Throwback Summer Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1If I Ain’t Got You
tecnico di registrazione:
Tony Black (producer, engineer)
programmazione:
Kerry "Krucial" Brothers
produttore:
Alicia Keys
tecnico di missaggio:
Manny Marroquin
batteria [drums] :
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
chitarra :
Hugh McKracken
chitarra basso [bass] :
Fred Cash, Jr. (bass)
corno [horns] :
"Chops", David Watson (multi-instrumentalist), Darryl Dixon (saxophone/flute/arranger) e Joe Romano (trumpet,flute,trombone)
organo :
Arcell Vickers
pianoforte e voce principale:
AK
voce di accompagnamento:
AK, Katreese Barnes, L. Green e Cindy Mizelle
diritti fonografici (℗) detenuti da:
J Records LLC (nel 2003) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
è stato produttore per:
Krucial/Keys Enterprise e MBK Entertainment (R&B, not the South Korean label.)
registrata presso:
Kampo Studios in Manhattan, New York, New York, Stati Uniti
mixata presso:
Plus XXX (Closed in 2008, then bought by Talk Over) in Paris, Île-de-France, Francia
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 422) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 440)
registrazione di:
If I Ain’t Got You
paroliere e compositore:
Alicia Keys
editore:
EMI Music Publishing, Inc., Lellow Productions, Inc. e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alicia Keys3.353:48
2Beautiful Girls
produttore:
Jonathan “J.R.” Rotem
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2007)
campionamenti:
Stand by Me di Ben E. King
registrazione di:
Beautiful Girls
autore:
Jonathan Reuven Rotem, Sylvester Jordan, Jr., Ben E. King, Kisean Paul Anderson (Jamaican-American rapper, singer, composer & record producer), Jerry Leiber e Mike Stoller
editore:
Almo Music Corp. (USA, affiliated with ASCAP), BHEIGHTSMUSIC, Eyes above Water Music, FEEDMYBABEEZ, Jonathan Rotem Music, Sony/ATV Songs LLC e Southside Independent Music Publishing
Sean Kingston3.354:01
3I Wanna Dance With Somebody (Who Loves Me)
tecnico di registrazione e tecnico di missaggio:
David Frazer (engineer)
programmazione degli strumenti:
Preston Glass
assistente tecnico:
Dana Jon Chappelle
assistente tecnico aggiunto:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) e Ross Williams (engineer)
tecnico aggiunto:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon e Jay Rifkin
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
batteria :
Narada Michael Walden
batteria elettronica [Simmons] :
Greg “Gigi” Gonaway
chitarra synth [Charvel GTM6 midi guitar synth] :
Corrado Rustici
sassofono contralto :
Marc Russo
sintetizzatore [synth horns] :
Sterling Smith
sintetizzatore [synths] :
Walter Afanasieff
sintetizzatore basso [bass synth] :
Randy Jackson (former bassist with Journey and American Idol judge)
voce di accompagnamento:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) e Myrna Matthews
voce di accompagnamento e voce principale:
Whitney Houston
arrangiatore:
Narada Michael Walden
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
è stato produttore per:
Perfection Light Productions
registrata presso:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Stati Uniti, Right Track Recording in Manhattan, New York, New York, Stati Uniti, Tarpan Studios in San Rafael, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 231)
registrazione di:
I Wanna Dance With Somebody (Who Loves Me)
autore:
George Merrill e Shannon Rubicam
editore:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. e Rondor Music (London) Ltd.
