The Shirley Bassey Collection

~ Release by Shirley Bassey (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleRatingLength
1Diamonds Are Forever
producer:
John Barry (English score composer)
mixer:
John Richards (engineer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1971)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
4.152:45
2The Fool on the Hill
cover recording of:
The Fool on the Hill
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
3:15
3Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
4.51:51
4Make the World a Little Younger3:31
5I Who Have Nothing
producer:
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Tony Osborne
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I (Who Have Nothing)
lyricist:
Jerry Leiber and Mike Stoller
writer:
Mogol (Italian lyricist)
composer:
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) and Yellow Dog Music (in 1979)
translated version of:
Uno dei tanti
2:46
6What Kind of Fool Am I
producer:
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Frank Barber
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
What Kind of Fool Am I?
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
3:18
7Let's Fall in Love
cover recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
33:06
8Somewhere
2:54
9Cry Me a River
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
cover recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
43:29
10Where or When
3:25
11Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
4.252:52
12The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:00
13If I Were a Bell
2:53
14It's Magic
3:00
15Too Late Now
3:38
16Never Never Never
recording of:
Never Never Never
lyricist and composer:
David Buskin
recording of:
Never, Never, Never (Grande, Grande, Grande)
lyricist:
Alberto Testa
composer:
Tony Renis
translator:
Norman Newell
publisher:
Southern Music (publisher) (in 1973)
translated version of:
Grande, grande, grande
3:42
17When You Smile3:28
18And I Love You So
recording engineer:
John Kurlander (engineer) (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (conductor and composer) (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
And I Love You So (from 1984-07 until 1984-08)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:30
19Does Anybody Miss Me
recording of:
Does Anybody Miss Me (By Les Reed and Johnny Worth/Les Vandyke)
writer:
Les Reed and Johnny Worth
2:30
20For All We Know
producer:
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970)
lyricist:
Arthur James (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1970 winner)
2:41