1 heure 1 vie avec Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

2 disques compacts et 1 livret de 8 pages
Collection : "1 heure 1 vie avec"

Annotation last modified on 2024-06-28 19:44 UTC.

Tracklist

1▶CD: Une heure avec Bach : Les plus grands moments
2▼CD: Une vie avec Bach : Trois chefs-d'œuvre en intégralité
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1Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Magnificat (chœur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:05
2Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Et exsultavit spiritus meus (soprano II)
producer:
Hans Joachim Daub (producer)
soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:31
3Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Insertion A: « Vom Himmel hoch » (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat in D major, BWV 243: III. Choral Interpolation "Vom Himmel hoch" (from 1979-02 until 1979-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:37
4Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Qui respexit humilitatem (soprano I) - Omnes generationes (chœur)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
compilation of:
Magnificat BWV 243 in D major, 3. Quia respexit humilitatem by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor) and Magnificat BWV 243 in D major, 4. Omnes generationes by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:53
5Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Quia fecit mihi magna (basse I)
producer:
Hans Joachim Daub (producer)
bass vocals:
Philippe Huttenlocher (baritone) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:11
6Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Insertion B : « Freut euch und jubilieret » (chœur) - Et misericordia (contralto, ténor)
alto vocals:
Helen Watts (contralto)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Albert Krause
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat in D major, BWV 243: VII. Choral Interpolation "Freut euch und jubiliert"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
5:02
7Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Fecit potentiam (chœur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:03
8Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Insertion C : « Gloria in excelsis Deo » (chœur) - Deposuit potentes (ténor)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Albert Krause
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat in D major, BWV 243: X. Choral Interpolation "Gloria in excelsis Deo"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:15
9Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Esurientes implevit bonis (contralto)
producer:
Hans Joachim Daub (producer)
contralto vocals:
Helen Watts (contralto) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:06
10Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Insertion D : « Virga jesse floruit » (soprano I, basse II) - Suscepit Israel (sopranos I & II, contralto)
alto vocals:
Helen Watts (contralto)
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano) and Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
4:59
11Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Sicut locutus est (chœur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:04
12Magnificat en ré majeur, pour solistes, chœur et orchestre, BWV 243 : Gloria Patri (chœur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:16
13Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : I. Allegro
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:16
14Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : II. Andante
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:38
15Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : III. Allegro assai
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:43
16Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : I. Allegro
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
10:49
17Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : II. Affetuoso
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:41
18Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : III. Allegro assai
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:29

Credits

Release group

part of:1 heure 1 vie avec (order: 1)