100 Greatest 50s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Dream Lover
Bobby Darin2:31
2Down in Mexico
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-11)
Techniker(in):
Bunny Robyn (Aufgabe: recording)
Produzent(in):
Leiber and Stoller (songwriting team)
Conga [conga]:
Chico Guerrero (am 1956-01-11)
Gitarre:
Barney Kessel (am 1956-01-11)
Klavier:
Mike Stoller (am 1956-01-11)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1956-01-11)
Schlagzeug [drums]:
Jesse Sailes (am 1956-01-11)
Tenorsaxophon:
Gil Bernal (am 1956-01-11)
vocals:
The Coasters (am 1956-01-11)
arranger:
Mike Stoller
recording of:
Down in Mexico (am 1956-01-11)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
The Coasters33:13
3Living Doll
recording of:
Living Doll
Texter und Komponist(in):
Lionel Bart
publisher:
J. Albert & Son Pty. Ltd.
The Drifters, Cliff Richard2:39
4Come On, Let’s Go
recording of:
Come On, Let’s Go
Texter und Komponist(in):
Ritchie Valens
publisher:
Tro-Essex Music Ltd.
Ritchie Valens2:05
5Tweedle Dee
recorded in:
New York, New York, Vereinigte Staaten (am 1954-10-20)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Schlagzeug und Schlagzeug [drums]:
Connie Kay (am 1954-10-20)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-10-20)
Hintergrundgesang:
The Gliders (UK rock trio) (am 1954-10-20)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
cover recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
LaVern Baker3:07
6Wild Wild Young Men
recorded in:
New York, New York, Vereinigte Staaten (am 1953-04-10)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1953-04-10)
Gitarre:
Rector Bailey (am 1953-04-10)
Klavier:
Van Walls (R&B pianist) (am 1953-04-10)
Kontrabass [bass]:
George Duvivier (am 1953-04-10)
Schlagzeug [drums]:
Connie Kay (am 1953-04-10)
Tenorsaxophon:
Freddie Mitchell (am 1953-04-10)
Trompete:
Taft Jordan (am 1953-04-10)
vocals:
Ruth Brown (am 1953-04-10)
arranger:
Jesse Stone
recording of:
Wild Wild Young Men (am 1953-04-10)
Texter und Komponist(in):
Nugetre (US songwriter/producer)
Ruth Brown2:32
7Only Sixteen
cover recording of:
Only Sixteen
Verfasser(in):
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
publisher:
ABKCO Music und Ardmore and Beechwood Ltd.
Craig Douglas2:16
8Lollipop
recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross (musician (piano) and songwriter)
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mudlarks1:57
9Wake Up Little Susie
recording of:
Wake Up Little Susie
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers2:04
10Shakin’ All Over
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd & the Pirates2:21
11Mess Around
recording of:
Mess Around
Verfasser(in):
Ahmet Ertegun (US songwriter/producer)
publisher:
Progressive Music (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:39
12Do You Wanna Dance
recorded in:
Vereinigte Staaten
Produzent(in):
Morty Palitz
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 39)
recording of:
Do You Want to Dance
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
recording of:
Do You Want to Dance?
Komponist(in):
Jerry Cohen, Gene McFadden und John Whitehead
Bobby Freeman3.52:37
13Jailhouse RockFrankie Lymon3.52:14
14The Hippy Hippy Shake
Chan Romero1:44
15The Cumberland Gap
recording of:
Cumberland Gap
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 3413)
The Vipers Skiffle Group1:56
16Children Go Where I Send You
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 133)
Nina Simone42:55
17Never Do a Tango With an Eskimo
vocals:
Alma Cogan
recording of:
Never Do a Tango With an Eskimo
Verfasser(in):
Tommie Connor (English songwriter)
Alma Cogan2:13
18Brand New Cadillac
recording of:
Brand New Cadillac (in 1959)
Texter und Komponist(in):
Vince Taylor (rock and roll singer; The Playboys)
publisher:
Carlin Music Corporation
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Vince Taylor & His Playboys2:37
19Witch Doctor
cover recording of:
Witch Doctor
Texter und Komponist(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Armen Bagdasarian und Bourne Music Ltd.
