Essential: Masters of Jazz

~ Veröffentlichung von Lionel Hampton (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Good Enough to Keep (Air Mail Special)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-06-11)
E-Gitarre:
Charlie Christian (am 1940-06-11)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1940-06-11)
Klavier:
Dudley Brooks (am 1940-06-11)
Kontrabass:
Artie Bernstein (am 1940-06-11)
Schlagzeug:
Nick Fatool (am 1940-06-11)
Vibraphon:
Lionel Hampton (am 1940-06-11)
instrumental recording of:
Good Enough to Keep (Air Mail Special) (am 1940-06-11)
Komponist(in):
Charlie Christian, Benny Goodman (clarinetist and bandleader) und James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. und Rytvoc, Inc. (ASCAP)
2:55
2When Lights Are Low
recorded in:
New York, New York, Vereinigte Staaten (am 1939-09-11)
Akustikgitarre und Gitarre:
Charlie Christian (am 1939-09-11)
alto saxophone:
Benny Carter (am 1939-09-11)
Klavier:
Clyde Hart (am 1939-09-11)
Kontrabass:
Milt Hinton (am 1939-09-11)
Schlagzeug:
Cozy Cole (am 1939-09-11)
Tenorsaxophon:
Leon “Chu” Berry (am 1939-09-11), Coleman Hawkins (am 1939-09-11) und Ben Webster (am 1939-09-11)
Trompete:
Dizzy Gillespie (am 1939-09-11)
Vibraphon:
Lionel Hampton (am 1939-09-11)
Orchester:
Lionel Hampton and His Orchestra (am 1939-09-11)
arranger:
Benny Carter (am 1939-09-11)
instrumental recording of:
When Lights Are Low (am 1939-09-11)
Texter:
Spencer Williams (US jazz composer, pianist & singer)
Komponist(in):
Benny Carter
publisher:
Bee Cee Music Co. und Mills Music
2:15
3Midnight Sun
alto saxophone:
Ben Kynard (am 1947-11-10) und Bobby Plater (am 1947-11-10)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1947-11-10)
Klavier:
Milt Buckner (US jazz pianist/organist) (am 1947-11-10)
Kontrabass:
Joe Comfort (am 1947-11-10) und Charles Mingus (am 1947-11-10)
Posaune:
Andrew Penn (jazz trombonist) (am 1947-11-10) und Britt Woodman (am 1947-11-10)
Rohrblattinstrumente:
Jack Kelso (am 1947-11-10)
Schlagzeug:
Earl Walker (jazz drummer) (am 1947-11-10)
Solo-Trompete:
Wendell Culley (jazz trumpeter) (am 1947-11-10)
Tenorsaxophon:
Morris Lane (saxophonist) (am 1947-11-10) und Johnny Sparrow (am 1947-11-10)
Trompete:
Teddy Buckner (US dixieland jazz trumpeter) (am 1947-11-10) und Duke Garrette (jazz trumpeter) (am 1947-11-10)
Vibraphon:
Lionel Hampton (am 1947-11-10)
arranger:
Milt Buckner (US jazz pianist/organist) (am 1947-11-10)
instrumental recording of:
Midnight Sun (am 1947-11-10)
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
3:20
4Hamp's Boogie Woogie
alto saxophone:
Earl Bostic (saxophonist) (am 1944-03-02) und Gus Evans (am 1944-03-02)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1944-03-02)
Gitarre:
Eric Miller (US jazz guitarist) (am 1944-03-02)
Klavier:
Milt Buckner (US jazz pianist/organist) (am 1944-03-02) und Lionel Hampton (am 1944-03-02)
Kontrabass:
Vernon King (US jazz & blues bassist) (am 1944-03-02)
Posaune:
Fred Beckett (am 1944-03-02), Al Hayes (trombonist) (am 1944-03-02) und Booty Wood (am 1944-03-02)
Schlagzeug:
Fred Radcliffe (jazz drummer) (am 1944-03-02)
Tenorsaxophon:
Arnett Cobb (am 1944-03-02) und Al Sears (am 1944-03-02)
Trompete:
William “Cat” Anderson (am 1944-03-02), Roy McCoy (am 1944-03-02), Joe Morris (US jazz trumpeter) (am 1944-03-02) und Lammar Wright (am 1944-03-02)
recording of:
Hamp's Boogie Boogie
Komponist(in):
Milt Buckner (US jazz pianist/organist) und Lionel Hampton
3:17
5One Sweet Letter From You
recorded in:
New York, New York, Vereinigte Staaten (am 1939-09-11)
alto saxophone:
Benny Carter (am 1939-09-11)
Gitarre:
Charlie Christian (am 1939-09-11)
Klavier:
Clyde Hart (am 1939-09-11)
Kontrabass:
Milt Hinton (am 1939-09-11)
