Berlioz Masterworks

~ Release by Hector Berlioz; Orchestre symphonique de Montréal, Charles Dutoit (see all versions of this release, 1 available)

Tracklist

1▶CD: Les Troyens, Acte I
2▶CD: Les Troyens, Acte II, III
3▶CD: Les Troyens, Acte IV
4▶CD: Les Troyens, Acte V
5▶CD: Requiem (Grande Messe des morts) (beginning)
6▶CD: Requiem (Grande Messe des morts) (conclusion)
7▶CD: La Damnation de Faust, I, II Partie
8▶CD: La Damnation de Faust, III, IV Partie
9▶CD: Huit Scènes de Faust, L’ Imperiale, Sur les lagunes, etc.
10▶CD: L’Enfance du Christ, I, II Partie
11▶CD: L’Enfance du Christ, III Partie, Sara la Baigneuse, etc.
12▶CD: Symphonie fantastique
13▼CD: Lélio, ou Le Retour à la vie, Tristia
#TitleArtistRatingLength
1Lélio, ou Le Retour à la vie, op. 14b, 1a. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: Ia. Narration : « Dieu ! Je vis encore » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz3:18
2Lélio, ou Le Retour à la vie, op. 14b, 1. Le Pêcheur
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
piano:
Rolf Bertsch
tenor vocals:
Richard Clement (tenor)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: I. Le Pêcheur « L'onde frémit, l'onde s'agite » (Horatio) (from 1996-10-17 until 1996-10-18)
lyricist:
Hector Berlioz (French composer)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz5:36
3Lélio, ou Le Retour à la vie, op. 14b, 2a. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IIa. Narration « Étrange persistance » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz2:11
4Lélio, ou Le Retour à la vie, op. 14b, 2. Chœur d'Ombres
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
chorus master:
Iwan Edwards
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: II. Chœur d'ombres « Froid de la mort » (Chœur) (from 1996-10-17 until 1996-10-18)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz5:54
5Lélio, ou Le Retour à la vie, op. 14b, 3a. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IIa. Narration « Étrange persistance » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz2:44
6Lélio, ou Le Retour à la vie, op. 14b, 3. Chanson de brigands
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
baritone vocals:
Philippe Rouillon (baritone)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
chorus master:
Iwan Edwards
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: III. Chanson de brigands « J’aurais cent ans » (Le Capitaine, Chœur) (from 1996-10-17 until 1996-10-18)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz3:42
7Lélio, ou Le Retour à la vie, op. 14b, 4a. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IVa. Narration « Comme mon esprit flotte incertain ! » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz1:34
8Lélio, ou Le Retour à la vie, op. 14b, 4. Chant de bonheur
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
harp:
Jennifer Schwartz
tenor vocals:
Gordon Gietz (tenor)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IV. Chant de bonheur « Ô mon bonheur » (La voix imaginaire de Lélio) (from 1996-10-17 until 1996-10-18)
lyricist:
Hector Berlioz (French composer)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz5:09
9Lélio, ou Le Retour à la vie, op. 14b, 5a. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: Va. Narration « Oh ! que ne puis‐je la trouver » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz1:16
10Lélio, ou Le Retour à la vie, op. 14b, 5. La Harpe éolienne - Souvenirs
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: V. La Harpe éolienne – Souvenirs (from 1996-10-17 until 1996-10-18)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz2:58
11Lélio, ou Le Retour à la vie, op. 14b, 6a. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VIa. Narration « Mais pourquoi m’abandonner » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz4:36
12Lélio, ou Le Retour à la vie, op. 14b, 6. Fantaisie sur « La Tempête » de Shakespeare
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
chorus master:
Iwan Edwards
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VI. Fantaisie sur La Tempête de Shakespeare « Miranda ! » (Chœur) (from 1996-10-17 until 1996-10-18)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz13:14
13Lélio, ou Le Retour à la vie, op. 14b, 7. Coda
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
spoken vocals:
Lambert Wilson
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VII. Coda « Assez pour aujourd’hui ! » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz1:15
14Tristia, op. 18, 1. Méditation religieuse
recording engineer:
Ducan Mitchell
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (on 1996-05-24)
conductor:
Charles Dutoit (conductor) (on 1996-05-24)
balance engineer:
John Dunkerley (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (on 1996-05-24)
recording of:
Tristia, op. 18 : I. Méditation religieuse « Ce monde entier » (for chorus and orchestra) (on 1996-05-24)
lyricist:
Anne-Louise Swanton-Belloc
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 56B)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz4:50
15Tristia, op. 18, 2. La Mort d'Ophélie. Ballade
recording engineer:
Ducan Mitchell
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (on 1996-05-24)
conductor:
Charles Dutoit (conductor) (on 1996-05-24)
balance engineer:
John Dunkerley (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (on 1996-05-24)
recording of:
Tristia, op. 18 : II. La Mort d’Ophélie. Ballade « Auprès d’un torrent » (for chorus and orchestra) (on 1996-05-24)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 92B)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz7:01
16Tristia, op. 18, 3. Marche funèbre pour la dernière scène d'Hamlet
recording engineer:
Ducan Mitchell
producer:
Chris Hazell
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (on 1996-05-24)
conductor:
Charles Dutoit (conductor) (on 1996-05-24)
balance engineer:
John Dunkerley (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (on 1996-05-24)
recording of:
Tristia, op. 18: III. Marche funèbre pour la dernière scène d'Hamlet (for chorus and orchestra) (on 1996-05-24)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 103)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz8:03
14▶CD: Roméo et Juliette, I, II Partie
15▶CD: Roméo et Juliette, III Partie, Symphonie funèbre et triomphale
16▶CD: Harold in Italy, Overtures
17▶CD: Overtures