Jazz Giant (with bonus tracks)

~ Veröffentlichung von Bud Powell (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Tempus Fugit
Klavier:
Bud Powell (am 1949-02-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-02-23)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-02-23)
recording of:
Tempus Fugit (am 1949-02-23)
Komponist(in):
Bud Powell
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:28
2Celia
Klavier:
Bud Powell (am 1949-02-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-02-23)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-02-23)
recording of:
Celia (am 1949-02-23)
Komponist(in):
Bud Powell
3:00
3Cherokee
recorded in:
New York, New York, Vereinigte Staaten (am 1949-02-23)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (am 1949-02-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-02-23)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-02-23)
recording of:
Cherokee (am 1949-02-23)
Texter und Komponist(in):
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:40
4I'll Keep Loving You
recorded in:
New York, New York, Vereinigte Staaten (am 1949-02-23)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (am 1949-02-23)
recording of:
I'll Keep Loving You (am 1949-02-23)
Komponist(in):
Bud Powell
publisher:
Groove Music
2:43
5Strictly Confidential
recorded in:
New York, New York, Vereinigte Staaten (am 1949-02-23)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (am 1949-02-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-02-23)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-02-23)
recording of:
Strictly Confidential (am 1949-02-23)
Komponist(in):
Bud Powell
3:11
6All God's Chillun Got Rhythm
Klavier:
Bud Powell (am 1949-02-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-02-23)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-02-23)
recording of:
All God’s Chillun Got Rhythm (am 1949-02-23)
Texter:
Gus Kahn
Komponist(in):
Walter Jurmann und Bronisław Kaper
3:02
7So Sorry Please
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
recording of:
So Sorry Please (in 1950-02)
Komponist(in):
Bud Powell
3:17
8Get Happy
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
instrumental recording of:
Get Happy (in 1950-02)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
2:54
9Sometimes I'm Happy
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
instrumental recording of:
Sometimes I’m Happy (in 1950-02)
Texter:
Vincent Youmans
Komponist(in):
Irving Caesar
publisher:
Harms, Inc.
Teil von:
Hit the Deck (1927 musical)
Teil von:
Hit the Deck (1955 movie)
3:39
10Sweet Georgia Brown
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
instrumental recording of:
Sweet Georgia Brown (in 1950-02)
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:51
11Yesterdays
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
instrumental recording of:
Yesterdays (in 1950-02)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
2:52
12April in Paris
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
recording of:
April in Paris (in 1950-02)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
instrumental recording of:
April in Paris (in 1950-02)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:10
13Body and Soul
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
instrumental recording of:
Body and Soul (in 1950-02)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:21
14Hallelujah
Klavier:
Bud Powell
2:59
15Tea for Two
Klavier:
Bud Powell
3:30
16Parisian Thoroughfare
Klavier:
Bud Powell
recording of:
Parisian Thoroughfare
Komponist(in):
Bud Powell
2:31
17Oblivion
Klavier:
Bud Powell
2:11
18Dusky 'N' Sandy
Klavier:
Bud Powell
2:15
19Hallucinations
Klavier:
Bud Powell
2:27
20The Fruit
Klavier:
Bud Powell
3:19
21A Nightingale Sang in Berkeley Square
Klavier:
Bud Powell
3:44
22Just One of Those Things
Klavier:
Bud Powell
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:53
23The Last Time I Saw Paris
Klavier:
Bud Powell
3:16
24It Never Entered My Mind
Klavier:
Bud Powell
2:57
25My Funny Valentine
Klavier:
Bud Powell
2:53

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Veröffentlichungsgruppe

Wikipedia:en: Jazz Giant [Info]
Wikidata:Q6168237 [Info]