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~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.23:11
2(Don’t Fear) The Reaper (single version)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 1978)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 397) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 449)
registrazione di:
(Don’t Fear) The Reaper
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:49
3Breakfast at Tiffany’s
tecnico, produttore e tecnico di missaggio:
David Castell
batteria e percussione :
John Kirtland (Drummer, head of Kirtland Records)
chitarra acustica e chitarra elettrica :
Toby Pipes, Todd Pipes e Kirk Tatom
chitarra basso :
Todd Pipes e Kirk Tatom
chitarra lap steel :
Toby Pipes
organo e pianoforte :
Kirk Tatom
tastiera :
Toby Pipes e Todd Pipes
voce:
Toby Pipes, Todd Pipes e Kirk Tatom
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1995) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1995)
registrazione di:
Breakfast at Tiffany’s
paroliere e compositore:
Todd Pipes
editore:
Warner Chappell North America e WC Music Corp.
Deep Blue Something3.74:17
4Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:08
5You Ain’t Seen Nothing Yet (single version)
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:39
6I Want You to Want Me
tecnico:
Antonio Reale
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti (nel 1977)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 266)
registrazione di:
I Want You to Want Me (nel 1977)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick4.153:10
7American Woman (7″ version)
assistente tecnico di registrazione:
Ed Schnabl e Russ Vestuto
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
arrangiatore:
The Guess Who (Canadian rock band)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1969, nel 1970) e BMG Music (nel 1970)
registrata presso:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Stati Uniti
edit di:
American Woman (original stereo mix) di The Guess Who (Canadian rock band)
registrazione di:
American Woman
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.23:53
8Bad to the Bone
registrazione di:
Bad to the Bone
paroliere e compositore:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
editore:
Del Sound Music
George Thorogood & the Destroyers3:38
9Teenage Dirtbag
tecnico di registrazione e produttore:
Philip A. Jimenez e Wheatus
tecnico di missaggio:
David Thoener
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2000)
registrazione di:
Teenage Dirtbag
paroliere e compositore:
Brendan B. Brown (Wheatus singer/guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (nel 2000) e Montauk Mantis Productions (nel 2000)
Wheatus2.54:02
10Are You Gonna Go My Way
assistente tecnico:
Greg DiGesu
tecnico e tecnico di missaggio:
Henry Hirsch
tecnico aggiunto:
David Domanich
produttore:
Lenny Kravitz
basso :
Lenny Kravitz (nel 1998-01) e Tony Breit (nel 1998-12)
batteria , batteria [junkanoo] e voce di accompagnamento e voce principale:
Lenny Kravitz (nel 1998-12)
chitarra acustica e chitarra elettrica :
Craig Ross (guitarist) (nel 1998-12)
sintetizzatore [arp string ensemble] :
Henry Hirsch (nel 1998-12)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1993) e Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1993)
registrazione di:
Are You Gonna Go My Way (nel 1998-12)
paroliere:
Lenny Kravitz
compositore:
Henry Hirsch, Lenny Kravitz e Craig Ross (guitarist)
editore:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Lenny Kravitz3.853:32
11Juke Box Hero (remastered radio edit)
registrazione di:
Juke Box Hero
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner4:04
12Slow Ride (single version)
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1975) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1976)
edit di:
Slow Ride (long version) di Foghat
registrazione di:
Slow Ride
paroliere e compositore:
Dave Peverett
editore:
Kohaw Music Inc. e WC Music Corp.
Foghat4.53:58
13Carry On Wayward Son
produttore:
Jeff Glixman
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
Carry On Wayward Son
paroliere e compositore:
Kerry Livgren
editore:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (dal 1976 a oggi) e EMI Blackwood Music Inc. (dal 1976 a oggi)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas43:27
14Bring Me to Life
programmazione:
Ben Moody (American guitarist and producer)
programmazione aggiuntiva:
Zac Baird, David Hodges (American record producer & songwriter) e Chris Johnson (programming/production for Ivy Lane Music)
assistente tecnico:
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson e Sam Storey
tecnico:
Jeremy Parker (engineer)
tecnico aggiunto:
Ben Moody (American guitarist and producer)
produttore:
Dave Fortman
tecnico di missaggio:
Jay Baumgardner
batteria :
Josh Freese (American drummer)
chitarra basso :
Francesco DiCosmo
chitarra e percussione :
Ben Moody (American guitarist and producer)
tastiera e pianoforte :
David Hodges (American record producer & songwriter)
voce ospite:
Paul McCoy
voce principale:
Amy Lee (singer and keyboardist of Evanescence)
diritti fonografici (℗) detenuti da:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (nel 2003)
video musicali:
Bring Me to Life di Evanescence
parte di:
VH1’s Big Song of 2003 (numero: 22), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 43) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 83)
registrazione di:
Bring Me to Life
autore:
David Hodges (American record producer & songwriter), Amy Lee (singer and keyboardist of Evanescence) e Ben Moody (American guitarist and producer)
editore:
Forthefallen Publishing, Reservoir One America, ROBA Music Verlag GmbH e Zombies Ate My Publishing
Evanescence4.453:57
15Stranglehold
registrazione di:
Stranglehold
paroliere e compositore:
Ted Nugent
autore aggiunto:
Rob Grange
editore:
Magicland Music
versione parodia di:
Strangest Folks
Ted Nugent4.258:24
16Roundabout
registrata a:
Stati Uniti (nel 2017-02)
produttore:
Eddy Offord e Yes (British progressive rock band)
registrazione dal vivo di:
Roundabout (nel 2017-02)
autore:
Jon Anderson (Yes/Jon & Vangelis) e Steve Howe
editore:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: file NO releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
Roundabout
autore:
Jon Anderson (Yes/Jon & Vangelis) e Steve Howe
editore:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: file NO releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Yes8:31
17For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:35
18Can’t Fight This Feeling (single version)
registrazione di:
Can’t Fight This Feeling
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
大洋音楽 (Taiyō Music)
REO Speedwagon4:47
19The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:29
20The Passenger
tecnico:
Eduard Meyer e Colin Thurston
produttore:
Bewlay Bros.
