Atlantic Rhythm & Blues 1947–1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶12"-Vinyl: Volume 1: 1947–1952
2▶12"-Vinyl: Volume 1: 1947–1952
3▶12"-Vinyl: Volume 2: 1952–1955
4▶12"-Vinyl: Volume 2: 1952–1955
5▶12"-Vinyl: Volume 3: 1955–1958
6▶12"-Vinyl: Volume 3: 1955–1958
7▶12"-Vinyl: Volume 4: 1958–1962
8▶12"-Vinyl: Volume 4: 1958–1962
9▶12"-Vinyl: Volume 5: 1962–1966
10▼12"-Vinyl: Volume 5: 1962–1966
Nr.TitelKünstlerBewertungLänge
S1And I Love Him
recorded in:
New York, New York, Vereinigte Staaten (am 1964-10-01)
Techniker(in):
Tom Dowd
Produzent(in):
Bert Berns und Ahmet Ertegun (US songwriter/producer)
flute:
Hubert Laws (am 1964-10-01)
Gitarre:
Mundell Lowe (am 1964-10-01)
Klavier:
Dave McKenna (am 1964-10-01)
Kontrabass [bass]:
Milt Hinton (am 1964-10-01)
Posaune:
Billy Byers (am 1964-10-01), Buddy Morrow (am 1964-10-01), Santo Russo (Sonny Russo, trombone) (am 1964-10-01) und Bart Varsalona (am 1964-10-01)
Saiteninstrumente [ten strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-10-01)
Schlagzeug [drums]:
Mel Lewis (American jazz drummer) (am 1964-10-01)
vocals:
Esther Phillips (Little Esther) (am 1964-10-01)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1964-10-01)
arranger:
Ray Ellis (US producer, arranger and conductor)
cover recording of:
And I Love Her (am 1964-10-01)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Esther Phillips32:42
S2Hold What You’ve Got
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1964-11-06)
recording engineer:
Tom Dowd
Produzent(in):
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (am 1964-11-06)
Bass:
Warren Jones (bass, Soul) (am 1964-11-06)
E-Bass [electric bass]:
Clarence Hadley (am 1964-11-06)
Gitarre:
Lee Royal Hadley (guitar, Soul) (am 1964-11-06)
Schlagzeug:
Clyde Williams (US drummer) (am 1964-11-06)
Tenorsaxophon:
Eddie Williams (saxophone) (am 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (am 1964-11-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 26)
recording of:
Hold What You’ve Got (von 1964 bis 1964-11-06)
Texter und Komponist(in):
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing und Trio Music Company
Joe Tex3:06
S3Mr. Pitiful
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1964-12-28)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1964-12-28)
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1964-12-28)
Gitarre:
Steve Cropper (am 1964-12-28)
Klavier:
Booker T. Jones (am 1964-12-28)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1964-12-28)
Tenorsaxophon:
Charles “Packy” Axton (am 1964-12-28)
Trompete:
Sammy Coleman (am 1964-12-28)
vocals:
Otis Redding (am 1964-12-28)
recording of:
Mr. Pitiful (am 1964-12-28)
Texter und Komponist(in):
Steve Cropper und Otis Redding
publisher:
Irving Music, Inc.
Otis Redding3.62:43
S4Baby I’m Yours
Produzent(in):
Bert Berns und Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1965-01-08)
Gitarre:
Bill Suyker (am 1965-01-08)
Klavier:
Paul Griffin (American pianist, session musician) (am 1965-01-08)
Kontrabass [bass]:
Jimmy Lewis (jazz bassist) (am 1965-01-08)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-08) und Tony Studd (am 1965-01-08)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1965-01-08)
Tenorsaxophon:
Charlie Brown (saxophonist) (am 1965-01-08)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1965-01-08) und Clark Terry (American swing trumpeter) (am 1965-01-08)
Hintergrundgesang:
vocal group ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
vocals:
Barbara Lewis (am 1965-01-08)
conductor:
Teacho Wiltshire (am 1965-01-08)
arranger:
Teacho Wiltshire
Remaster von:
Baby, I’m Yours von Barbara Lewis
Samples von:
Hello Stranger: The Best of Barbara Lewis von Barbara Lewis
recording of:
Baby, I’m Yours (am 1965-01-08)
Texter und Komponist(in):
Van McCoy
publisher:
EMI Blackwood Music Inc. und Van McCoy Music
Barbara Lewis2:31
S5Teasin’ You
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (in 1964)
Produzent(in):
Wardell Quezergue
vocals:
Willie Tee (US keyboardist, vocalist, songwriter and producer) (in 1964)
conductor:
Wardell Quezergue (in 1964)
arranger:
Wardell Quezergue
Willie Tee2:47
S6I’ve Been Loving You Too Long
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-07-09)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-07-09)
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-07-09)
Gitarre:
Steve Cropper (am 1965-07-09)
Keyboard:
Isaac Hayes (am 1965-07-09) und Booker T. Jones (am 1965-07-09)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1965-07-09)
Tenorsaxophon:
Andrew Love (am 1965-07-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-07-09) und Gene “Bowlegs” Miller (American trumpeter) (am 1965-07-09)
vocals:
Otis Redding (am 1965-07-09)
recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Otis Redding3:15
S7In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett32:40
T1See-Saw
recording of:
See Saw
Verfasser(in):
Don Covay und Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Don Covay3:02
T2Respect
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-07-09)
recording engineer:
Tom Dowd
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-07-09)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-07-09)
Gitarre:
Steve Cropper (am 1965-07-09)
Keyboard:
Booker T. Jones (in 1965-07) und Isaac Hayes (am 1965-07-09)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1965-07-09)
Tenorsaxophon:
Andrew Love (am 1965-07-09)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-07-09)
Hintergrundgesang:
Earl Sims (am 1965-07-09)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
recording of:
Respect (in 1965-07)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Otis Redding3.852:08
T3You Don’t Know Like I Know
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-10-25)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1965-10-25)
recording of:
You Don’t Know Like I Know (am 1965-10-25)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor Music und Warner Chappell
Sam & Dave2:32
T4When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
T5Hold On, I’m Comin’
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes, Hayes, Porter und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:33
T6Cool Jerk
recorded in:
Detroit, Michigan, Vereinigte Staaten (am 1966-03-11)
vocals:
The Capitols (1960's Soul Vocal Trio) (am 1966-03-11)
arranger:
Riley Hampton
recording of:
Cool Jerk (am 1966-03-11)
Texter und Komponist(in):
Donald Storball
publisher:
Trio Music Company und Aberbach (German publisher) (in 1967)
The Capitols2:36
T7Neighbor, Neighbor
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-04-18)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
vocals:
Jimmy Hughes (60s US funk/soul vocalist) (am 1966-04-18)
recording of:
Neighbor, Neighbor (am 1966-04-18)
Texter und Komponist(in):
Billy Gibbons
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Burlington Music Co., Ltd., Fujipacific Music, Inc., Glad Music, Hamstein Music (publisher), Music of Stage Three und Stage Three Songs
Jimmy Hughes2:41
11▶12"-Vinyl: Volume 6: 1966–1969
12▶12"-Vinyl: Volume 6: 1966–1969
13▶12"-Vinyl: Volume 7: 1969–1974
14▶12"-Vinyl: Volume 7: 1969–1974

Nennungen

Veröffentlichungsgruppe

Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Atlantic R&B 1947-1974 (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/474792 [Info]
andere Datenbanken:https://www.45cat.com/cdalbum/cd/nc485740uk [Info]