Together Forever

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Back in the High Life Again
Mix:
Tom Lord‐Alge
vocals:
James Taylor (singer-songwriter and guitarist)
Bearbeitung von:
Back in the High Life Again von Steve Winwood
recording of:
Back in the High Life Again
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), F.S. Music Ltd. und Willin' David Music
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood4:25
2The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:16
3Let’s Get It On
Techniker(in):
William McMeekin und Art Stewart
Produzent(in):
Marvin Gaye und Ed Townsend
Mix:
Cal Harris
Bassgitarre:
Wilton Felder (am 1973-03-22)
Bongos und Conga:
Eddie “Bongo” Brown (am 1973-03-22) und Bobbye Hall (am 1973-03-22)
guitar family:
Don Peake (am 1973-03-22), Louie Shelton (am 1973-03-22), David T. Walker (am 1973-03-22) und Melvin “Wah Wah” Watson (am 1973-03-22)
Klavier:
Marvin Gaye (am 1973-03-22), Marvin Jenkins (am 1973-03-22) und Joe Sample (am 1973-03-22)
Perkussion:
Emil Richards (am 1973-03-22)
Saxophon:
Plas Johnson (am 1973-03-22) und Ernie Watts (jazz and blues saxophonist) (am 1973-03-22)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer) (am 1973-03-22)
Vibraphon:
Victor Feldman (jazz musician) (am 1973-03-22) und Emil Richards (am 1973-03-22)
Hintergrundgesang und Sologesang:
Marvin Gaye (am 1973-03-22)
conductor:
René Hall (am 1973-03-22)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1973-03-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 167) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 264)
recording of:
Let’s Get It On (am 1973-03-22)
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye4.054:54
4Can’t Get Enough of Your Love, Babe
Produzent(in):
Barry White
recording of:
Can’t Get Enough of Your Love Babe
Texter und Komponist(in):
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:31
5Baby Come Back
Techniker(in):
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) und Joe Sidore
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
Bassgitarre:
Ronn Moss
Clavinet, Hybrid-Piano und Synthesizer:
Wayne Cook
Conga, Maracas / Rumba-Rasseln und Schlagzeug:
John Friesen (drummer)
Gitarre:
Peter Beckett (lead singer of Player)
Hintergrundgesang und Sologesang:
J.C. Crowley
vocals:
Peter Beckett (lead singer of Player) und Ronn Moss
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 7) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 24)
recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player4.354:12
6Reunited
Produzent(in):
Freddie Perren
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
Bearbeitung von:
Reunited von Peaches & Herb
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:01
7Laughter in the Rain
recording of:
Laughter in the Rain
Texter:
Phil Cody (of Neil Sedaka-fame)
Komponist(in):
Neil Sedaka
publisher:
Entco Music, H & R Lastrada Music, R2M Publishing H. & R. Lastrada Music, Sony/ATV Tunes LLC (ASCAP) und SUITE 1510 MUSIC COMPANY 301
Neil Sedaka52:47
8I Like Dreamin’
phonographisches Urheberrecht (℗) von:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (bis 1977)
recording of:
I Like Dreamin’
Texter und Komponist(in):
Kenny Nolan
publisher:
EMI Sosaha Music, Inc., Forty West Music Corp., Sound of Nolan Music und Two One Two Music Co.
Kenny Nolan43:32
9Truly
recording engineer:
Calvin Harris
Techniker(in):
Jim Cassell
assistierende(r) Produzent(in):
Brenda Harvey–Richie
Produzent(in):
James Anthony Carmichael und Lionel Richie
Mix:
Calvin Harris, Michael Johnson (Motown related), Fred Law und Stephan Smith (US 70s/80s soul/funk engineer)
Akustikgitarre:
Tim May (session/jazz guitarist)
Bass:
Joe Chemay
Bratsche / Viola:
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) und Gareth Nuttycombe (violist)
Cello:
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff und Dennis Karmazyn
flute:
Louise DiTullio
Geige / Violine:
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) und Charles Veal Jr. (violinist, conductor and arranger)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Harfe:
Gayle Levant (American studio musician, harpist)
Kontrabass:
Árni Egilsson und Buell Neidlinger
Rhodes Piano [Fender rhodes]:
William Payne
Saiteninstrumente:
Assa Drori, Allan Harshman (violist), Joy Lyle und Paul Shure
Schlagzeug:
Paul Leim
Waldhorn:
Arthur Maebe (US horn player), Richard Perissi und Henry Sigismonti
Hintergrundgesang:
Lionel Richie
arranger:
James Anthony Carmichael und Gene Page (conductor, composer, arranger and record producer)
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Motown / Hitsville U.S.A Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
instrumental versions:
Truly (instrumental) von Lionel Richie
recording of:
Truly
Texter und Komponist(in):
Lionel Richie
Lionel Richie3.353:22
10Don’t Give Up on Us
vocals:
David Soul
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
phonographisches Urheberrecht (℗) von:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) und Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
David Soul33:40
11Touch Me in the Morning
Produzent(in):
Tom Baird (Motown producer) und Michael Masser
arranger:
Tom Baird (Motown producer) und Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.53:29
12The Morning After
Techniker(in):
Arnie Rosenberg
Produzent(in):
Carl Maduri
arranger:
Joe Hudson (US composer, string arranger and conductor)
phonographisches Urheberrecht (℗) von:
20th Century-Fox Record Corporation (in 1972) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
The Morning After (from "The Poseidon Adventure")
Verfasser(in):
Joel Hirschhorn (songwriter) und Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music und Twentieth Century Music Corp.
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1972 winner)
Maureen McGovern52:22
13You Needed Me
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) und EMI Music Canada (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 63)
recording of:
You Needed Me (in 1978)
Texter und Komponist(in):
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:38
14I Honestly Love You
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
phonographisches Urheberrecht (℗) von:
Festival Records International Ltd. (company; do NOT use as release label) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Honestly Love You (in 1974)
Texter:
Jeff Barry
Komponist(in):
Peter Allen (Australian singer‐songwriter)
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
publisher:
Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John43:39
15Love Will Keep Us Together
recording engineer und Mix:
Dennis Dragon
Partner-Produzent(in):
Toni Tennille
Produzent(in):
The Captain
Celesta, Clavinet, E-Bass [Fender], Hammond-Orgel, Keyboard [Clavietta], Klavier, Minimoog [Mini-moog], Synthesizer [Arp String Ensemble], Synthesizer [Odyssey], Windspiel und Wurlitzer Electric Piano:
The Captain
Conga, Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Geige / Violine:
Kenneth Yerke
Hintergrundgesang:
Melissa Tennille und Toni Tennille
Saiteninstrumente arranger:
Kenneth Yerke
arranger:
The Captain
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), A&M Records, Inc. (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 337)
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
16Candle in the Wind
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Musikvideos:
Candle in the Wind von Elton John (English singer, songwriter, pianist, and composer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 7) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 348)
recording of:
Candle in the Wind (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal–Songs of PolyGram International, Inc.
Elton John3.653:50
17I’ll Have to Say I Love You in a Song
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar]:
Jim Croce
Hybrid-Piano:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Marty Nelson und Tommy West
vocals:
Jim Croce (am 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) und Lastrada Entertainment Co., Ltd. (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (am 1973-06-07)
Texter und Komponist(in):
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:33
18Nights in White Satin
Techniker(in):
Derek Varnals
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clarke (UK producer/guitarist) (Aufgabe: realisation) und Michael Dacre-Barclay (British producer) (Aufgabe: realisation)
Orchester:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Peter Knight (British arranger, conductor and composer)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Nights in White Satin
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues47:40