Les Urnes de l'Opéra

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1I pescatori di perle: Atto II. Duo “Non hai compreso un cor fidel” (Nadir, Leila)
Soprangesang [Leila]:
Giuseppina Huguet (soprano) (in 1906)
Tenor-Gesang [Nadir]:
Fernando De Lucia (in 1906)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
recording of:
I pescatori di perle: Atto II. Duo “Non hai compreso un cor fidel” (Nadir, Leila) (in 1906)
Komponist(in):
Georges Bizet (French composer)
Teil von:
I pescatori di perle
Georges Bizet4:00
2Don Giovanni: Atto I. “Batti, batti, o bel Masetto” (Zerlina)
Klavier:
Sir Landon Ronald (pianist, conductor and composer) (in 1905-12)
Soprangesang [Zerlina]:
Adelina Patti (in 1905-12)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1905-12)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:11
3Rigoletto: Atto I. “Caro nome … Gualtier Maldé”
recorded in:
New York, New York, Vereinigte Staaten (in 1907-03)
Soprangesang [Gilda]:
Nellie Melba (soprano) (in 1907-03)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1907-03)
conductor:
Walter B. Rogers (American cornet player and conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1907-03)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
teilweise recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi3:51
4Samson und Dalila: Akt II. „Mein Herz erschliesst sich bei dem Klang deiner Stimme” (Dalila)
contralto vocals [Dalila]:
Ernestine Schumann‐Heink (contralto) (in 1905)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1905)
recording of:
Samson und Dalila: Akt II. „Mein Herz erschliesst sich bei dem Klang deiner Stimme” (Dalila) (in 1905)
Komponist(in):
Camille Saint‐Saëns (composer)
übersetzte Version von:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Teil von:
Samson und Dalila: Akt II
Camille Saint‐Saëns3:21
5La forza del destino: Atto II. “Madre pietosa, vergine” (Leonora)
Chorgesang:
Coro del Teatro alla Scala di Milano (in 1907)
Soprangesang [Leonora]:
Celestina Boninsegna (Italian soprano) (in 1907)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (in 1907)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto II
Giuseppe Verdi4:02
6Carmen : Acte I. Habanera « L'amour est un oiseau rebelle ” (Carmen)
Soprangesang [Carmen]:
Emma Calvé (soprano) (in 1907-04)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1907-04)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1907-04)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
basiert auf:
El arreglito
Teil von:
Carmen : Acte I
Georges Bizet2:59
7Le Prophète : Acte IV. Marche
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1906)
Interpret(in):
The Band of the Coldstream Guards (in 1906)
recording of:
Le Prophète: Acte IV. Marche du couronnement (catch-all for arrangements) (in 1906)
Komponist(in):
Giacomo Meyerbeer (composer)
Arrangement von:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement)
Giacomo Meyerbeer4:03
8La Ronde des lutins
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1904)
Geige / Violine:
Jan Kubelík (Czech violinist and composer) (in 1904)
Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1904)
recording of:
Scherzo fantastique, op. 25 "La Ronde des lutins" (in 1904)
Komponist(in):
Antonio Bazzini (Italian violinist and composer) (in 1852)
Teil von:
Works of Antonio Bazzini by opus number (Nummer: op. 25)
Antonio Bazzini3:27
9Symphonie n° 6 en fa majeur op. 68 « Pastorale » I. Allegro ma non troppo
Interpret(in):
Musique de la Garde républicaine (in 1911)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphonie Nr. 6 F-Dur, Op. 68 "Sinfonia pastorale": I. "Erwachen heiterer Empfindungen bei der Ankunft auf dem Land". Allegro ma non troppo) (in 1911)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:39
10Zapateado. Danse espagnole op. 23 n° 2
Geige / Violine:
Jan Kubelík (Czech violinist and composer) (am 1911-07-03)
Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1911-07-03)
recording of:
Spanish Dances, op. 23, no. 2: Zapateado (am 1911-07-03)
Komponist(in):
Pablo de Sarasate (violinist and composer)
Teil von:
Spanish Dances, op. 23 (for violin and piano)
Pablo de Sarasate3:26
11Valse en la bémol majeur op. 34 n° 1
Klavier:
Ignacy Jan Paderewski (Polish pianist and composer) (in 1911)
recording of:
Waltz no. 2 in A‐flat major, op. 34 no. 1 (in 1911)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1835 bis 1838)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 94) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 208)
Teil von:
Waltzes, op. 34
Frédéric Chopin4:54
12Aida: Atto I. “Celeste Aida” (Radamès)
Tenor-Gesang [Radamès]:
Enrico Caruso (tenor) (in 1908)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1908)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi3:26
13Otello: Atto II. “Credo” (Iago)
Baritongesang [Iago]:
Pasquale Amato (Italian operatic baritone) (in 1911)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago) (in 1911)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto II
Giuseppe Verdi4:21
14Lohengrin : Acte III. Récit du Graal « Aux bords lointains dont nul mortel n'approche » (Lohengrin)
Tenor-Gesang [Lohengrin]:
Paul Franz (tenor) (in 1911)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Lohengrin : Acte III. Récit du Graal « Aux bords lointains dont nul mortel n'approche » (Lohengrin) (in 1911)
Komponist(in):
Richard Wagner (composer)
Richard Wagner4:05
15Ballade du roi op 7 n° 6 : “Kak korol' sel na vojny” (Quand le roi va à la guerre)
Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
Bass-Gesang:
Fédor Chaliapine (Fjodor Schaljapin, operatic bass) (in 1908)
recording of:
Ballade du roi op 7 n° 6 : “Kak korol' sel na vojny” (Quand le roi va à la guerre) (in 1908)
Komponist(in):
Feodor Koenemann
Feodor Koenemann3:32
16Rigoletto: Atto III. Quartetto “Bella figlia d'amore” (Rigoletto, Gilda, Duca, Sparafucile)
Baritongesang [Rigoletto]:
Antonio Scotti (Italian baritone) (in 1907)
contralto vocals [Maddalena]:
Louise Homer (American operatic contralto) (in 1907)
Soprangesang [Gilda]:
Bessie Abott (soprano) (in 1907)
Tenor-Gesang [Duca]:
Enrico Caruso (tenor) (in 1907)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1907)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi3:46
17La bohème: Atto III. Quartetto “Addio, dolce svegliare” (Mimì, Rodolfo, Marcello, Musetta)
Baritongesang [Marcello]:
Antonio Scotti (Italian baritone) (in 1907)
contralto vocals [Musetta]:
Gina Viafora (mezzo-soprano) (in 1907)
Soprangesang [Mimì]:
Geraldine Farrar (American soprano) (in 1907)
Tenor-Gesang [Rodolfo]:
Enrico Caruso (tenor) (in 1907)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello) (in 1907)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:33
18Lucia di Lammermoor: Atto II. “Sestetto “Chi mi frina”
Baritongesang [Enrico]:
Antonio Scotti (Italian baritone) (in 1908)
Bass-Gesang [Raimondo]:
Marcel Journet (French operatic bass) (in 1908)
contralto vocals [Alisa]:
Gina Severina (mezzo-soprano) (in 1908)
Soprangesang [Lucia]:
Marcella Sembrich (Polish coloratura soprano, Prakseda Marcelina Kochańska) (in 1908)
Tenor-Gesang [Arturo]:
Francesco Daddi (in 1908)
Tenor-Gesang [Edgardo]:
Enrico Caruso (tenor) (in 1908)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (in 1908)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto II
Gaetano Donizetti4:01
19L'incantatrice
Soprangesang:
Maria Galvany (spanish soprano) (in 1908)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
conductor:
Carlo Sabajno (conductor) (in 1908)
recording of:
L'incantatrice (in 1908)
Komponist(in):
Luigi Arditi
Luigi Arditi3:31
20Le nozze di Figaro: Atto I. Cavatina “Voi che sapete” (Cherubino)
Soprangesang [Cherubino]:
Nellie Melba (soprano) (in 1907)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1907)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:14
21Allegretto
Geige / Violine:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1911)
Klavier:
George Falkenstein (in 1911)
recording of:
Allegretto (in 1911)
Komponist(in):
Luigi Boccherini (Italian composer)
Luigi Boccherini2:17
22Faust : Acte I. Cavatine « Le veau d'or est toujours debout » (Méphistophélès)
Bass-Gesang [Méphistophélès]:
Marcel Journet (French operatic bass) (in 1910)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1910)
recording of:
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) (in 1910)
Komponist(in):
Charles Gounod (French composer)
Teil von:
Faust : Acte II
Charles‐François Gounod1:57
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ASIN:FR: B001Q8UPI2 [Info]