Whitney Houston4.254:50
4Electric Feel
esecutore:
Ben Goldwasser e Andrew VanWyngarden
arrangiatore:
Ben Goldwasser e Andrew VanWyngarden
editore:
Old Man Future e Sadguitarius
pubblicazioni successive:
Electric Feel (album version) di MGMT (US pop rock group)
parte di:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (numero: 2) e Indie 88: Top 500 Indie Rock Songs (numero: 212)
registrazione di:
Electric Feel
paroliere e compositore:
Ben Goldwasser e Andrew VanWyngarden
editore:
Old Man Future e Sadguitarius
MGMT4.253:49
5Drops of Jupiter (Tell Me)
tecnico di registrazione:
Nick DiDia e Brett Eliason
programmazione:
Scott Underwood (Drummer for Train)
assistente tecnico:
Karl Egsieker e Steve Genewick
tecnico:
Steve Churchyard
tecnico aggiunto:
Ryan Williams (US recording engineer/producer)
produttore:
Brendan O’Brien (engineer)
tecnico di missaggio:
John Burton (engineer), Brett Eliason e Brendan O’Brien (engineer)
basso :
Charlie Colin e Rob Hotchkiss
batteria :
Scott Underwood (Drummer for Train)
chitarra e voce di accompagnamento:
Charlie Colin, Rob Hotchkiss e Jimmy Stafford (member of Train)
mandolino :
Jimmy Stafford (member of Train)
percussione :
Pat Monahan e Scott Underwood (Drummer for Train)
pianoforte :
Chuck Leavell
tastiera :
Brendan O’Brien (engineer) e Scott Underwood (Drummer for Train)
viola :
Evan Wilson (viola player)
violino :
Michael Markman
violoncello :
Dan Smith (cellist) e Suzie Katayama
voce principale:
Pat Monahan
direttore d'orchestra:
Paul Buckmaster
arrangiatore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 2001)
video musicali:
Drops of Jupiter di Train (US pop rock band)
parte di:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) e My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
registrazione di:
Drops of Jupiter
autore:
Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford (member of Train) e Scott Underwood (Drummer for Train)
editore:
Blue Lamp Music, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!) e EMI Music Publishing Ltd. (PRS‐affiliated)
Train4.54:20
6Oops! …I Did It Again
tecnico di registrazione, programmazione, produttore e tecnico di missaggio:
Max Martin (Swedish record producer) e Rami (Swedish record producer and songwriter)
tecnico:
John Amatiello
basso elettrico [bass] :
Tomas Lindberg (Swedish bass player) (dal 1999-11 al 2000-02)
chitarra [guitars] :
Johan Carlberg (dal 1999-11 al 2000-02) e Esbjörn Öhrwall (dal 1999-11 al 2000-02)
tastiera [keyboards] :
Max Martin (Swedish record producer) (dal 1999-11 al 2000-02) e Rami (Swedish record producer and songwriter) (dal 1999-11 al 2000-02)
altra voce [crowd]:
“The Fanchoir” (dal 1999-11 al 2000-02)
voce di accompagnamento [backing vocals]:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini) (dal 1999-11 al 2000-02)
voce di accompagnamento [backing vocals] e voce parlata [dialog]:
Max Martin (Swedish record producer) (dal 1999-11 al 2000-02)
voce di accompagnamento [backing vocals], voce principale e voce parlata [dialog] e voce principale:
Britney Spears (dal 1999-11 al 2000-02)
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 2000)
è stato produttore per:
Cheiron Productions
registrata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1999-11 al 2000-02)
mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
video musicali:
Oops!… I Did It Again di Britney Spears, Oops!... I Did It Again (Uncut) di Britney Spears e Oops!…I Did It Again (official music video) di Britney Spears
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 5) (numero: 4) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 268)
registrazione di:
Oops!…I Did It Again (dal 1999-11 al 2000-02)
autore:
Max Martin (Swedish record producer) e Rami (Swedish record producer and songwriter)
editore:
GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (nel 2000)
Britney Spears3.93:31
7Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.552:05
8Dancing in the Moonlight
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
George Drakoulias
tecnico di missaggio:
Dave Shiftman (American producer/audio engineer) e Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 2000)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito
mixata presso:
Ocean Wave Studios
registrazione cover di:
Dancing in the Moonlight
paroliere e compositore:
Sherman Kelly
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:51
9Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.653:58