Don Lang2:28
20A White Sport Coat (and a Pink Carnation)
cover recording of:
A White Sport Coat and a Pink Carnation
Texter und Komponist(in):
Marty Robbins
The King Brothers2:20
21Kisses Sweeter Than Wine
cover recording of:
Kisses Sweeter Than Wine
Texter:
Paul Campbell (songwriting pseudonym used by The Weavers)
Komponist(in):
Joel Newman
Jimmie Rodgers42:21
22Mack the Knife
Bobby Darin3:03
23Bye Bye Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1957-03-01)
Bass:
Floyd D. 'Lightnin'' Chance (am 1957-03-01)
E-Gitarre:
Chet Atkins (am 1957-03-01)
Gitarre:
Don Everly (am 1957-03-01), Phil Everly (am 1957-03-01) und Hank Garland (am 1957-03-01)
Klavier:
Floyd Cramer (am 1957-03-01)
Schlagzeug:
Murrey Harman (Session drummer and songwriter) (am 1957-03-01)
vocals:
Don Everly (am 1957-03-01) und Phil Everly (am 1957-03-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 207)
recording of:
Bye Bye Love (am 1957-03-01)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:23
24Maybe
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 195)
recording of:
Maybe (am 1957-10-16)
Texter und Komponist(in):
Richard Barrett (US soul producer/singer)
publisher:
Tunecore Digital Music (publisher; not a release label. Use [no label]) und チューンコアジャパン株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels52:46
25Money Honey
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Gitarre:
Walter Adams (guitarist for The Drifters) (am 1953-08-09)
Baritongesang:
Gerhart Thrasher (am 1953-08-09)
Bass-Gesang:
Willie Ferbie (am 1953-08-09)
Sologesang:
Clyde McPhatter (am 1953-08-09)
Tenor-Gesang:
Bill Pinkney (am 1953-08-09) und Andrew Thrasher (am 1953-08-09)
aufgenommen bei:
Atlantic Recording Studio (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, Vereinigte Staaten (am 1953-08-09)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 252)
recording of:
Money Honey (am 1953-08-09)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
The Drifters with Clyde McPhatter42:59
26Seven Little Girls Sitting in the Back SeatThe Avons2:14
27One Mint Julep
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier:
Harry Van Walls (R&B pianist) (am 1951-12-19)
Schlagzeug [drums]:
Connie Kay (am 1951-12-19)
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1951-12-19)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1951-12-19)
aufgenommen bei:
Atlantic Studios (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, Vereinigte Staaten (am 1951-12-19)
recording of:
One Mint Julep (am 1951-12-19)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Regent Music (BMI) und Unichappell Music
The Clovers2:30
28Flip Flop and FlyBig Joe Turner and his Blues Kings52:48
29I Don’t Know
recording of:
I Don’t Know (am 1959-03-07)
Verfasser(in):
Brook Benton und Bobby Stevenson (US songwriter Augustus R. Stevenson)
publisher:
Shelby Singleton Music Inc. und The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label)
Ruth Brown2:54
30Donna
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Ritchie Valens2:29
31Young Blood
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Techniker(in):
Bunny Robyn (Aufgabe: recording) und Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Barney Kessel (bis 1957-02-15) und Adolph Jacobs (am 1957-02-15)
Klavier:
Mike Stoller (am 1957-02-15)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1957-02-15)
Schlagzeug [drums]:
Jesse Sailes (am 1957-02-15)
Tenorsaxophon:
Gil Bernal (am 1957-02-15)
vocals:
The Coasters (am 1957-02-15), Carl Gardner (am 1957-02-15), Billy Guy (r&b vocalist) (am 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (am 1957-02-15) und Young Jessie (am 1957-02-15)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 414)
recording of:
Young Blood (am 1957-02-15)
Texter:
Jerry Leiber und Doc Pomus
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Copyright Records, EMI Broadcast Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Pomus Songs Inc. und Sony/ATV Songs LLC
The Coasters2.52:20
32Mary LouRonnie Hawkins2:10
33Beyond the Sea
Bobby Darin2:52
34I Miss You So
cover recording of:
I Miss You So
Verfasser(in):
Jimmy Henderson (in 1939), Sid Robin (US lyricist & composer) (in 1939) und Bertha Scott (in 1939)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Chris Connor2:23
35Dance With Me (single version)
The Drifters2:24
36Who Put the Bomp (in the Bomp Bomp Bomp)
cover recording of:
Who Put the Bomp (In the Bomp, Bomp, Bomp) (in 1961-08)
Verfasser(in):
Gerry Goffin und Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
übersetzte Version von:
Quien puso el bomp? (Versión en español por Los Twist)
Frankie Lymon & The Teenagers2:59
37A Lover’s Question
Clyde McPhatter2:30
38The Story of My Life
cover recording of:
The Story of My Life
Texter:
Hal David
Komponist(in):
Burt Bacharach
Michael Holliday2:16
39Mister Sandman
Max Bygraves2:31
40What Do You Want
recording of:
What Do You Want?