Schlagzeug:
Cozy Cole (am 1939-09-11)
Tenorsaxophon:
Leon “Chu” Berry (am 1939-09-11), Coleman Hawkins (am 1939-09-11) und Ben Webster (am 1939-09-11)
Trompete:
Dizzy Gillespie (am 1939-09-11)
Vibraphon:
Lionel Hampton (am 1939-09-11)
vocals:
Lionel Hampton (am 1939-09-11)
Orchester:
Lionel Hampton and His Orchestra (am 1939-09-11)
recording of:
One Sweet Letter From You (am 1939-09-11)
Texter:
Lew Brown und Sidney Clare
Komponist(in):
Harry Warren (US composer and lyricist)
3:20
6Jack the Bellboy
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-10)
E-Gitarre:
Oscar Moore (am 1940-05-10)
Klavier:
Nat King Cole (am 1940-05-10)
Kontrabass:
Wesley Prince (am 1940-05-10)
Schlagzeug:
Lionel Hampton (am 1940-05-10)
Orchester:
Lionel Hampton and His Orchestra (am 1940-05-10)
recording of:
Jack the Bellboy (am 1940-05-10)
Komponist(in):
Lionel Hampton
2:51
7Buzzing Around With the Bee
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-14)
alto saxophone:
Johnny Hodges (am 1937-04-14)
Gitarre:
Allan Reuss (am 1937-04-14)
Klarinette:
Mezz Mezzrow (am 1937-04-14)
Klavier:
Jess Stacy (am 1937-04-14)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1937-04-14)
Posaune:
Lawrence Brown (jazz trombonist) (am 1937-04-14)
Schlagzeug:
Cozy Cole (am 1937-04-14)
Trompete:
Cootie Williams (am 1937-04-14, am 1937-04-17)
Vibraphon:
Lionel Hampton (am 1937-04-14)
vocals:
Lionel Hampton (am 1937-04-14)
Orchester:
Lionel Hampton and His Orchestra (am 1937-04-14)
3:09
8Hot Mallets
recorded in:
New York, New York, Vereinigte Staaten (am 1939-09-11)
alto saxophone:
Benny Carter (am 1939-09-11)
Gitarre:
Charlie Christian (am 1939-09-11)
Klavier:
Clyde Hart (am 1939-09-11)
Kontrabass:
Milt Hinton (am 1939-09-11)
Schlagzeug:
Cozy Cole (am 1939-09-11)
Tenorsaxophon:
Leon “Chu” Berry (am 1939-09-11), Coleman Hawkins (am 1939-09-11) und Ben Webster (am 1939-09-11)
Trompete:
Dizzy Gillespie (am 1939-09-11)
Vibraphon:
Lionel Hampton (am 1939-09-11)
Orchester:
Lionel Hampton and His Orchestra (am 1939-09-11)
recording of:
Hot Mallets (am 1939-09-11)
Komponist(in):
Lionel Hampton
2:17
9Mingus Fingers
alto saxophone:
Ben Kynard (am 1947-11-10) und Bobby Plater (am 1947-11-10)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1947-11-10)
Klavier:
Milt Buckner (US jazz pianist/organist) (am 1947-11-10)
Kontrabass:
Joe Comfort (am 1947-11-10)
Posaune:
Andrew Penn (jazz trombonist) (am 1947-11-10) und Britt Woodman (am 1947-11-10)
Rohrblattinstrumente:
Jack Kelso (am 1947-11-10)
Schlagzeug:
Earl Walker (jazz drummer) (am 1947-11-10)
Solo-Kontrabass:
Charles Mingus (am 1947-11-10)
Tenorsaxophon:
Morris Lane (saxophonist) (am 1947-11-10) und Johnny Sparrow (am 1947-11-10)
Trompete:
Teddy Buckner (US dixieland jazz trumpeter) (am 1947-11-10), Wendell Culley (jazz trumpeter) (am 1947-11-10) und Duke Garrette (jazz trumpeter) (am 1947-11-10)
Vibraphon:
Lionel Hampton (am 1947-11-10)
arranger:
Milt Buckner (US jazz pianist/organist) (am 1947-11-10)
recording of:
Mingus Fingers (am 1947-11-10)
Komponist(in):
Charles Mingus
3:05
10Stardust
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1947-08-14)
Gitarre:
Barney Kessel (am 1947-08-14)
Klavier:
Tommy Todd (US jazz pianist) (am 1947-08-14)
Kontrabass:
Slam Stewart (am 1947-08-14)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1947-08-14)
Tenorsaxophon:
Corky Corcoran (am 1947-08-14)
Trompete:
Charlie Shavers (am 1947-08-14)
Vibraphon:
Lionel Hampton (am 1947-08-14)
instrumental recording of:
Stardust (the jazz standard) (am 1947-08-14)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
5:14
11Dinah
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1936-08-26)
Klavier:
Teddy Wilson (am 1936-08-26)