10You Make My Dreams (Come True)
produttore:
Daryl Hall e John Oates
voce:
Daryl Hall e John Oates
arrangiatore:
Daryl Hall e John Oates
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1980) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 232)
registrazione di:
You Make My Dreams
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Geomantic Music, Hot Cha Music Co., Mushroom Music Pty. Ltd., Primary Wave Brian, Unichappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates4.053:10
11Never Too Much
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross3:50
12Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:03
13Livin’ la Vida Loca
tecnico di registrazione e tecnico di missaggio:
Charles Dye
tecnico di registrazione aggiunto:
Craig Lozowick e Nathan Malki
programmazione:
Randy Cantor
assistente tecnico:
Craig Lozowick, Nathan Malki e Germán Ortiz
co-produttore:
Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
produttore:
Desmond Child
produttore aggiunto:
Iris Aponte e Brian Coleman (Manager/production coordinator)
chitarra :
Rusty Anderson
chitarra acustica e voce di accompagnamento:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
flicorno soprano e tromba :
Tony Concepción
percussione :
Rafael Solano
tastiera :
Randy Cantor
voce:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
arrangiatore:
Randy Cantor
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999)
registrata presso e mixata presso:
The Gentlemen’s Club in Miami Beach, Florida, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 180)
registrazione di:
Livin’ la Vida Loca (English version) (dal 1998-10 al 1999-03)
autore:
Desmond Child e Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
editore:
PolyGram Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), A Phantom Vox Publishing (dal 1999 a oggi), Desmophobia (dal 1999 a oggi), PolyGram Music Publishing (dal 1999 a oggi) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1999 a oggi)
Ricky Martin4.54:02
14You Can Call Me Al
assistente tecnico:
Mark Cobrin
tecnico:
Roy Halee
produttore:
Paul Simon (of Simon & Garfunkel)
basso elettrico [six-string electric bass] e voce di accompagnamento:
Paul Simon (of Simon & Garfunkel)
batteria :
Isaac Mtshali
chitarra :
Chikapa “Ray” Phiri
chitarra basso :
Baghiti Khumalo
chitarra synth :
Adrian Belew
percussione :
Ralph MacDonald
sassofono baritono e sassofono basso :
Ronald E. Cuber
sintetizzatore :
Rob Mounsey
tin whistle [pennywhistle] solista :
Morris Goldberg (saxophonist and flutist)
tromba :
Alan Rubin, John Faddis, Lewis Michael Soloff e Ronald E. Brecker
trombone :
Kim Allan Cissel e David W. Bargeron (US trombonist & tubist)
voce:
Paul Simon (of Simon & Garfunkel)
arrangiatore corno :
Rob Mounsey
arrangiatore aggiunto:
Chikapa “Ray” Phiri
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (dal 1985-05 al 1986-04)
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (nel 1986)
registrazione di:
You Can Call Me Al
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Paul Simon Music (nel 1986)
Paul Simon4.34:40
15Drive
assistente tecnico di registrazione:
Matt Griffin (US drummer/sound engineer) e Evan Hollander
tecnico di registrazione:
Michael “Elvis” Baskette
tecnico:
Michael Elvis Baskette
tecnico audio:
Dave Holdridge
produttore:
Incubus (US alternative rock band) e Scott Litt (producer and engineer)
tecnico di missaggio:
Scott Litt (producer and engineer) e Rick Will
batteria :
Jose Pasillas II
chitarra :
Michael Einziger
chitarra basso :
Dirk Lance
piatto (giradischi) :
DJ Kilmore
violoncello :
Dave Holdredge e Dave Holdridge
voce:
Brandon “invisible floating torso man” Boyd (American singer, leader of Incubus)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999)
registrata presso:
NRG Recording Services in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Drive di Incubus (US alternative rock band)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 206)
registrazione di:
Drive (Incubus)
autore:
Brandon Boyd (American singer, leader of Incubus), Mike Einziger, Alex Katunich, Chris Kilmore e José Pasillas
editore:
EMI April Music Inc. (dal 1999 a oggi) e Hunglikeyora Music (dal 1999 a oggi)
Incubus3.53:53
16Let’s Get Loud
programmazione:
Lester Mendez
assistente tecnico:
Steve Menezes e Simon Ramone
tecnico:
Javier Garza
tecnico aggiunto:
Marcelo Anez
produttore:
Emilio Estefan Jr. e Kike Santander
produttore esecutivo:
Emilio Estefan Jr.