Texter und Komponist(in):
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:38
41Hallelujah, I Love Her So
recording of:
Hallelujah, I Love Her So
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music und Unichappell Music, Inc.
Ray Charles2:36
42Hey, Miss Fannie
The Clovers2:26
43Gloria
cover recording of:
Gloria (1940s doo-wop song written by Leon René) (in 1954-07)
Texter:
Esther Navarro und Leon René
Komponist(in):
Leon René
The Cadillacs2:54
44There Goes My BabyThe Drifters2:10
45Sh‐Boom
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-15)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (am 1954-03-15)
arranger:
Howard Biggs
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 215)
recording of:
Sh‐Boom (am 1954-03-15)
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:24
46All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:23
47C.C. Rider
recorded in:
New York, New York, Vereinigte Staaten (am 1957-01-31)
Bass:
Lloyd Trotman (US jazz bassist) (am 1957-01-31)
Gitarre:
Al Caiola (am 1957-01-31) und Roy Gaines (am 1957-01-31)
Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-01-31)
Marimba:
Phil Kraus (am 1957-01-31)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1957-01-31)
Tenorsaxophon:
Gene Barge (am 1957-01-31) und Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1957-01-31)
Trompete:
James Harris (trumpet) (am 1957-01-31)
Hintergrundgesang:
Elise Bretton (am 1957-01-31), Robert Miller (vocals) (am 1957-01-31), Marcia Nell (am 1957-01-31) und Myriam Workman (am 1957-01-31)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1957-01-31)
conductor:
Jesse Stone (am 1957-01-31)
Chuck Willis2:30
48Teardrops From My Eyes
recorded in:
New York, New York, Vereinigte Staaten (in 1950-09)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Tenorsaxophon:
Budd Johnson (in 1950-09)
vocals:
Ruth Brown (in 1950-09)
Orchester:
Budd Johnson Orchestra (in 1950-09)
recording of:
Teardrops From My Eyes (in 1950-09)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Rightsong Music Inc. und Simon House
Ruth Brown2:51
49Crying in the Chapel
cover recording of:
Crying in the Chapel (am 1953-06-30)
Texter und Komponist(in):
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) und Mijac Music
The Orioles3:02
50Jim Dandy
recorded in:
New York, New York, Vereinigte Staaten (am 1955-12-21)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Hintergrundgesang:
The Gliders (UK rock trio) (am 1955-12-21)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1955-12-21)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 344)
recording of:
Jim Dandy (am 1955-12-21)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und Unichappell Music, Inc.
LaVern Baker4.52:11
51Honey Hush (single version)
Joe Turner2:26
52Such a Night
recorded in:
New York, New York, Vereinigte Staaten (am 1953-11-12)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1953-11-12)
Gitarre:
Mickey Baker (am 1953-11-12) und Jimmy Oliver (guitar, Drifters) (am 1953-11-12)
Klavier:
Harry Van Walls (R&B pianist) (am 1953-11-12)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1953-11-12)
Baritongesang:
Andrew Thrasher (am 1953-11-12)
Bass-Gesang:
Bill Pinkney (am 1953-11-12)
Sologesang:
Clyde McPhatter (am 1953-11-12)
Tenor-Gesang:
Clyde McPhatter (am 1953-11-12) und Gerhart Thrasher (am 1953-11-12)
recording of:
Such a Night (am 1953-11-12)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation und Raleigh Music, Inc.
The Drifters with Clyde McPhatter42:30
53Splish Splash
Bobby Darin2:12
54Strollin’
Champion Jack Dupree3:02
55Don’t You Know I Love You
recorded in:
New York, New York, Vereinigte Staaten (am 1951-02-22)
Produzent(in):
Ahmet Ertegun (US songwriter/producer)
Klavier:
Randy Weston (am 1951-02-22)
Tenorsaxophon:
Frank Culley (am 1951-02-22)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1951-02-22)
recording of:
Don’t You Know I Love You (am 1951-02-22)
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
publisher:
Unichappell Music, Inc.
The Clovers3:15
56Party Doll
recording of:
Party Doll
Texter und Komponist(in):
Buddy Knox (US country rocker, of The Rhythm Orchids)
Verfasser(in):
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) und Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three und Patricia Music Publ. Corp.
Buddy Knox2:15
57Please Don’t Touch
cover recording of:
Please Don’t Touch
Komponist(in):
Frederick Heath und Guy Robinson (UK songwriter)
publisher:
EMI Blackwood Music Inc.
