| Nr. | Titel | Bewertung | Länge |
|---|
| 1 | Plain Gold Ring | 2.65 | 3:54 |
| 2 | Black Is the Colour of My True Love’s Hair | 4 | 3:45 |
| 3 | I’ll Look Around | 5 | 5:08 |
| 4 | Flo Me La | 1 | 7:14 |
| 5 | Zungo | | 3:00 |
| 6 | Summertime- aufgenommen bei:
- The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
- Kompilation von:
- Summertime (instrumental) von Nina Simone und Summertime (vocal) von Nina Simone
- live cover recording of:
- Summertime (am 1959-09-12)
- Texter:
- Ira Gershwin (in 1934), Dorothy Heyward (in 1934) und DuBose Heyward (in 1934)
- Komponist(in):
- George Gershwin (in 1934)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. , Warner/Chappell , Warner/Chappell Music Holland BV, Warner/Chappell North America Limited , Ira Gershwin Music (in 1935), WB Music Corp. (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
- Version von:
- Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
| | 6:03 |
| 7 | Good Bait | 3 | 5:28 |
| 8 | Do Nothin’ Till You Hear From Me | 3.65 | 2:50 |
| 9 | Solitaire | 5 | 3:26 |
| 10 | In the Evening by the Moonlight | | 6:10 |
| 11 | Mood Indigo- recorded in:
- New York, New York, Vereinigte Staaten (in 1957-12)
- Bass:
- Jimmy Bond (in 1957-12)
- Klavier und Sologesang:
- Nina Simone (in 1957-12)
- Schlagzeug:
- Albert “Tootie” Heath (in 1957-12)
- phonographisches Urheberrecht (℗) von:
- Phillips (in 1966)
- aufgenommen bei:
- Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
- cover recording of:
- Mood Indigo (in 1957-12)
- Texter:
- Irving Mills (in 1930)
- Komponist(in):
- Barney Bigard (in 1930) und Duke Ellington (in 1930)
- publisher:
- Duke Ellington Music, Famous Music Corporation , Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
- sub-publisher:
- ソニー・ミュージックパブリッシング CMP外国事業部 und ヤマハミュージックエンタテインメントホールディングス
- Teil von:
- The Real Book
| 3 | 4:05 |
| 12 | I Don’t Want Him Anymore | | 5:49 |
| 13 | Rags and Old Iron | 4.65 | 4:08 |
| 14 | Blue Prelude | 4 | 3:23 |
| 15 | African Mailman | 1 | 3:10 |
| 16 | Tomorrow We Will Meet Once More | 4 | 3:02 |
| 17 | Don’t Smoke in Bed | 3 | 3:14 |
| 18 | Willow Weep for Me | 3.25 | 3:14 |
| 19 | He Needs Me | 5 | 2:33 |
| 20 | Gin House Blues | 3 | 3:06 |
| 21 | It Might as Well Be Spring | 3.75 | 3:56 |
| 22 | I Love You Porgy- recorded in:
- New York, New York, Vereinigte Staaten (in 1957-12)
- Klavier und Sologesang:
- Nina Simone (in 1957-12)
- Kontrabass:
- Jimmy Bond (in 1957-12)
- Schlagzeug:
- Albert “Tootie” Heath (in 1957-12)
- phonographisches Urheberrecht (℗) von:
- Bethlehem Records (in 1958) und WEA International Inc. (in 2005)
- aufgenommen bei:
- Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
- cover recording of:
- I Loves You, Porgy (in 1957-12)
- Texter:
- Ira Gershwin und DuBose Heyward
- Komponist(in):
- George Gershwin
- publisher:
- Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. , Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
- Version von:
- Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
| 3 | 4:12 |
| 23 | Work Song | 4.65 | 2:36 |
| 24 | Central Park Blues | 4 | 3:07 |
| 25 | Chilly Winds Don’t Blow | 4 | 2:48 |
| 26 | Exactly Like You | 3 | 3:26 |
| 27 | Theme (From “Middle of the Night”) | 3 | 2:30 |
| 28 | Merry Mending | 3 | 2:35 |
| 29 | Memphis in June | 5 | 2:39 |
| 30 | Children Go Where I Send You | 4 | 2:52 |
| 31 | Can’t Get Out of This Mood | 4 | 2:33 |
| 32 | You’d Be So Nice to Come Home To | | 5:25 |
| 33 | No Good Man | 4 | 3:39 |
| 34 | That’s Him Over There | 4.25 | 2:31 |
| 35 | I Love to Love | 3 | 3:27 |
| 36 | Cotton Eyed Joe | 2 | 3:14 |
| 37 | Love Me or Leave Me- recorded in:
- New York, New York, Vereinigte Staaten (in 1957-12)
- Klavier und Sologesang:
- Nina Simone (in 1957-12)
- Kontrabass:
- Jimmy Bond (in 1957-12)
- Schlagzeug:
- Albert “Tootie” Heath (in 1957-12)
- phonographisches Urheberrecht (℗) von:
- Bethlehem Records (in 1958)
- aufgenommen bei:
- Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
- cover recording of:
- Love Me or Leave Me (in 1957-12)
- Texter:
- Gus Kahn
- Komponist(in):
- Walter Donaldson
- publisher:
- EMI Music , EMI Music Publishing Ltd. , Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. , Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
| 4.75 | 3:24 |
| 38 | Tomorrow | 4 | 3:03 |
| 39 | My Baby Just Cares for Me- Klavier und Sologesang:
- Nina Simone (in 1957-12)
- Kontrabass:
- Jimmy Bond (in 1957-12)
- Schlagzeug:
- Albert “Tootie” Heath (in 1957-12)
- phonographisches Urheberrecht (℗) von:
- Bethlehem Records (in 1958)
- aufgenommen bei:
- Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
- Bearbeitung von:
- My Baby Just Cares for Me (special extended version) von Nina Simone
- cover recording of:
- My Baby Just Cares for Me (in 1957-12)
- Texter und Komponist(in):
- Walter Donaldson und Gus Kahn
- publisher:
- Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. , Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
| 3.9 | 3:38 |
| 40 | For All We Know- recorded in:
- New York, New York, Vereinigte Staaten (in 1957-12)
- Klavier:
- Nina Simone (in 1957-12)
- Kontrabass:
- Jimmy Bond (in 1957-12)
- Schlagzeug:
- Albert “Tootie” Heath (in 1957-12)
- vocals:
- Nina Simone (in 1957-12)
- phonographisches Urheberrecht (℗) von:
- Bethlehem Records (in 1959)
- cover recording of:
- For All We Know (in 1957-12)
- Texter:
- Sam M. Lewis (in 1934)
- Komponist(in):
- J. Fred Coots (in 1934)
- publisher:
- Bienstock Publishing Company (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
| | 4:02 |
| 41 | I Got It Bad (And That Ain’t Good) | 2.5 | 4:06 |
| 42 | The Gal From Joe’s | 4.65 | 2:08 |
| 43 | He’s Got the Whole World in His Hands | 1 | 3:10 |
| 44 | You Can Have Him | | 5:59 |
| 45 | Where Can I Go Without You | 3 | 2:51 |
| 46 | Something to Live For | 3 | 2:55 |
| 47 | You’ll Never Walk Alone- recorded in:
- New York, New York, Vereinigte Staaten (in 1957-12)
- Bass:
- Jimmy Bond (in 1957-12)
- Klavier:
- Nina Simone (in 1957-12)
- Schlagzeug:
- Albert “Tootie” Heath (in 1957-12)
- phonographisches Urheberrecht (℗) von:
- EMI Records Ltd. (in 1998)
- aufgenommen bei:
- Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
- instrumental cover recording of:
- You’ll Never Walk Alone (in 1957-12)
- Texter:
- Oscar Hammerstein II
- Komponist(in):
- Richard Rodgers
- publisher:
- Chappell Music Ltd., EMI Music Publishing , EMI Music Publishing Ltd. , T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
- Teil von:
- Carousel
| 3 | 3:47 |
| 48 | Little Girl Blue- Bass:
- Jimmy Bond (in 1957-12)
- Klavier und Sologesang:
- Nina Simone (in 1957-12)
- Schlagzeug:
- Albert “Tootie” Heath (in 1957-12)
- phonographisches Urheberrecht (℗) von:
- Bethlehem Records (in 1958)
- aufgenommen bei:
- Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
- cover recording of:
- Little Girl Blue (in 1957-12)
- Texter:
- Lorenz Hart (in 1935)
- Komponist(in):
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. , Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 und ワーナー・チャペル音楽出版 Synch事業部
- Teil von:
- Jumbo
| 4 | 4:17 |
| 49 | Fine and Mellow | | 3:46 |
| 50 | Wild Is the Wind- Produzent(in):
- Bob Blake und Jack Gold
- Bass:
- Jimmy Bond (in 1959-10)
- Klavier und Sologesang:
- Nina Simone (in 1959-10)
- Schlagzeug:
- Albert “Tootie” Heath (in 1959-10)
- phonographisches Urheberrecht (℗) von:
- EMI Records Ltd. (in 1959)
- cover recording of:
- Wild Is the Wind (in 1959-10)
- Texter:
- Ned Washington
- Komponist(in):
- Dimitri Tiomkin
- publisher:
- BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
- Teil von:
- The 30th Academy Award for Best Original Song (Nummer: 2)
| | 3:29 |
| 51 | The Other Woman | 4.65 | 3:01 |
| 52 | Nina’s Blues | | 6:11 |
| 53 | Return Home | 4 | 5:28 |
| 54 | Trouble in Mind | | 5:42 |
| 55 | Stompin’ at the Savoy | 4 | 2:10 |
| 56 | Just Say I Love Him | 5 | 6:39 |
| 57 | Forbidden Fruit | 3 | 3:48 |
| 58 | You’ve Been Gone Too Long | 5 | 2:08 |
| 59 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | 4 | 2:33 |
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