| # | Title | Artist | Rating | Length |
|---|
| 1 | Kids (2 Finger an den Kopf) | Marteria | | 3:50 |
| 2 | Talk Dirty- producer:
- Ricky Reed
- guest lead vocals:
- 2 Chainz
- lead vocals:
- Jason Derulo
- samples:
- Hermetico by Balkan Beat Box
- recording of:
- Talk Dirty
- publisher:
- Jason Desrouleaux
- writer:
- 2 Chainz , E. Frederic, Jason Desrouleaux, Jason Evigan, Ori Kaplan, Sean Douglas , Tamir Muskat and Tomer Yosef
- publisher:
- Abarbanel, Bad Robot, Bluma Music, BMG Chrysalis , Eastman Pond Publishing, Frederic and Ried Music, Irving Music , Muskat Love Music, Reservoir Media Music, Songs From the Boardwalk Music Publishing, LLC, Ty Epps Music and Warner–Tamerlane Publishing Corp.
| Jason Derulo feat. 2 Chainz | 2.65 | 2:57 |
| 3 | Show Me | Kid Ink feat. Chris Brown | 3 | 3:38 |
| 4 | Einer dieser Steine | Sido feat. Mark Forster | | 3:56 |
| 5 | Keep Calm (Fuck U) | Kay One | | 4:43 |
| 6 | Verdammt guter Tag | Culcha Candela | | 3:32 |
| 7 | Wrecking Ball- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Mike Caffery , Clint Gibbs and Sven Heidinga
- mixer:
- Serban Ghenea
- cello:
- Suzie Katayama
- instruments:
- Cirkut and Dr. Luke
- strings:
- David Richard Campbell
- viola:
- Andrew Duckles and Darrin McCann
- violin:
- Charlie Bisberat , Kevin Connolly and Songa Lee
- lead vocals:
- Miley Cyrus
- phonographic copyright (℗) by:
- RCA Records (in 2013)
- music videos:
- Wrecking Ball (official video) by Miley Cyrus
- part of:
- Billboard Decade End Chart: Streaming Songs (number: 18), Billboard Year-End Hot 100 singles of 2013 (number: 18), Stereogum: The 200 Best Songs of the 2010s (number: 30), Billboard Year-End Hot 100 singles of 2014 (number: 44), Pitchfork: The 200 Best Songs of the 2010s (number: 152), Billboard: The 500 Best Pop Songs (number: 156) and BILLIONS CLUB
- recording of:
- Wrecking Ball
- writer:
- Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald , Stephan Moccio and Sacha Skarbek
- publisher:
- BMG Platinum Songs, BMG Rights Management (US) LLC , BMG Rights Management GmbH , Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing , Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc. , Sony/ATV Tunes LLC and Universal Music Publishing Canada II
| Miley Cyrus | 3.7 | 3:41 |
| 8 | Are We All We Are- engineer:
- Jake Sinclair and Laura Sisk
- producer:
- Emile Haynie , John Hill and Butch Walker
- assistant mixer:
- Eric Isip
- mixer:
- Rich Costey
- editor:
- Chris Kaysch
- keyboard:
- Zac Baird
- strings:
- Philip A. Peterson
- background vocals:
- P!nk and Butch Walker
- recorded at:
- Earthstar Creation Center in Venice, Los Angeles, California, United States, Ruby Red Productions in Santa Monica, California, United States and Sonora Recorders in Los Angeles, California, United States
- mixed at:
- Eldorado Recording Studios in Burbank, California, United States
- recording of:
- Are We All We Are (in 2012)
- writer:
- Alecia Moore , Bradley Walker, Emile Haynie and John Hill
| P!nk | 3.4 | 3:38 |
| 9 | Say Something | A Great Big World | | 3:51 |
| 10 | Ich lass für dich das Licht an | Revolverheld | | 3:31 |
| 11 | Unter die Haut | Tim Bendzko feat. Cassandra Steen | 5 | 3:56 |
| 12 | Im Rausch der Gezeiten | Frida Gold | | 4:00 |
| 13 | Komm mit mir | Kool Savas feat. Ercandize | | 3:02 |
| 14 | Kreuzberg am Meer | Marteria, Yasha & Miss Platnum | | 4:23 |
| 15 | Cannonball- miscellaneous support:
- Andrew "McMuffin" Luftman and Scott "Yarmov" Yarmovsky
- programming and producer:
- benny blanco and StarGate
- assistant engineer:
- Chris "Anger Management" Sclafani
- engineer:
- Mikkel Storleer Eriksen
- executive producer:
- Tim Blacksmith and Danny D
- assistant mixer:
- Daniela Rivera
- mixer:
- Phil Tan
- instruments:
- benny blanco and StarGate
- background vocals:
- Sia
- vocals:
- Lea Michele
- phonographic copyright (℗) by:
- Columbia Records (in 2013)
- recorded at:
- Matza Ball Studio in New York, New York, United States, Roc the Mic Studios in New York, New York, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Ninja Beat Club in Atlanta, Georgia, United States
- recording of:
- Cannonball
- writer:
- Benjamin Levin , Mikkel Storleer Eriksen, Tor Erik Hermansen and Sia Furler
- publisher:
- EMI April Music Inc., EMI Music Publishing Ltd. , Lotzah Matzah Songs LLC, Matza Ballzack Music, Prescription Songs, Songs of Kobalt Music Publishing and Where da Kasz At
| Lea Michele | | 3:34 |
| 16 | This Ain't a Love Song | Scouting for Girls | | 3:07 |
| 17 | Snowflakes | White Apple Tree | | 3:55 |
| 18 | Holes | Passenger | 4 | 3:36 |
| 19 | Wings | Birdy | | 3:48 |
| 20 | One Day | Kodaline | | 4:13 |
| 21 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:15 |
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