tecnico di missaggio:
Pablo Flores
percussione :
Edwin Bonilla
pianoforte :
Paquito Echavarria
sassofono baritono e sassofono contralto :
Kenny Anderson (saxophone)
tromba :
Randall Barlow (of Miami Sound Machine) e Douglas Michels
trombone :
Hernan "Teddy" Mulet
voce di accompagnamento:
Donna Allen (US dance-pop singer from Florida) e Betty Wright (American soul and R&B singer)
arrangiatore:
Kike Santander
registrata presso e mixata presso:
Crescent Moon Studios in Miami, Florida, Stati Uniti
versioni a cappella:
Let’s Get Loud (a cappella) di Jennifer Lopez (American singer and actress aka J.Lo)
versioni strumentali:
Let’s Get Loud (instrumental) di Jennifer Lopez (American singer and actress aka J.Lo)
registrazione di:
Let’s Get Loud
compositore:
Gloria Estefan e Kike Flavio Santander
Jennifer Lopez3.63:59
17Everybody (Backstreet’s Back) (extended version)
tecnico:
Tommie Hicks Jr. e Joe Smith (US recording/mixing engineer)
produttore:
Max Martin (Swedish record producer) e Denniz PoP
altra voce:
Bonnie Brewster, Andrea M. Majied e Susan McCall
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1997)
registrazione di:
Everybody (Backstreet’s Back)
autore:
Max Martin (Swedish record producer) e Denniz PoP
editore:
Maratone AB (conclusa), MXM Music AB (conclusa), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.14:47
18Summertime
produttore:
Hula & Fingers
tecnico di missaggio:
D.J. Jazzy Jeff (DJ/turntablist) e Def Geoff Hunt
arrangiatore voce di accompagnamento:
LaVette
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1991)
campionamenti:
Summer Madness di Kool & the Gang
registrazione di:
Summertime
paroliere:
Will Smith (US actor aka The Fresh Prince)
autore:
Hula & K. Fingers
compositore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lamar Hula Mahone, Robert Spike Mickens, Craig Simpkins, Claydes Smith, Will Smith (US actor aka The Fresh Prince), Alton Taylor, Dennis “D.T.” Thomas (Kool & The Gang) e Ricky West (Kool & The Gang member)
si basa su:
Summer Madness
DJ Jazzy Jeff & the Fresh Prince4.454:32
19Hot Fun in the Summertime
batteria :
Greg Errico (nel 1969)
chitarra :
Freddie Stone (nel 1969)
chitarra basso :
Larry Graham (US bassist & singer) (nel 1969)
pianoforte :
Sly Stone (nel 1969)
sassofono :
Jerry Martini (nel 1969)
tromba :
Cynthia Robinson (nel 1969)
voce:
Larry Graham (US bassist & singer) (nel 1969), Freddie Stone (nel 1969), Rose Stone (nel 1969) e Sly Stone (nel 1969)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 247)
registrazione di:
Hot Fun in the Summertime (nel 1969)
paroliere e compositore:
Sylvester Stewart
editore:
Mijac Music e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sly & the Family Stone3.652:38
20Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:14
21Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes (original version)
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:16
22It’s Not Right but It’s Okay
tecnico di registrazione e tecnico di missaggio:
Brad Gilderman
assistente tecnico:
Victor McCoy (engineer) e Wes Naprstek
produttore:
Rodney Jerkins
editor:
Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs)
strumenti:
Rodney Jerkins
voce di accompagnamento:
Toni Estes, Sharlotte Gibson e Whitney Houston
voce principale:
Whitney Houston
è stato produttore per:
Darkchild Entertainment Inc.