Johnny Kidd & the Pirates1:53
58Mambo Italiano
Alma Cogan2:26
59Since I Met You Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1956-09-05)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Klavier:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (am 1956-09-05)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1956-09-05)
vocals:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (am 1956-09-05)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1956-09-05)
arranger:
Ray Ellis (US producer, arranger and conductor)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 16)
recording of:
Since I Met You Baby (am 1956-09-05)
Texter und Komponist(in):
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
BMG Platinum Songs, Bonuswise Ltd. und Unichappell Music, Inc.
Ivory Joe Hunter2:44
60Along Came Jones
recording of:
Along Came Jones
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
The Coasters2:58
61A Thousand Miles Away
The Heartbeats2:28
62That’s My Desire
The Channels2:32
63I Loves You Porgy
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:04
64Danny Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1950-04-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier:
Billy Kyle (am 1950-04-19)
Posaune:
Tyree Glenn (am 1950-04-19)
Tenorsaxophon:
Lucky Thompson (am 1950-04-19)
Trompete:
Shorty Baker (am 1950-04-19)
vocals:
Al Hibbler (am 1950-04-19)
recording of:
Danny Boy (am 1950-04-19)
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
Al Hibbler3:11
65Speedoo
The Cadillacs2:22
66The ABC’s of Love
recording of:
The ABC’s of Love (am 1956-08-23)
Verfasser(in):
Richard Barrett (US soul producer/singer) und George Goldner
publisher:
EMI Longitude Music
Frankie Lymon & The Teenagers1:56
67I Waited Too Long
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
alto saxophone:
Bud Johnson (am 1959-03-12)
Gitarre:
Mickey Baker (am 1959-03-12), Wally Richardson (US jazz/R&B guitarist) (am 1959-03-12) und Neil Sedaka (am 1959-03-12)
Klavier:
Howard Biggs (am 1959-03-12)
Kontrabass:
Wendell Marshall (am 1959-03-12)
Marimba:
Phil Kraus (am 1959-03-12)
membranophone:
Sticks Evans (am 1959-03-12)
Tenorsaxophon:
King Curtis (saxophonist) (am 1959-03-12)
Hintergrundgesang:
Elise Bretton (am 1959-03-12), Gene Lowell (60s era Producer, Conductor, Chorus Master) (am 1959-03-12), Leon Hurst (am 1959-03-12), Marilyn Palmer (am 1959-03-12), Maria-Neil Patterson (am 1959-03-12), Gene Steck (am 1959-03-12) und Richard Williams (singer) (am 1959-03-12)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1959-03-12)
conductor:
Chuck Saggle (am 1959-03-12)
arranger:
Chuck Saggle
recording of:
I Waited Too Long (am 1959-03-12)
Verfasser(in):
Howard Greenfield und Neil Sedaka
LaVern Baker2:33
68I’ve Got a Woman
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-Tenorsaxophon:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
WGST Studio in Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2019) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 235)
recording of:
I Got a Woman (am 1954-11-18)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:52
69Long Lonely Nights
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Gitarre:
Al Caiola
Klavier:
Ernie Hayes (American pianist, organist and arranger)
Kontrabass [bass]:
Wendell Marshall
Marimba:
Phil Kraus
Schlagzeug [drums]:
Joe Marshall (jazz drummer)
Tenorsaxophon:
Budd Johnson
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Clyde McPhatter
arranger:
Budd Johnson
recording of:
Long Lonely Nights
Verfasser(in):
Bernice Davis, Douglas Henderson, Lee Andrews und Mimi Uniman (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clyde McPhatter2:25
70Devil or Angel
recording of:
Devil or Angel
Texter und Komponist(in):
Blanche Carter (The Night People)
The Clovers2:24
71So Much
Little Anthony and the Imperials2:24
72What Am I Living For
recorded in:
New York, New York, Vereinigte Staaten (am 1958-02-14)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Gitarre:
George Barnes (am 1958-02-14) und Al Caiola (am 1958-02-14)
Klavier:
Sam Price (jazz/blues/boogie pianist) (am 1958-02-14)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1958-02-14)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1958-02-14)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-02-14)
Vibraphon [vibes]:
Teddy Charles (am 1958-02-14)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1958-02-14)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 35)
recording of:
What Am I Living For?
