Yesterday Once More

~ Release by Carpenters (see all versions of this release, 8 available)

Tracklist

1▼CD
#TitleRatingLength
1Yesterday Once More
producer:
Karen Carpenter and Richard Carpenter (The Carpenters)
recording of:
Yesterday Once More (on 1973-03-14)
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (in 1973), Hammer & Nails Music (in 1973) and Sweet Harmony Music (US publisher) (in 1973)
4.64:02
2Superstar
assistant engineer:
Norm Kinney
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
keyboard [keyboards] and background vocals:
Richard Carpenter (The Carpenters)
oboe:
Earle Dumler (multi-instrumentalist)
background vocals and lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1971)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1971)
cover recording of:
Superstar (in 1971-03)
writer:
Bonnie Bramlett and Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music and Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4.353:49
3Rainy Days and Mondays
assistant engineer:
Norm Kinney
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
harmonica:
Tommy Morgan (Harmonica player)
keyboard [keyboards] and background vocals:
Richard Carpenter (The Carpenters)
saxophone:
Bob Messenger (Woodwind and bass player)
background vocals and lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1971)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1971-01)
recording of:
Rainy Days and Mondays (on 1971-01-25)
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
4.353:38
4(Want You) Back in My Life Again
synthesizer programming:
Daryl Dragon and Ian Underwood
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Roger Young (engineer)
acoustic guitar:
Tim May (session/jazz guitarist)
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt (drummer)
electric guitar:
Tim May (session/jazz guitarist) and Tony Peluso (American writer, producer and multi-instrumentalist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
percussion:
Paulinho DaCosta (Brazilian percussionist)
tenor saxophone [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals:
Karen Carpenter and Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
recording of:
(Want You) Back in My Life Again
writer:
Kerry Chater and Lon Christian Smith (American songwriter, record producer)
publisher:
Duchess Music Corporation (BMI-affiliated), Home Sweet Home Music (ASCAP-affiliated) and Songs of Universal, Inc. (BMI)
33:41
5Ticket to Ride
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass:
Bob Messenger (Woodwind and bass player) and Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) and lead vocals:
Karen Carpenter
guitar:
Gary Sims (vocalist, guitarist, songwriter)
orchestrator:
Jack Daugherty (American Multi-instrumentalist and music producer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1969)
cover recording of:
Ticket to Ride
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
translated version of:
Boleto para pasear
recording of:
Ticket to Ride
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
translated version of:
Boleto para pasear
3.54:12
6Goodbye to Love
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
electric guitar:
Tony Peluso (American writer, producer and multi-instrumentalist)
recording of:
Goodbye to Love
composed in:
London (Greater London), England, United Kingdom (in 1971)
lyricist:
John Bettis (in 1972)
composer:
Richard Carpenter (The Carpenters) (from 1971 until 1972)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music and Rondor Music (London) Ltd.
4.53:59
7Bless the Beasts and Children
recording of:
Bless the Beasts and Children
writer and composer:
Perry Botkin Jr. (composer, producer, arranger, and musician) and Barry De Vorzon
arranger:
Perry Botkin Jr. (composer, producer, arranger, and musician)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
part of:
The 44th Academy Award for Best Original Song (number: 2)
43:18
8It’s Going to Take Some Time
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
cover recording of:
It’s Going to Take Some Time
lyricist and composer:
Carole King and Toni Stern
publisher:
Screen Gems–Columbia Music, Inc.
4.53:01
9There’s a Kind of Hush
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Jim Gordon (US drummer with Derek and the Dominos)
guitar [guitars]:
Tony Peluso (American writer, producer and multi-instrumentalist)
harp:
Gayle Levant (American studio musician, harpist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
tenor saxophone [tenor sax]:
Bob Messenger (Woodwind and bass player)
cover recording of:
There’s a Kind of Hush
lyricist and composer:
Les Reed and Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
43:06
10Sweet, Sweet Smile
engineer:
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) and Roger Young (engineer)
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
acoustic guitar and electric guitar:
Tony Peluso (American writer, producer and multi-instrumentalist)
banjo:
Larry McNealy
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt (drummer)
fiddle:
Bobby Bruce
tack piano:
Tom Hensley (American songwriter, pianist, arranger)
lead vocals:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
recording of:
Sweet, Sweet Smile
writer:
Juice Newton (American pop and country singer, songwriter, and musician) and Otha Young
publisher:
Addison Street Music, BMG Gold Songs and Sterling Music Co. (Seperate entry from "The Sterling Music Co.")
23:04
11I Won’t Last a Day Without You
cover recording of:
I Won’t Last a Day Without You
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
recording of:
I Won’t Last a Day Without You
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
3:57
12For All We Know
assistant engineer:
Norm Kinney
engineer:
Dick Bogert (Recording and mixing engineer) and Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
oboe:
Earle Dumler (multi-instrumentalist)
background vocals:
Karen Carpenter and Richard Carpenter (The Carpenters)
background vocals and lead vocals and lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1971) and A&M Records, Ltd. (in 1971)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1970 until 1971)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970) (from 1970 until 1971)
lyricist:
Arthur James (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1970 winner)
recording of:
For All We Know (Lovers and Other Strangers, 1970)
lyricist:
Arthur James (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1970 winner)
42:35
13Touch Me When We’re Dancing
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Roger Young (engineer)
producer:
Richard Carpenter (The Carpenters)
acoustic guitar and electric guitar:
Tim May (session/jazz guitarist) and Tony Peluso (American writer, producer and multi-instrumentalist)
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Larrie Londin
harp:
Gayle Levant (American studio musician, harpist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
oboe:
Earl Dumler (multi-instrumentalist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
tenor saxophone [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals:
Karen Carpenter, Richard Carpenter (The Carpenters) and Carolyn Dennis (American singer)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1981)
cover recording of:
Touch Me When We’re Dancing
writer:
Ken Bell, Terry Nelson Skinner and J.L. Wallace (US songwriter and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and PolyGram Music Publishing Ltd.
33:23
14Calling Occupants of Interplanetary Craft
engineer:
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) and Roger Young (engineer)
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt (drummer)
electric guitar and spoken vocals [DJ]:
Tony Peluso (American writer, producer and multi-instrumentalist)
electric piano, piano [acoustic piano] and synthesizer:
Richard Carpenter (The Carpenters)
oboe:
Earl Dumler (multi-instrumentalist)
choir vocals:
Gregg Smith Singers
lead vocals:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
orchestra:
Overbudget Philharmonic
conductor:
Peter Knight (British arranger, conductor and composer)
chorus master:
Gregg Smith (choral conductor)
arranger:
Richard Carpenter (The Carpenters)
orchestrator:
Richard Carpenter (The Carpenters) and Peter Knight (British arranger, conductor and composer)
cover recording of:
Calling Occupants of Interplanetary Craft
writer:
Terry Draper and John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Magentalane Music Ltd.
27:08
2▶CD

Credits

Release group

Discogs:https://www.discogs.com/master/85061 [info]
Wikidata:Q7989425 [info]