registrata presso:
Crossway Studios
mixata presso:
Pacifique Recording Studios in San Mateo, California, Stati Uniti
registrazione di:
It’s Not Right but It’s Okay
autore:
LaShawn Daniels (US contemporary R&B songwriter), Toni Estes, Freddie Jerkins, Isaak Phillips e Rodney Jerkins
editore:
EMI-April Music, Inc., EMI-Blackwood Music Inc., Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Mic'l Publishing
Whitney Houston44:51
23Like a Rolling Stone
registrata a:
New York, New York, Stati Uniti (il 1965-06-15)
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (dal 1965-07-15 al 1965-07-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 4) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 16)
registrazione di:
Like a Rolling Stone (il 1965-06-15)
paroliere e compositore:
Bob Dylan (nel 1965)
editore:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993) e Special Rider Music (dal 1993 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
adattamenti:
Olet yksin taas
Bob Dylan4.456:09
24Lean on Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap (nel 1972)
batteria e percussione :
James Gadson (American drummer) (nel 1972)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer) (nel 1972)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger) (nel 1972)
pianoforte e voce principale:
Bill Withers (nel 1972)
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.254:17
25O‐o‐h Child
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 392)
registrazione di:
O‐o‐h Child
paroliere e compositore:
Stan Vincent (1960s/70s pop songwriter)
editore:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Five Stairsteps3.83:17
26Me and Julio Down by the Schoolyard
registrazione di:
Me and Julio Down by the Schoolyard
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Pattern Music Ltd (publisher) e Paul Simon Music (nel 1971)
Paul Simon2:44
27Oh, Pretty Woman
registrazione di:
Oh, Pretty Woman (Roy Orbison song)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison2:55
28Ascension (Don’t Ever Wonder)Maxwell45:47
29Walk on the Wild Side
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972)
registrazione di:
Walk on the Wild Side
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4:12
30My Love Is Your Love
tecnico di registrazione e tecnico di missaggio:
Rickie St. Hilaire
assistente tecnico:
Ray Cervenka e Jason Groucott
produttore:
Wyclef Jean (Haitian rapper, musician and actor) e Jerry "Wonder" Duplessis
cori:
"Family Friends Community Choir"
voce aggiuntiva:
Robby Pardlo e Ryan Toby
voce di accompagnamento e voce principale:
Whitney Houston
è stato produttore per:
Refugee Camp Entertainment
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
My Love Is Your Love
autore:
Jerry Duplessis e Wyclef Jean (Haitian rapper, musician and actor)
editore:
EMI-Blackwood Music Inc., Huss Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP) e TeBass Music
Whitney Houston3.54:21
31After the Love Has Gone
registrazione di:
After the Love Has Gone
autore:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) e Jay Graydon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music e Noted for the Record
sub-editore:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire4:38
32I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:53
33Fantasy
tecnico:
George Massenburg
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
campionamenti da:
All 'n All di Earth, Wind & Fire (nel 1977)
registrazione di:
Fantasy (nel 1977-08)
autore:
Eduardo Del Barrio (Eduardo Gutiérrez del Barrio), Maurice White (Earth, Wind & Fire) e Verdine White
editore:
Criga Music, EMI Songs Australia Pty. Ltd. e Saggifire Music
Earth, Wind & Fire3.74:37
34Sara Smile
produttore:
Chris Bond (producer, active circa 1970s) e Daryl Hall & John Oates
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1975)
registrazione di:
Sara Smile
paroliere:
Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Unichappell Music, Inc.
Daryl Hall & John Oates4.253:09
35Steal My Sunshine
assistente tecnico:
Tom Banghart
tecnico:
Mumble C (producer and engineer) e Chris Shaw (US producer & engineer)
produttore:
Mumble C (producer and engineer)
tecnico di missaggio:
John King (mixer)
chitarra :
Matt Kelly (US guitarist, associated with Kingfish, Grateful Dead)
voce parlata [stoned dude]:
Brendan Canning e Matt Kelly (US guitarist, associated with Kingfish, Grateful Dead)
lavorazione tecnica effettuata presso:
Four Ways Studios
prodotta presso:
Four Ways Studios
campionamenti:
More, More, More (12″ version) di Andrea True Connection
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 429) e Indie 88: Top 500 Indie Rock Songs (numero: 458)
registrazione di:
Steal My Sunshine
autore:
Marc Costanzo e Gregg Diamond
editore:
Big Meanie, BMG Songs, Inc., Buddah Music, Inc., EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) e Gregg Diamond Music
si basa su:
More, More, More
LEN4.654:25
36Just Another Day in Paradise
Phil Vassar53:53
37Hide and Seek
produttore:
Imogen Heap
voce principale:
Imogen Heap
diritti fonografici (℗) detenuti da:
Megaphonic Records (nel 2005)
registrazione di:
Hide and Seek
paroliere e compositore:
Imogen Heap
editore:
Rondor Music (London) Ltd.
