One for My Baby: Selections From the Great American Songbook

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Oh, What a Beautiful Morning
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Peggy Lee2:54
2Cheek to Cheek
recorded in:
New York, New York, Vereinigte Staaten (am 1935-06-26)
vocals:
Fred Astaire (am 1935-06-26)
Orchester:
Leo Reisman and His Orchestra (am 1935-06-26)
recording of:
Cheek to Cheek (from “Top Hat”) (am 1935-06-26)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Fred Astaire with Leo Reisman & His Orchestra3:20
3Blue Moon
recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:44
4My Heart Belongs to Daddy
Orchester:
Henri René & His Orchestra (am 1953-10-12)
cover recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
Eartha Kitt with Henri René & His Orchestra3:02
5The Way You Look Tonight
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Doris Day with Frank De Vol and His Orchestra3:27
6That Old Black Magic
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-08-25)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-08-25)
Klavier:
Willie McCumber Jr. (am 1958-08-25)
Posaune:
Lou Sino (am 1958-08-25)
Schlagzeug:
Paul Ferrara (am 1958-08-25)
Tenorsaxophon:
Sam Butera (am 1958-08-25)
Trompete:
Louis Prima (am 1958-08-25)
vocals:
Louis Prima (am 1958-08-25) und Keely Smith (am 1958-08-25)
Orchester:
The Witnesses (am 1958-08-25)
aufgenommen bei:
Sahara Theater in Winchester, Nevada, Vereinigte Staaten (am 1958-08-25)
live cover recording of:
That Old Black Magic (am 1958-08-25)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Louis Prima & Keely Smith42:58
7Blue Skies
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
Techniker(in):
Val Valentin (am 1958-03-18)
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
conductor:
Paul Weston (am 1958-03-18)
Interpret(in):
Paul Weston and His Orchestra (am 1958-03-18)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
cover recording of:
Blue Skies (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ella Fitzgerald53:46
8Georgia on My Mind
cover recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Ray Charles3:40
9I Get Along Without You Very Well (Except Sometimes)
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
I Get Along Without You Very Well (am 1968-09-16)
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nina Simone2.754:53
10One for My Baby (And One More for the Road)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1958-06-25), Stanley Harris (US big band viola player) (am 1958-06-25), Paul Robyn (am 1958-06-25) und Dave Sterkin (am 1958-06-25)
Cello:
James Arkatov (American cellist and photographer) (am 1958-06-25), Armand Kaproff (am 1958-06-25), Joseph Saxon (am 1958-06-25) und Eleanor Slatkin (US cellist, b. Aller) (am 1958-06-25)
Fagott:
Don Christlieb (am 1958-06-25) und Norman Herzberg (bassoon) (am 1958-06-25)
flute:
Arthur Gleghorn (am 1958-06-25) und Harry Klee (am 1958-06-25)
Geige / Violine:
Israel Baker (American violinist) (am 1958-06-25), Victor Bay (am 1958-06-25), Alex Beller (am 1958-06-25), Arnold Belnick (am 1958-06-25), Daniel Karpilowsky (am 1958-06-25), Emo Neufeld (am 1958-06-25), Ben Gill (am 1958-06-25), Paul Shure (am 1958-06-25), Felix Slatkin (am 1958-06-25), Marshall Sosson (am 1958-06-25), Victor Amo (am 1958-06-25) und Gerald Vinci (American violinist and strings conductor) (am 1958-06-25)
Gitarre:
Al Hendrickson (am 1958-06-25) und Al Viola (am 1958-06-25)
Harfe:
Kathryn Julye (am 1958-06-25)
Klarinette:
Gus Bivona (am 1958-06-25), Sal Franzella (am 1958-06-25), Chuck Gentry (am 1958-06-25) und Morris Bercov (am 1958-06-25)
Klavier:
Bill Miller (pianist) (am 1958-06-25)
Kontrabass:
Joe Comfort (am 1958-06-25) und Eddie Gilbert (am 1958-06-25)
Oboe:
Arnold Koblentz (Oboe player) (am 1958-06-25) und Champ Webb (am 1958-06-25)
Perkussion und Schlagzeug:
Frank Flynn (am 1958-06-25) und Bill Richmond (am 1958-06-25)
Posaune:
Milt Bernhart (am 1958-06-25), Russell Brown (Swing trombonist) (am 1958-06-25), Ray Sims (am 1958-06-25) und Tommy Pederson (am 1958-06-25)
Trompete:
Cappy Lewis (am 1958-06-25)
Waldhorn:
James Decker (French hornist) (am 1958-06-25), James McGee (am 1958-06-25) und George Price (am 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-06-25)
Orchester:
The Nelson Riddle Orchestra (am 1958-06-25)
conductor:
Nelson Riddle (am 1958-06-26)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (am 1958-06-26)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
Frank Sinatra2.54:26
11It Don't Mean a Thing (If it Ain't Got That Swing)
recording engineer:
Ray Hall (engineer) (am 1961-04-03)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1961-04-03)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong with The Duke Ellington Orchestra44:00
12The Man I Love
conductor:
Benny Carter
cover recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Sarah Vaughan4:05
13Lazy River
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
recording of:
Lazy River
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
Bobby Darin2:35
14I Get a Kick Out of You
alto saxophone:
Benny Carter (am 1954-08-25)
E-Gitarre:
Barney Kessel (am 1954-08-25)
Klavier:
Jimmy Rowles (am 1954-08-25)
Kontrabass:
John Simmons (bassist) (am 1954-08-25)
Schlagzeug:
Larry Bunker (am 1954-08-25)
Trompete:
Harry “Sweets” Edison (am 1954-09-25)
vocals:
Billie Holiday (am 1954-08-25)
recording of:
I Get a Kick Out of You (am 1955-08-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Billie Holiday5:42
15Someone to Watch Over Me
Bass:
Ray Brown (jazz bassist)
Klavier:
Blossom Dearie
Schlagzeug:
Ed Thigpen
vocals:
Blossom Dearie
recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Blossom Dearie6:00
16I'll Be Seeing You
Produzent(in):
Jimmy Hilliard
conductor:
Gordon Jenkins
arranger:
Gordon Jenkins
recording of:
I’ll Be Seeing You
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Jimmy Durante3:11

Nennungen

Veröffentlichung

ASIN:US: B0032649E2 [Info]