The Songs of John Ireland

~ Veröffentlichung von John Ireland; Lisa Milne, John Mark Ainsley, Christopher Maltman, Graham Johnson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1Songs of a Wayfarer: Memory
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Songs of a Wayfarer: No. 1. Memory (in 1998-09)
Texter:
William Blake (English poet, painter, and printmaker)
Komponist(in):
John Ireland (English composer) (in 1905)
Teil von:
Songs of a Wayfarer
John Ireland2:00
2Songs of a Wayfarer: When Daffodils Begin to Peer
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Songs of a Wayfarer: No. 2. When Daffodils Begin to Peer (in 1998-09)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
John Ireland (English composer) (in 1905)
Teil von:
Songs of a Wayfarer
John Ireland2:08
3Songs of a Wayfarer: English May
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Songs of a Wayfarer: No. 3. English May (in 1998-09)
Texter:
Dante Gabriel Rossetti
Komponist(in):
John Ireland (English composer) (in 1905)
Teil von:
Songs of a Wayfarer
John Ireland2:50
4Songs of a Wayfarer: I Was Not Sorrowful (Spleen)
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Songs of a Wayfarer: No. 4. Spleen (I Was Not Sorrowful) (in 1998-09)
Texter:
Ernest Dowson
Komponist(in):
John Ireland (English composer) (in 1903)
Teil von:
Songs of a Wayfarer
John Ireland3:19
5Songs of a Wayfarer: I Will Walk on the Earth
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Songs of a Wayfarer: No. 5. I Will Walk on the Earth (in 1998-09)
Texter:
James Vila Blake
Komponist(in):
John Ireland (English composer) (in 1911)
Teil von:
Songs of a Wayfarer
John Ireland1:35
6Ladslove
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
The Land of Lost Content: No. 2. Ladslove (in 1998-09)
Texter:
A. E. Housman (poet)
Komponist(in):
John Ireland (English composer) (von 1920 bis 1921)
Teil von:
The Land of Lost Content
John Ireland2:25
7The Heart’s Desire
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
The Heart’s Desire (in 1998-09)
Texter:
A. E. Housman (poet)
Komponist(in):
John Ireland (English composer) (in 1917)
John Ireland2:39
8When I Am Dead, My Dearest
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
When I Am Dead, My Dearest (for voice and piano) (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1924)
John Ireland2:00
9What Art Thou Thinking of?
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
What Art Thou Thinking of? (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1924)
John Ireland3:33
10During Music
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Two Songs: During Music (in 1998-09)
Texter:
Dante Gabriel Rossetti
Komponist(in):
John Ireland (English composer) (in 1928)
Teil von:
Two Songs ("Tryst" & "During Music")
John Ireland2:55
11Mother and Child: Newborn
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Mother and Child: No. 1. Newborn (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1918)
Teil von:
Mother and Child
John Ireland1:24
12Mother and Child: The Only Child
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Mother and Child: No. 2. The only child (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1918)
Teil von:
Mother and Child
John Ireland1:47
13Mother and Child: Hope
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Mother and Child: No. 3. Hope (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1918)
Teil von:
Mother and Child
John Ireland1:00
14Mother and Child: Skylark and Nightingale
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Mother and Child: No. 4. Skylark and nightingale (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1918)
Teil von:
Mother and Child
John Ireland0:51
15Mother and Child: The Blind Boy
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Mother and Child: No. 5. The blind boy (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1918)
Teil von:
Mother and Child
John Ireland1:19
16Mother and Child: Baby
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Mother and Child: No. 6. Baby (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1918)
Teil von:
Mother and Child
John Ireland1:14
17Mother and Child: Death-Parting
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Mother and Child: No. 7. Death-parting (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1918)
Teil von:
Mother and Child
John Ireland1:18
18Mother and Child: The Garland
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Mother and Child: No. 8. The garland (in 1998-09)
Texter:
Christina Rossetti
Komponist(in):
John Ireland (English composer) (in 1918)
Teil von:
Mother and Child
John Ireland1:22
19The Vagabond
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
The Vagabond (in 1998-09)
Texter:
John Masefield (poet)
Komponist(in):
John Ireland (English composer) (in 1922)
John Ireland1:54
20The Bells of San Marie