Imogen Heap4.54:28
38Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:58
39Perfect Day
produttore:
David Bowie (English singer‐songwriter) e Mick Ronson (British guitarist)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1972) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 334)
registrazione di:
Perfect Day (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. e Screen Gems–EMI Music Ltd.
Lou Reed4.33:44
40Save Room
tecnico di missaggio:
Tony Maserati (engineer / mixer)
campionamenti:
Stormy di Gábor Szabó
registrazione di:
Save Room
autore:
Buddy Buie, James B. Cobb Jr., John Legend, William Adams (American rapper and producer) e Jessyca Wilson
John Legend43:55
41Midnight Train to Georgia
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:38
42Love Come Down
registrazione di:
Love Come Down
paroliere e compositore:
Kashif (Michael Jones, B.T. Express)
editore:
MCA Music Ltd.
Evelyn “Champagne” King6:05
43City of the Angels
Bill Withers210:45
44Love Really Hurts Without You
produttore:
Ben Findon (songwriter and producer)
voce:
Billy Ocean
direttore d'orchestra:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1976)
registrazione di:
Love Really Hurts Without You
paroliere e compositore:
Ben Findon (songwriter and producer) e Leslie Sebastian Charles
editore:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.52:59
45Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer) (nel 1972)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:46
46ThenBrad Paisley3.55:21
47Hot Hot Hot
registrazione cover di:
Hot, Hot, Hot
paroliere e compositore:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
editore:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
registrazione di:
Hot, Hot, Hot
paroliere e compositore:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
editore:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Buster Poindexter and His Banshees of Blue34:10
48Have a Heart
registrata a:
Nashville, Tennessee, Stati Uniti (il 1970-06-10)
produttore:
Billy Sherrill (US songwriter/producer/arranger)
registrazione di:
Have a Heart (il 1970-06-10)
paroliere e compositore:
Margaret Ann Rich (country music songwriter)
editore:
Makamillion Music
Charlie Rich3:10
49My Hometown
Charlie Robison4:22
50Here You Come Again
voce:
Dolly Parton
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1977) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 60)
registrazione cover di:
Here You Come Again
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs e Summerhill Songs
Dolly Parton42:53
51A Little Less Conversation
basso :
Charles Berghofer (Jazz bassist) (il 1968-03-07) e Larry Knechtel (il 1968-03-07)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-03-07) e Gary Coleman (US percussionist) (il 1968-03-07)
chitarra :
Alvin Casey (US rock & roll/rockabilly/surf guitarist/session musician) (il 1968-03-07), Charles Britz (il 1968-03-07), Joseph Gibbons (guitar player) (il 1968-03-07) e Neil LeVang (il 1968-03-07)
pianoforte :
Don Randi (il 1968-03-07)
voce:
John Bahler (il 1968-03-07), B.J. Baker (singer Betty Jane Baker, Miss Alabama in 1944 as Betty Jane Rase) (il 1968-03-07), Sally Stevens (il 1968-03-07) e Bob Tebow (il 1968-03-07)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1968-03-07)
registrazione cover di:
A Little Less Conversation (il 1968-03-07)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis Presley42:12
52Call on Me
produttore:
Eric Prydz
DJ mixer:
Dipesh Parmar
campionamenti:
Valerie di Steve Winwood
edit di:
Call on Me di Eric Prydz
registrazione di:
Call On Me
autore:
Will Jennings, Eric Prydz e Steve Winwood
editore:
Blue Sky Rider Songs, EMI Blackwood Music Inc., Irving Music (BMI), O/B/O Music Pub. Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
si basa su:
Valerie
Eric Prydz4.12:47
53Your Love Gets Sweeter
co-produttore:
Kevin Bacon (Sheffield UK DJ/producer), Jonathan Quarmby (English record producer) e Finley Quaye
