Mel Tormé and Friends: Recorded Live at Marty’s, New York City, Volumes Ⅰ & Ⅱ

~ Release by Mel Tormé (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Mountain Greenery
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Rufus Reid (jazz bassist / composer)
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mel Tormé (“The Velvet Fog”)
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live cover recording of:
Mountain Greenery
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
Mel Tormé3:49
2Cottage for Sale
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Jay Leonhart
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live cover recording of:
Collage for Sale
lyricist and composer:
Willard Robison
Mel Tormé4:08
3Take a Letter Miss Jones
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Jay Leonhart
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live cover recording of:
Take a Letter Miss Jones
writer:
Lou Holzer and Larry Shay
Mel Tormé2:44
4Real Thing
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Jay Leonhart
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
guest performer:
Gerry Mulligan
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live recording of:
Real Thing
writer:
Gerry Mulligan and Mel Tormé (“The Velvet Fog”)
Mel Tormé with Gerry Mulligan5:55
5Medley: Line for Lyons / Venus de Milo / Walking Shoes
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Jay Leonhart
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
guest performer:
Gerry Mulligan
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live medley including a cover recording of:
Line for Lyons
composer:
Gerry Mulligan
dedicated to:
Jimmy Lyons (Jimmy Lyons, DJ, founded Monterey Jazz Festival)
live medley including a cover recording of:
Venus de Milo
composer:
Gerry Mulligan
live medley including a cover recording of:
Walking Shoes
writer:
Gerry Mulligan
Mel Tormé with Gerry Mulligan7:49
6The Best Is Yet to Come
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Rufus Reid (jazz bassist / composer)
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
guest performer:
Cy Coleman
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live cover recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
Mel Tormé with Cy Coleman4:16
7Isn’t It a Pity
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Rufus Reid (jazz bassist / composer)
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live cover recording of:
Isn’t It a Pity?
lyricist:
Ira Gershwin (in 1933)
composer:
George Gershwin (composer) (in 1933)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1932) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Pardon My English
Mel Tormé3:47
8Wave
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Jay Leonhart
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live cover recording of:
Wave (English lyrics)
lyricist and composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
version of:
Wave (original instrumental)
Mel Tormé4:36
9I Guess I’ll Have to Change My Plan
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Jay Leonhart
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
guest performer:
Jonathan Schwartz (vocalist / broadcaster)
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live cover recording of:
I Guess I’ll Have to Change My Plan
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
Mel Tormé with Jonathan Schwartz5:02
10Love for Sale
miscellaneous support:
Dale Ashby (task: director of recording)
producer:
Norman Schwartz
bass:
Jay Leonhart
drums (drum set):
Donny Osborn (jazz drummer)
piano:
Mike Renzi
recorded at:
Marty’s, New York City (jazz club, exact name tbd) in New York, New York, United States
live cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Mel Tormé5:03

Credits

Release

manufactured in:USA
copyrighted (©) by:Musical Heritage Society, Inc. (copyrights use only, for the imprint please use "Musical Heritage Society") (in 1992)
Discogs:https://www.discogs.com/release/9586305 [info]