Secular Cantatas, Vol. 10

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Angenehmes Wiederau, BWV 30a: No. 1, Angenehmes Wiederau
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
choir vocals:
Bach Collegium Japan Chorus (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": I. Coro "Angenehmes Wiederau" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach3:54
2Angenehmes Wiederau, BWV 30a: No. 2, So ziehen wir
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
bass vocals:
Dominik Wörner (bass) (in 2017-07)
countertenor vocals:
Robin Blaze (countertenor) (in 2017-07)
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
tenor vocals:
Makoto Sakurada (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": II. Recitativo (Sopran, Alt, Tenor, Bass) "So ziehen wir in diesem Hause hier" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach0:53
3Angenehmes Wiederau, BWV 30a: No. 3, Willkommen im Heil, willkommen in Freuden
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
bass vocals:
Dominik Wörner (bass) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": III. Aria (Bass) "Willkommen im Heil" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach4:23
4Angenehmes Wiederau, BWV 30a: No. 4, Da heute dir, gepriesner Hennicke
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
countertenor vocals:
Robin Blaze (countertenor) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": IV. Recitativo (Alt) "Da heute dir, gepriesner Hennicke" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach0:36
5Angenehmes Wiederau, BWV 30a: No. 5, Was die Seele kann ergötzen
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
countertenor vocals:
Robin Blaze (countertenor) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": V. Aria (Alt) "Was die Seele kann ergötzen" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach5:54
6Angenehmes Wiederau, BWV 30a: No. 6, Und wie ich jederzeit bedacht
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
bass vocals:
Dominik Wörner (bass) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": VI. Recitativo (Bass) "Und wie jederzeit bedacht" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach0:38
7Angenehmes Wiederau, BWV 30a: No. 7, Ich will dich halten
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
bass vocals:
Dominik Wörner (bass) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": VII. Aria (Bass) "Ich will dich halten" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach5:44
8Angenehmes Wiederau, BWV 30a: No. 8, Und obwohl sonst der Unbestand
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": VIII. Recitativo (Sopran) "Und obwohl sonst der Unbestand" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach0:55
9Angenehmes Wiederau, BWV 30a: No. 9, Eilt, ihr Stunden, wie ihr wollt
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": IX. Aria (Sopran) "Eilt, ihr Stunden, wie ihr wollt" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach4:16
10Angenehmes Wiederau, BWV 30a: No. 10, So recht! Ihr seid mir werte Gäste
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
tenor vocals:
Makoto Sakurada (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": X. Recitativo (Tenor) "So recht! Ihr seid mir werte Gäste" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach0:42
11Angenehmes Wiederau, BWV 30a: No. 11, So wie ich die Tropfen zolle
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
tenor vocals:
Makoto Sakurada (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": XI. Aria (Tenor) "So wie ich die Tropfen zolle" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach2:31
12Angenehmes Wiederau, BWV 30a: No. 12, Drum, angenehmes Wiederau
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
bass vocals:
Dominik Wörner (bass) (in 2017-07)
countertenor vocals:
Robin Blaze (countertenor) (in 2017-07)
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
tenor vocals:
Makoto Sakurada (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": XII. Recitativo (Sopran, Alt, Tenor, Bass) "Drum, angenehmes Wiederau" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach1:15
13Angenehmes Wiederau, BWV 30a: No. 13, Angenehmes Wiederau
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
choir vocals:
Bach Collegium Japan Chorus (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 30.1 "Angenehmes Wiederau": XIII. Coro "Angenehmes Wiederau" (in 2017-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 30.1 "Angenehmes Wiederau" (former BWV 30a)
Johann Sebastian Bach4:06
14Ich bin in mir vergnügt, BWV 204: No. 1, Ich bin in mir vergnügt
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": I. Recitativo (Sopran) "Ich bin in mir vergnügt" (in 2017-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:36
15Ich bin in mir vergnügt, BWV 204: No. 2, Ruhig und in sich zufrieden
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": II. Aria (Sopran) "Ruhig und in sich zufrieden" (in 2017-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach6:46
16Ich bin in mir vergnügt, BWV 204: No. 3, Ihr Seelen, die ihr außer euch
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": III. Recitativo (Sopran) "Ihr Seelen, die ihr außer euch stets in die Irre lauft" (in 2017-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach2:02
17Ich bin in mir vergnügt, BWV 204: No. 4, Die Schätzbarkeit der weiten Erden
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 2017-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:44
18Ich bin in mir vergnügt, BWV 204: No. 5, Schwer ist es zwar, viel Eitles zu besitzen
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": V. Recitativo (Sopran) "Schwer ist es zwar, viel Eitles zu besitzen" (in 2017-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:55
19Ich bin in mir vergnügt, BWV 204: No. 6, Meine Seele sei vergnügt
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt" (in 2017-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach6:48
20Ich bin in mir vergnügt, BWV 204: No. 7, Ein edler Mensch ist Perlenmuscheln gleich
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VII. Recitativo (Sopran) "Ein edler Mensch ist Perlenmuscheln gleich" (in 2017-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach2:08
21Ich bin in mir vergnügt, BWV 204: No. 8, Himmlische Vergnügsamkeit
sound engineer:
Matthias Spitzbarth (in 2017-07)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Carolyn Sampson (soprano) (in 2017-07)
orchestra:
Bach Collegium Japan (in 2017-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2017-07)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2018)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 2017-07)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VIII. Aria (Sopran) "Himmlische Vergnügsamkeit" (in 2017-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:24