arrangiatore:
Finley Quaye
registrazione di:
Your Love Gets Sweeter
compositore:
[traditional] (special purpose artist)
arrangiatore:
Finley Quaye
Finley Quaye3.53:12
54Say That You Will
George Duke3:05
55At the River
produttore:
Groove Armada
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1999)
campionamenti:
Old Cape Cod di Patti Page with Vic Schoen & His Orchestra e Old Cape Cod di Patti Page
registrazione di:
At the River
autore:
Andrew Derek Cocup, Tom Findlay (UK electronic DJ/producer, Groove Armada), Irwin Pincus (also known as "Allan Jeffrey"), Claire Rothrock e Milton Yakus
editore:
Ambassador, PolyGram Music Publishing Ltd. e Warner/Chappell Music Ltd. (1996–2019)
si basa su:
Old Cape Cod
Groove Armada3.956:33
56Mexico
tecnico di registrazione:
Mike Einziger, Dave Holdredge, Scott Litt (producer and engineer) e Rick Will
tecnico aggiunto:
Tom Sweeney (US engineer)
tecnico audio e editor:
Dave Holdredge
produttore:
Incubus (US alternative rock band) e Scott Litt (producer and engineer)
tecnico di missaggio:
Scott Litt (producer and engineer) e Rick Will
chitarra :
Mike Einziger
voce:
Brandon Boyd (American singer, leader of Incubus)
registrata presso:
Stern House in Malibu, California, Stati Uniti (dal 2001-04 al 2001-05)
mixata presso:
Record One Studios in Sherman Oaks, Los Angeles, California, Stati Uniti
registrazione di:
Mexico
autore:
Brandon Boyd (American singer, leader of Incubus), Mike Einziger, Alex Katunich, Chris Kilmore e José Pasillas
editore:
EMI April Music Inc. (dal 2001 al ????) e Hunglikeyora Music (dal 2001 a oggi)
Incubus3.254:18
57Love Never Felt So Good
registrazione di:
Love Never Felt So Good (revised lyric version recorded by Johnny Mathis)
autore:
Paul Anka (Canadian singer, songwriter and actor) (nel 1983), Michael Jackson (“King of Pop”) (nel 1983) e Kathy Wakefield (singer, songwriter) (nel 1983)
revisione di:
Love Never Felt So Good
Johnny Mathis4:18
58Pickin’ Wildflowers
Keith Anderson3:05
59You’ll Never Find Another Love Like Mine
registrazione di:
You’ll Never Find Another Love Like Mine
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:26
60Always and Forever
tecnico di registrazione:
Paul Brown (smooth jazz performer/producer) (voce principale, voce di accompagnamento), Dana Jon Chappelle e Dana Jon Chappelle (voce di accompagnamento)
programmazione:
Walter Afanasieff e Dan Shea
programmazione degli strumenti:
Walter Afanasieff, Gary Cirimelli e Ren Klyce
co-produttore:
Luther Vandross
produttore:
Walter Afanasieff
tecnico di missaggio:
Dana Jon Chappelle
chitarra :
Dann Huff
chitarra aggiunto:
Michael Thompson (session guitarist)
moog [Moog bass] e organo Hammond [Hammond B-3] :
Walter Afanasieff
sintetizzatore e tastiera :
Walter Afanasieff e Dan Shea
voce di accompagnamento:
Johnny Britt, Jim Gilstrap, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist), Phil Perry (US R&B/jazz singer, songwriter & musician) e Claytoven Richardson
voce principale:
Luther Vandross
arrangiatore:
Dan Shea
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1994)
registrazione cover di:
Always and Forever
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Luther Vandross4:52
61Step by Step
co-produttore:
Michael Jonzun e New Kids on the Block
produttore:
Maurice Starr
voce principale:
Jordan Knight
arrangiatore:
Maurice Starr
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1990)
è stato produttore per:
Big Step Productions
registrazione cover di:
Step by Step (dal 1989-09 al 1990-04)
paroliere e compositore:
Maurice Starr
editore:
Big Step Production
New Kids on the Block2.94:28
62Have I Told You Lately
tecnico di registrazione, tecnico e tecnico di missaggio:
Mick Glossop (producer & engineer)
produttore:
Van Morrison
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Caledonia Productions Ltd. (nel 1989) e Exile Productions Ltd. (not for Label Release) (nel 1989)
è stato produttore per:
Caledonia Productions Ltd.
