America’s Musical Landscape, Sixth Edition

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

this compilation accompanies a book of the same title written by Jean Ferris, who is credited on the front cover

Annotazione modificata l'ultima volta il 2025-10-20 06:09 UTC.

Elenco tracce

1CD
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#TitoloArtistaValutazioneDurata
1Rapper’s Delight
voce:
The Sugarhill Gang
registrazione di:
Rapper’s Delight
autore:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson e Nile Rodgers
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
si basa su:
Good Times
The Sugarhill Gang3:24
2Give My Regards to Broadway (from “Little Johnny Jones”)
voce:
Al Jolson
registrazione di:
Give My Regards to Broadway (Little Johnny Jones)
paroliere e compositore:
George M. Cohan
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
George M. Cohan2:41
3Ol’ Man River (from “Show Boat”)
voce di basso-baritono:
William Warfield (bass-baritone)
registrazione di:
Ol’ Man River (Show Boat)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1927)
compositore:
Jerome Kern (nel 1927)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) e T.B. Harms Co. (il 1927-11-30)
parte di:
Show Boat (1951 film)
parte di:
Show Boat: Act I
Jerome Kern3:33
4Tonight (from “West Side Story”)
esecutore:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
registrazione di:
West Side Story: Tonight Quintet (Jets, Sharks, Anita, Tony, Maria, Riff, Bernardo)
paroliere:
Stephen Sondheim
compositore:
Leonard Bernstein (American conductor, composer, pianist)
parte di:
West Side Story
Leonard Bernstein3:40
5Every Day a Little Death (from “A Little Night Music”)
voce:
Patricia Elliott (actress) (il 1973-03-18) e Victoria Mallory (actress) (il 1973-03-18)
direttore d'orchestra:
Harold Hastings (il 1973-03-18)
orchestratore:
Jonathan Tunick
registrata presso:
Columbia 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1973-03-18)
registrazione di:
Every Day a Little Death (A Little Night Music) (il 1973-03-18)
paroliere e compositore:
Stephen Sondheim (nel 1973)
parte di:
A Little Night Music (musical)
Stephen Sondheim2:28
6The Murder (from “Psycho”)Bernard Herrmann1:11
7Star Wars Main Title
orchestra:
Skywalker Symphony Orchestra
registrazione di:
Main Title (Star Wars)
compositore:
John Williams (American score composer and conductor) (conclusa)
editore:
Bantha Music, Fox Fanfare Music Inc., Utapau Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
parte di:
Star Wars Holiday Special (television soundtrack)
parte di:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
parte di:
Star Wars, Episode II: Attack of the Clones (2002 film score)
parte di:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
parte di:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
parte di:
Star Wars, Episode VII: The Force Awakens (2015 film score)
parte di:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
parte di:
Star Wars: Shadows of the Empire
John Williams5:50
8Bess, You Is My Woman Now (from “Porgy and Bess”)
voce di basso-baritono:
Lawrence Winters (operatic bass-baritone)
voce di soprano:
Camilla Williams (operatic soprano)
registrazione di:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer) (dal 1934 al 1935)
parte di:
Porgy and Bess: Act II, Scene I
George Gershwin5:16
9Spaceship (from “Einstein on the Beach”)
esecutore:
Philip Glass Ensemble (US musical group by composer Philip Glass)
Philip Glass3:57
10General Putnam’s Camp (from “Three Places in New England”)Charles Ives5:39
11At the River
esecutore:
Dalton Baldwin (American pianist) e William Parker (US free jazz double bassist, multi-instrumentalist, poet & composer)
registrazione di:
At the River, S. 214
paroliere:
Robert Lowry (American hymn writer, 1826-1899) (nel 1865)
compositore:
Charles Ives (American composer) (nel 1916)
parte di:
A Descriptive Catalogue of the Music of Charles Ives (numero: S. 214)
Charles Ives1:21
12The Banshee
pianoforte :
Henry Cowell (American composer)