Verfasser(in):
Art Harris und Fred Jay
publisher:
Carlin Music Corporation
Chuck Willis2:27
73Shake, Rattle and Roll
Joe Turner3:00
74Every Night (I Pray)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-22)
recording of:
Every Night (I Pray) (am 1958-01-22)
Verfasser(in):
Richard Barrett (US soul producer/singer)
vorher zugeschrieben zu:
George Goldner
The Chantels42:04
75It May Sound Silly (single version)
Ivory Joe Hunter2:44
76’Cause I Love You
recording of:
’Cause I Love You
Verfasser(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Carla & Rufus2:47
77Trust in Me
cover recording of:
Trust in Me
Texter:
Ned Wever
Komponist(in):
Milton Ager und Jean Schwartz
Chris Connor2:16
78Drinkin’ Wine Spo‐Dee‐O‐Dee
recorded in:
New York, New York, Vereinigte Staaten (am 1949-02-14)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Brownie McGhee (am 1949-02-14) und Stick McGhee (am 1949-02-14)
Klavier:
Wilbert "Big Chief" Ellis (am 1949-02-14)
Kontrabass [bass]:
Gene Ramey (am 1949-02-14)
Schlagzeug [drums]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1949-02-14)
Sologesang:
Stick McGhee (am 1949-02-14)
Interpret(in):
Stick McGhee and His Buddies (am 1949-02-14)
recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1949-02-14)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
Stick McGhee & His Buddies3:13
79Queen of the Hop
recording of:
Queen of the Hop
Verfasser(in) und Komponist(in):
Woody Harris
publisher:
Tweed Music (ASCAP) und Walden Music (publisher)
Bobby Darin32:12
80Bird Dog
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
recording of:
Bird Dog (am 1958-07-10)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
recording of:
Bird Dog (in 1958)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
The Everly Brothers12:16
81La Bamba (single version)
recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Ritchie Valens2:07
82Riot in Cell Block No. 9
Bass:
Ralph Hamilton (US jazz/R&B bassist) (in 1954)
Gitarre:
Barney Kessel (in 1954)
Klavier:
Mike Stoller (in 1954)
Saxophon:
Gil Bernal (in 1954)
Schlagzeug:
Jesse Sailes (in 1954)
Sologesang:
Richard Berry (US singer/songwriter, composed “Louie Louie”) (in 1954)
vocals:
Carl Gardner (in 1954), Bobby Nunn (US doo‐wop/R&B bass vocalist) (in 1954), Billy Richard (of The Robins) (in 1954), Roy Richard (from The Robins) (in 1954) und Ty Terrell (in 1954)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1954)
recording of:
Riot in Cell Block #9 (in 1954)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
The Robins2.53:03
83Forty Days
Ronnie Hawkins3:35
84Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:19
85Yakety Yak
recording of:
Yakety Yak
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters1:52
86This Ole House
cover recording of:
This Ole House
Texter und Komponist(in):
Stuart Hamblen
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Universal/MCA Music Publishing Pty Ltd
Billie Anthony2:19
87T‐Bone Blues
T‐Bone Walker3:49
88Junker’s Blues
Champion Jack Dupree3:13
89Jack o’ Diamonds
Ruth Brown2:33
90Love Love Love
The Clovers2:05
91Tears on My Pillow
Little Anthony & the Imperials2:17
92Peek‐A‐Boo
The Cadillacs2:10
93Save the Last Dance for Me
recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters2:26
94Devil Woman
Buddy Knox2:11
95Move It (live)
The Drifters, Cliff Richard2:18
96A Teenager in Love
Craig Douglas2:19
97The Chill Is On
recorded in:
New York, New York, Vereinigte Staaten (am 1951-04-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier:
Harry Van Walls (R&B pianist) (am 1951-04-19)
vocals:
Joe Turner (am 1951-04-19)
recording of:
The Chill Is On (am 1951-04-19)
Texter und Komponist(in):
Big Joe Turner
Joe Turner2:47
98The Right Time
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Leiber and Stoller (songwriting team) und Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (am 1958-10-28)
Bass:
Edgar Willis (bass) (am 1958-10-28)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1958-10-28)
Schlagzeug:
Milt Turner (am 1958-10-28)
Solo-alto saxophone [alto sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1958-10-28)
Trompete:
Marcus Belgrave (am 1958-10-28) und Lee "Ricky" Harper" (Lee Harper, trumpet player (Ray Charles)) (am 1958-10-28)
Hintergrundgesang:
The Raelettes (am 1958-10-28)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1958-10-28) und Margie Hendrix (am 1958-10-28)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1958-10-28)
cover recording of:
Night Time Is the Right Time (am 1958-10-28)
Komponist(in):
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. und Tro-Essex Music
Ray Charles3.53:25
99Lovers Never Say Goodbye
recording of:
Lovers Never Say Goodbye
Verfasser(in):
Terry Johnson (producer) und Paul Wilson (1950s US baritone vocalist)
publisher:
EMI Longitude Music
The Flamingos2:53
100Book of Love
cover recording of:
Book of Love
Verfasser(in):
Warren Davis, George Malone und Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Nom Music, Inc.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mudlarks2:10