Schlagzeug:
Gene Krupa (am 1936-08-26)
Vibraphon:
Lionel Hampton (am 1936-08-26)
instrumental recording of:
Dinah (am 1936-08-26)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
2:43
12Sweethearts on Parade
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Allan Reuss (am 1939-04-05)
Klavier:
Clyde Hart (am 1939-04-05)
Kontrabass:
Milt Hinton (am 1939-04-05)
Schlagzeug:
Cozy Cole (am 1939-04-05)
Tenorsaxophon:
Leon “Chu” Berry (am 1939-04-05)
Vibraphon:
Lionel Hampton (am 1939-04-05)
vocals:
Lionel Hampton (am 1939-04-05)
Orchester:
Lionel Hampton and His Orchestra (am 1939-04-05)
instrumental recording of:
Sweethearts on Parade (am 1939-04-05)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
recording of:
Sweethearts on Parade (am 1939-04-05)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
3:01
13Central Avenue Breakdown
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-10)
E-Gitarre:
Oscar Moore (am 1940-05-10)
Klavier:
Nat King Cole (am 1940-05-10) und Lionel Hampton (am 1940-05-10)
Kontrabass:
Wesley Prince (am 1940-05-10)
Schlagzeug:
Al Spieldock (am 1940-05-10)
Orchester:
Lionel Hampton and His Orchestra (am 1940-05-10)
recording of:
Central Avenue Breakdown (am 1940-05-10)
Komponist(in):
Lionel Hampton
publisher:
Regent Music (BMI)
3:05
14Air Mail Special
alto saxophone:
Ben Kynard (am 1946-01-31) und Bobby Plater (am 1946-01-31)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1946-01-31)
Klavier:
Milt Buckner (US jazz pianist/organist) (am 1946-01-31)
Kontrabass:
Charles Harris (jazz bassist) (am 1946-01-31) und Ted Sinclair (am 1946-01-31)
Posaune:
Al Hayes (trombonist) (am 1946-01-31), Andrew Penn (jazz trombonist) (am 1946-01-31) und Booty Wood (am 1946-01-31)
Schlagzeug:
George Jenkins (Swing/Jazz drummer and band leader) (am 1946-01-31)
Tenorsaxophon:
Arnett Cobb (am 1946-01-31) und Johnny Griffin (am 1946-01-31)
Trompete:
Wendell Culley (jazz trumpeter) (am 1946-01-31), Joe Morris (US jazz trumpeter) (am 1946-01-31), Jimmy Nottingham (am 1946-01-31), Dave Page (jazz trumpeter) (am 1946-01-31) und Lammar Wright (am 1946-01-31)
Vibraphon:
Lionel Hampton (am 1946-01-31)
instrumental recording of:
Good Enough to Keep (Air Mail Special) (am 1946-01-31)
Komponist(in):
Charlie Christian, Benny Goodman (clarinetist and bandleader) und James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. und Rytvoc, Inc. (ASCAP)
5:54
15Whoa Babe
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-14)
alto saxophone:
Johnny Hodges (am 1937-04-14)
Gitarre:
Allan Reuss (am 1937-04-14)
Klarinette:
Mezz Mezzrow (am 1937-04-14)
Klavier:
Jess Stacy (am 1937-04-14)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1937-04-14)
Posaune:
Lawrence Brown (jazz trombonist) (am 1937-04-14)
Schlagzeug:
Cozy Cole (am 1937-04-14)
Trompete:
Cootie Williams (am 1937-04-14)
Vibraphon:
Lionel Hampton (am 1937-04-14)
vocals:
Lionel Hampton (am 1937-04-14)
Orchester:
Lionel Hampton and His Orchestra (am 1937-04-14)
recording of:
Whoa Babe (am 1937-04-14)
Texter und Komponist(in):
Larry Clinton
2:55
16Flying Home
alto saxophone:
Ray Perry (am 1942-05-26)
alto saxophone [alto sax]:
Marshal Royal (am 1942-05-26) und Ray Perry (am 1942-05-26)
baritone saxophone und baritone saxophone [baritone sax]:
Jack McVea (am 1942-05-26)
Gitarre:
Irving Ashby (am 1942-05-26)
Klarinette:
Marshal Royal (am 1942-05-26)
Klavier:
Milt Buckner (US jazz pianist/organist) (am 1942-05-26)
Kontrabass:
Vernon Alley (am 1942-05-26)
Kontrabass [bass]:
Vernon Alley or Wendell Marshall ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1942-05-26)
Posaune:
Fred Beckett (am 1942-05-26), Harry Sloan (jazz trombonist) (am 1942-05-26) und Sonny Craven (am 1942-05-26)