registrazione di:
The Banshee
compositore:
Henry Cowell (American composer) (nel 1925)
Henry Cowell1:45
13Gamelan Gong Kebjar: Hudjan Mas (Golden Rain)
gamelan :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
[traditional]1:05
14Sonata V (from “Sonatas and Interludes for Prepared Piano”)
pianoforte :
Robert Miller (pianist)
registrazione di:
Sonatas and Interludes for Prepared Piano: Sonata no. 5
compositore:
John Cage (American composer) (dal 1946 al 1948)
parte di:
Sonatas and Interludes for Prepared Piano
John Cage1:23
15Fanfare for the Common Man
tecnico:
Robert Gooch (British classical sound engineer, active from late 1950's) e Hellmuth Kolbe
produttore:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (nel 1968-10)
direttore d'orchestra:
Aaron Copland (composer) (nel 1968-10)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (dal 1968 a oggi)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (nel 1968-10)
registrazione di:
Fanfare for the Common Man (for brass and percussion orchestra) (nel 1968-10)
compositore:
Aaron Copland (composer) (nel 1942)
è stata commissionata da:
Cincinnati Symphony Orchestra e Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
eseguita per la prima volta da:
Cincinnati Symphony Orchestra (il 1943-03-12) e Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (il 1943-03-12)
editore:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:16
16Hoedown (from “Rodeo”)
tecnico:
Hellmuth Kolbe
produttore:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (il 1968-10-26)
direttore d'orchestra:
Aaron Copland (composer) (il 1968-10-26)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (dal 1968 a oggi)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (il 1968-10-26)
registrazione di:
Rodeo: IV. Hoedown (il 1968-10-26)
compositore:
Aaron Copland (composer) (nel 1942)
editore:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
si basa su:
Bonaparte’s Retreat
parte di:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:32
17Adagio for Strings
produttore:
Thomas Z. Shepard
orchestra:
New York Philharmonic (dal 1965-02-02 al 1965-02-09)
direttore d'orchestra:
Thomas Schippers (conductor and composer) (dal 1965-02-02 al 1965-02-09)
registrata presso:
Manhattan Center in Midtown Manhattan, New York, New York, Stati Uniti (dal 1965-02-02 al 1965-02-09)
registrazione di:
Adagio for Strings (dal 1965-02-02 al 1965-02-09)
orchestratore:
Samuel Barber (American composer) (nel 1938)
compositore:
Samuel Barber (American composer) (nel 1936)
eseguita per la prima volta da:
NBC Symphony Orchestra (il 1938-11-05) e Arturo Toscanini (conductor) (il 1938-11-05)
eseguita per la prima volta presso:
[radio broadcast] (1938-11-05)
editore:
Chappell (Warner/Chappell Music, Inc.) e G. Schirmer Inc.
arrangiamento di:
String Quartet, op. 11: II. Molto adagio
Samuel Barber9:03
18Afro‐American Symphony: III. HumorWilliam Grant Still3:26
19Ensembles for Synthesizer
esecutore:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
Milton Babbitt2:04
20Sound Patterns
cori:
Brandeis New Music Chorale
registrazione di:
Sound Patterns
compositore:
Pauline Oliveros (American composer and improviser) (nel 1961)
Pauline Oliveros4:03
21New England Tryptich: III. “Chester”
registrata a:
New York, New York, Stati Uniti (il 1958-03-16)
orchestra:
New York Philharmonic
direttore d'orchestra:
André Kostelanetz (conductor)
registrazione di:
New England Triptych: III. Chester
compositore:
William Schuman (American composer) (nel 1956)
parte di:
New England Triptych
William Schuman2:52
22Maggie and Millie and Molly and May (from “Though Love Be a Day”)
esecutore:
John O'Brien (US pianist) e Louise Toppin
Gwyneth Walker1:09

Accreditamenti

Pubblicazione

fabbricata da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyright (©) detenuto da:McGraw‐Hill (nel 2009)
diritti fonografici (℗) detenuti da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2009)
ASIN:US: 0077240316 [info]

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0002083696 [info]