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
The Bells of San Marie (for voice and piano) (in 1998-09)
Texter:
John Masefield (poet)
Komponist(in):
John Ireland (English composer) (in 1918)
John Ireland3:01
21Sea Fever
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Sea Fever (for voice and piano) (in 1998-09)
Texter:
John Masefield (poet)
Komponist(in):
John Ireland (English composer) (in 1913-10)
John Ireland2:22
22The Journey
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
The Journey (in 1998-09)
Texter:
Ernest Blake
Komponist(in):
John Ireland (English composer) (in 1920)
John Ireland1:27
23Bed in Summer
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Bed in Summer (in 1998-09)
Texter:
Robert Louis Stevenson (Scottish writer)
Komponist(in):
John Ireland (English composer) (von 1912 bis 1913)
John Ireland1:20
24Five XVIth-Century Poems: A Thanksgiving
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 1. A Thanksgiving (in 1998-09)
Komponist(in):
John Ireland (English composer) (in 1938)
Teil von:
Five Sixteenth-Century Poems
John Ireland1:32
25Five XVIth-Century Poems: All in a Garden Green
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 2. All in a Garden Green (in 1998-09)
Komponist(in):
John Ireland (English composer) (in 1938)
Teil von:
Five Sixteenth-Century Poems
John Ireland1:50
26Five XVIth-Century Poems: An Aside
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 3. An Aside (in 1998-09)
Komponist(in):
John Ireland (English composer) (in 1938)
Teil von:
Five Sixteenth-Century Poems
John Ireland1:23
27Five XVIth-Century Poems: A Report Song
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 4. A Report Song (in 1998-09)
Komponist(in):
John Ireland (English composer) (in 1938)
Teil von:
Five Sixteenth-Century Poems
John Ireland1:55
28Five XVIth-Century Poems: The Sweet Season
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 5. The Sweet Reason (in 1998-09)
Komponist(in):
John Ireland (English composer) (in 1938)
Teil von:
Five Sixteenth-Century Poems
John Ireland2:54
29The Sacred Flame
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
The Sacred Flame (in 1998-09)
Texter:
Mary Elizabeth Coleridge
Komponist(in):
John Ireland (English composer) (in 1918)
John Ireland1:56
30Remember
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Remember (in 1998-09)
Texter:
Mary Elizabeth Coleridge
Komponist(in):
John Ireland (English composer) (in 1918)
John Ireland1:37
31Three Songs: Love and Friendship
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Soprangesang:
Lisa Milne (soprano) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Three Songs: No. 1. Love and Friendship (in 1998-09)
Texter:
Emily Brontë (British author)
Komponist(in):
John Ireland (English composer) (in 1926)
Teil von:
Three Songs
John Ireland2:11
32Three Songs: Friendship in Misfortune
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Three Songs: No. 2. Friendship in Misfortune (in 1998-09)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
John Ireland (English composer) (in 1926)
Teil von:
Three Songs
John Ireland1:40
33Three Songs: The One Hope
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
Three Songs: No. 3. The One Hope (in 1998-09)
Texter:
Dante Gabriel Rossetti
Komponist(in):
John Ireland (English composer) (in 1926)
Teil von:
Three Songs
John Ireland3:30
34We’ll to the Woods No More: We’ll to the Woods No More
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
We’ll to the Woods No More: No. 1. We’ll to the Woods No More (in 1998-09)
Texter:
A. E. Housman (poet)
Komponist(in):
John Ireland (English composer) (in 1927)
Teil von:
We’ll to the Woods No More
John Ireland2:30
35We’ll to the Woods No More: In Boyhood
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
We’ll to the Woods No More: No. 2. In Boyhood (in 1998-09)
Texter:
A. E. Housman (poet)
Komponist(in):
John Ireland (English composer) (in 1927)
Teil von:
We’ll to the Woods No More
John Ireland1:43
36We’ll to the Woods No More: Spring Will Not Wait
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
We’ll to the Woods No More: No. 3. Spring Will Not Wait (in 1998-09)
Texter:
A. E. Housman (poet)
Komponist(in):
John Ireland (English composer) (in 1927)
Teil von:
We’ll to the Woods No More
John Ireland3:49
37When the Lights Go Rolling Round the Sky
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Mike Hatch (engineer/editor)
Produzent(in):
Arthur Johnson (recording producer of classical music)
Klavier:
Graham Johnson (pianist) (in 1998-09)
Baritongesang:
Christopher Maltman (baritone) (in 1998-09)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1998-09)
recording of:
When Lights Go Rolling Round the Sky (in 1998-09)
Komponist(in):
John Ireland (English composer) (in 1911)
John Ireland2:51

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ASIN:UK: B00000JLKG [Info]