Rohrblattinstrumente:
Marshall Royal (am 1942-05-26)
Schlagzeug:
George Jenkins (Swing/Jazz drummer and band leader) (am 1942-05-26) und Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1942-05-26)
Tenorsaxophon und Tenorsaxophon [tenor sax]:
Dexter Gordon (am 1942-05-26) und Illinois Jacquet (am 1942-05-26)
Trompete:
Karl George (US jazz trumpeter) (am 1942-05-26), Joe Newman (US jazz trumpeter) (am 1942-05-26) und Ernie Royal (am 1942-05-26)
Vibraphon:
Lionel Hampton (am 1942-05-26)
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (am 1942-05-26)
Texter:
Sid Robin (US lyricist & composer)
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd und Regent Music (BMI)
Version von:
Flying Home (instrumental version)
recording of:
Flying Home (instrumental version) (am 1942-05-26)
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
publisher:
Ragbag Music (ASCAP) und Regent Music (BMI)
3:13
17I'm in the Mood for Swing
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-21)
alto saxophone:
Dave Matthews (of Dave Matthews Band) (am 1938-07-21) und Dave Matthews (jazz saxophonist) (am 1938-07-21)
Klavier:
Billy Kyle (am 1938-07-21)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1938-07-21)
Rohrblattinstrumente und Solo-alto saxophone:
Benny Carter (am 1938-07-21)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1938-07-21)
Tenorsaxophon:
Herschel Evans (am 1938-07-21) und Irving “Babe” Russin (am 1938-07-21)
Trompete:
Harry James (US big band leader, trumpeter & actor) (am 1938-07-21)
Vibraphon:
Lionel Hampton (am 1938-07-21)
Orchester:
Lionel Hampton and His Orchestra (am 1938-07-21)
arranger:
Benny Carter (am 1938-07-21)
recording of:
I'm in the Mood for Swing
Komponist(in):
Benny Carter
2:48
18Muchacho Azul
alto saxophone:
Ben Kynard (am 1947-11-10) und Bobby Plater (am 1947-11-10)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1947-11-10)
Klavier:
Milt Buckner (US jazz pianist/organist) (am 1947-11-10)
Kontrabass:
Joe Comfort (am 1947-11-10) und Charles Mingus (am 1947-11-10)
Posaune:
Andrew Penn (jazz trombonist) (am 1947-11-10) und Britt Woodman (am 1947-11-10)
Rohrblattinstrumente:
Jackie Kelso (am 1947-11-10)
Schlagzeug:
Earl Walker (jazz drummer) (am 1947-11-10)
Solo-Tenorsaxophon:
Jack Kelso (am 1947-11-10)
Tenorsaxophon:
Morris Lane (saxophonist) (am 1947-11-10) und Johnny Sparrow (am 1947-11-10)
Trompete:
Teddy Buckner (US dixieland jazz trumpeter) (am 1947-11-10), Wendell Culley (jazz trumpeter) (am 1947-11-10), Duke Garrette (jazz trumpeter) (am 1947-11-10) und Walter Williams (1930s US trumpet player) (am 1947-11-10)
Vibraphon:
Lionel Hampton (am 1947-11-10)
arranger:
Milt Buckner (US jazz pianist/organist) (am 1947-11-10)
3:06
19Blue (Because of You)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-07-17)
E-Gitarre und Gitarre:
Oscar Moore (am 1940-07-17)
Klavier:
Nat King Cole (am 1940-07-17)
Kontrabass:
Wesley Prince (am 1940-07-17)
Schlagzeug:
Al Spieldock (am 1940-07-17)
Vibraphon:
Lionel Hampton (am 1940-07-17)
Orchester:
Lionel Hampton and His Orchestra (am 1940-07-17)
2:59
20Haven't Named It Yet
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-12)
alto saxophone:
Earl Bostic (saxophonist) (am 1939-10-12)
E-Gitarre:
Charlie Christian (am 1939-10-12)
Klavier:
Clyde Hart (am 1939-10-12)
Kontrabass:
Artie Bernstein (am 1939-10-12)
Posaune:
J.C. Higginbotham (am 1939-10-12)
Schlagzeug:
Sid Catlett (am 1939-10-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-10-12)
Vibraphon:
Lionel Hampton (am 1939-10-12)
Orchester:
Lionel Hampton and His Orchestra (am 1939-10-12)
recording of:
Haven't Named It Yet (am 1939-10-12)
Verfasser(in):
Charlie Christian und Lionel Hampton
2:56

Nennungen