)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (catch-all for unknown versions) (in 1988-09)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:09