registrazione di:
Have I Told You Lately
paroliere e compositore:
Van Morrison
autore aggiunto:
Scott Wiseman
editore:
Barrule UK Ltd., BMG Platinum Songs US, Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd., Exile Publishing UK, Gallo Music Publishers, PolyGram Music Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Intersong Music Ltd. (nel 1989)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Van Morrison2.754:18
63Everyday People
batteria :
Greg Errico (nel 1968)
chitarra :
Freddie Stone (nel 1968)
chitarra basso :
Larry Graham (US bassist & singer) (nel 1968)
chitarra e tastiera :
Sly Stone (nel 1968)
sassofono :
Jerry Martini (nel 1968)
tastiera :
Rose Stone (nel 1968)
tromba :
Cynthia Robinson (nel 1968)
voce:
Larry Graham (US bassist & singer) (nel 1968), Jerry Martini (nel 1968), Freddie Stone (nel 1968), Rose Stone (nel 1968) e Sly Stone (nel 1968)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 109), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 145) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 293)
registrazione di:
Everyday People (nel 1968)
paroliere e compositore:
Sylvester Stewart
editore:
Mijac Music
Sly & the Family Stone4.152:21
64Rock the Boat
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1973)
registrazione di:
Rock the Boat
paroliere e compositore:
Wally Holmes (songwriter)
editore:
Origin Network Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation53:22
65Harvest for the World
The Isley Brothers3:53
66Do You Believe in Magic?The Lovin’ Spoonful2:04
67Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:41
68Now That We Found Love
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1973)
arrangiatore:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
Now That We Found Love (nel 1973)
paroliere:
Heavy D. (US rapper)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
The O’Jays54:39
69Bright Side of the Road
registrazione di:
Bright Side of the Road
paroliere e compositore:
Van Morrison
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd., Gallo Music Publishers, Intersong Music Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram Int'l, Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Van Morrison3:43
70Uptown Girl (radio edit)
tecnico di mastering:
Dick Beetham
assistente tecnico:
Daniel Pursey (UK engineer)
tecnico:
Chris Laws (engineer, keyboardist & songwriter) e Daniel Pursey (UK engineer)
produttore e tecnico di missaggio:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
basso :
Steve Pearce (UK bassist)
batteria :
Chris Laws (engineer, keyboardist & songwriter)
famiglia delle chitarre :
Friðrik Karlsson
pianoforte :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
sassofono :
Phil Todd (UK flautist/saxophonist)
strumenti:
Frizzy Karlsson
tromba :
Guy Barker
voce di accompagnamento aggiuntiva:
Andy Caine
esecutore:
Brian, Kian, Mark (Mark Feehily), Nicky e Shane
arrangiatore:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
diritti fonografici (℗) detenuti da:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (nel 2001)
video musicale per:
Uptown Girl di Westlife
registrazione cover di:
Uptown Girl (nel 2001)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
EMI Songs Ltd., CBS Songs Ltd. (nel 1983) e Joelsongs (nel 1983)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.353:06
71True to Myself
Ziggy Marley3:45

Accreditamenti

Pubblicazione

streaming gratuito:https://open.spotify.com/album/087jVCsvpH25w3QGaHqA3z [info]
https://www.deezer.com/album/231971662 [info]
pagina di streaming:https://music.apple.com/us/album/1568797493 [info]
https://us.napster.com/artist/various-artists/album/throwback-summer-hits-legacy-recordings [info] (fino al 2022-06-08)