| # | Title | Artist | Rating | Length |
|---|
| 1 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: I. Recitativo "Was mir behagt, ist nur die muntre Jagd! (Diana)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 0:37 |
| 2 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: II. Aria "Jagen ist die Lust der Götter" (Diana)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 1:51 |
| 3 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: III. Recitativo "Wie, schönste Göttin" (Endymion)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- tenor vocals [Endymion]:
- Kurt Equiluz (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 1:13 |
| 4 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IV. Aria "Willst du dich nicht mehr ergötzen" (Endymion)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- tenor vocals [Endymion]:
- Kurt Equiluz (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 4:45 |
| 5 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: V. Recitativo "Ich liebe dich zwar noch" (Diana, Endymion)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- tenor vocals [Endymion]:
- Kurt Equiluz (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 2:20 |
| 6 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VI. Recitativo "Ich, der ich sonst ein Gott" (Pan)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- bass vocals [Pan]:
- Robert Holl (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 0:38 |
| 7 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VII. Aria "Ein Fürst ist seines Landes Pan" (Pan)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- bass vocals [Pan]:
- Robert Holl (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 2:33 |
| 8 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VIII. Recitativo "Soll denn der Pales Opfer" (Pales)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 0:37 |
| 9 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IX. Aria "Schafe können sicher weiden" (Pales)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Classic 100: Piano (number: 38)
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 4:57 |
| 10 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: X. Recitativo "So stimmt mit ein" (Diana)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 0:11 |
| 11 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XI. Coro "Lebe, Sonne dieser Erden" (Diana, Pales, Endymion, Pan)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- bass vocals [Pan]:
- Robert Holl (in 1988-05)
- choir vocals:
- Arnold Schoenberg Chor (in 1988-05)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- tenor vocals [Endymion]:
- Kurt Equiluz (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- chorus master:
- Erwin Ortner (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 3:15 |
| 12 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XII. Duetto "Entzücket uns beide" (Diana, Endymion)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- tenor vocals [Endymion]:
- Kurt Equiluz (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 2:01 |
| 13 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIII. Aria "Weil die wollenreichen Herden" (Pales)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 1:48 |
| 14 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIII. Aria "Weil die wollenreichen Herden" (Pales)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 3:20 |
| 15 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XV. Coro "Ihr lieblichste Blicke" (Diana, Pales, Endymion, Pan)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- bass vocals [Pan]:
- Robert Holl (in 1988-05)
- choir vocals:
- Arnold Schoenberg Chor (in 1988-05)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- tenor vocals [Endymion]:
- Kurt Equiluz (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- chorus master:
- Erwin Ortner (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden”
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| Johann Sebastian Bach | | 3:37 |
| 16 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: I. Overture | Johann Sebastian Bach | | 2:11 |
| 17 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: II. Duet "Mer hahn en neue Oberkeet" (Soprano, Bass) | Johann Sebastian Bach | | 0:35 |
| 18 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: III. Recitativo "Nu, Mieke, gib dein Guschel immer her" (Soprano, Bass)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her"
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 0:58 |
| 19 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IV. Aria "Ach, es schmeckt doch gar zu gut" (Soprano) | Johann Sebastian Bach | | 1:05 |
| 20 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: V. Recitativo "Der Herr ist gut" (Bass) | Johann Sebastian Bach | | 0:23 |
| 21 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VI. Aria "Ach, Herr Schösser, geht nicht gar zu schlimm" (Bass)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- bass vocals:
- Robert Holl (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm"
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 1:12 |
| 22 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VII. Recitativo "Es bleibt dabei" (Soprano) | Johann Sebastian Bach | | 0:21 |
| 23 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VIII. Aria "Unser trefflicher lieber Kammerherr" (Soprano) | Johann Sebastian Bach | | 1:32 |
| 24 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IX. Recitativo "Er hilft uns allen, alt und jung" (Soprano, Bass)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung"
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 0:32 |
| 25 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: X. Aria "Das ist galant" (Soprano) | Johann Sebastian Bach | | 1:15 |
| 26 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XI. Recitaitve "Und unsre gnäd'ge Frau"(Bass) | Johann Sebastian Bach | | 0:46 |
| 27 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XII. Aria "Fünfzig Taler bares Geld" (Bass) | Johann Sebastian Bach | | 0:50 |
| 28 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIII. Recitativo "Im Ernst ein Wort!" (Soprano) | Johann Sebastian Bach | | 0:26 |
| 29 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIV. Aria "Klein-Zschocher müsse" (Soprano) | Johann Sebastian Bach | | 7:25 |
| 30 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XV. Recitativo "Das ist zu klug vor dich" (Bass) | Johann Sebastian Bach | | 0:22 |
| 31 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVI. Aria "Es nehme zehntausend Dukaten" (Bass) | Johann Sebastian Bach | | 0:43 |
| 32 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVII. Recitativo "Das klingt zu liederlich" (Soprano) | Johann Sebastian Bach | | 0:21 |
| 33 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVIII. Aria "Gib, Schöne, viel Söhne" (Soprano)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne"
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 0:39 |
| 34 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIX Recitaitve "Du hast wohl recht" (Bass) | Johann Sebastian Bach | | 0:20 |
| 35 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XX. Aria "Dein Wachstum sei feste" (Bass) | Johann Sebastian Bach | | 5:51 |
| 36 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXI. Recitaitve "Und damit sei es auch genug" (Soprano, Bass) | Johann Sebastian Bach | | 0:15 |
| 37 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXII. Aria "Und daß" | Johann Sebastian Bach | | 0:43 |
| 38 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIII. Recitaitve "Mein Schatz! erraten" (Soprano, Bass) | Johann Sebastian Bach | | 0:33 |
| 39 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIV. Coro "Wir gehn nun, wo der Tudelsack" (Soprano, Bass)- recording engineer:
- Michael Brammann and Eberhard Sengpiel
- executive producer:
- Wolfgang Mohr
- producer:
- Helmut Mühle (task: recording)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack"
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 1:07 |
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