campanaccio, batteria, shaker e tamburello :
Hunt Sales (dal 1977-06-04 al 1977-06-18)
chitarra :
Carlos Alomar (dal 1977-06-04 al 1977-06-18) e Ricky Gardiner (dal 1977-06-04 al 1977-06-18)
chitarra basso :
Tony Sales (dal 1977-06-04 al 1977-06-18)
pianoforte :
David Bowie (English singer‐songwriter) (dal 1977-06-04 al 1977-06-18)
voce di accompagnamento:
David Bowie (English singer‐songwriter) (dal 1977-06-04 al 1977-06-18), Hunt Sales (dal 1977-06-04 al 1977-06-18) e Tony Sales (dal 1977-06-04 al 1977-06-18)
voce principale:
Iggy Pop (dal 1977-06-04 al 1977-06-18)
diritti fonografici (℗) detenuti da:
Thousand Mile, Inc. (nel 1977) e Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (nel 1990)
registrata presso:
Hansa Studio III in Berlin, Germania (dal 1977-06-04 al 1977-06-18)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 179)
registrazione di:
The Passenger (dal 1977-06-04 al 1977-06-18)
paroliere:
Iggy Pop
compositore:
Ricky Gardiner
editore:
Ricky Gardiner Songs e Virgin Music (Publishers) Ltd.
Iggy Pop4.64:40
21Mississippi Queen
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrazione di:
Mississippi Queen
autore:
Corky Laing, Felix Pappalardi, David Rea e Leslie West
editore:
Universal Music Publishing MGB Ltd. e Upfall Music Corp.
Mountain4.12:31
22Rocks
tecnico:
David Bianco (American engineer and record producer) e Jeff Powell (engineer)
tecnico aggiunto:
David Bianco (American engineer and record producer) e Jeffrey Reed
co-produttore:
David Bianco (American engineer and record producer)
produttore:
Tom Dowd
produttore aggiunto:
George Drakoulias
remixer:
George Drakoulias
diritti fonografici (℗) detenuti da:
Creation Records Ltd. (nel 1994) e Sire Records Company (not for release label use!) (nel 1994)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Rocks
autore:
Bobby Gillespie, Andrew Innes e Robert Young (British guitarist, of Primal Scream)
editore:
Complete Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:34
23Cherry Bomb
arrangiatore:
Scott Anderson (The Runaways co -writer, -ordinator, -arranger), Kim Fowley e The Runaways (US 1970s all girl rock group)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1976), Phonogram, Inc. (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Criterion Studios in Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 52)
registrazione di:
Cherry Bomb
paroliere:
Kim Fowley
compositore:
Joan Jett
editore:
Careers–BMG Music Publishing, Inc., Jett Pack Music, Inc. e Peermusic Ltd. (BMI)
The Runaways4.152:19
24My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:00
25Addicted to Love
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.53:57
26Baby, I Love You
registrazione di:
Baby, I Love You
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company e Universal–Songs of PolyGram International, Inc.
Ramones3:46
27Love Is the Drug
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1975), Virgin EG Records Ltd. (nel 1975) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1975, nel 1999)
registrazione di:
Love Is the Drug
paroliere:
Bryan Ferry
compositore:
Andy Mackay (of Roxy Music)
editore:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs e E.G. Music Ltd. (publisher) (nel 1975)
Roxy Music4.24:07
28Tom Sawyer
assistente tecnico:
Robbie Whelan
tecnico:
Paul Northfield
produttore:
Terry Brown (producer) e Rush (Canadian rock trio)
batteria e percussione :
Neil Peart (dal 1980-10 al 1980-11)
chitarra :
Alex Lifeson (dal 1980-10 al 1980-11)
chitarra basso , minimoog , sintetizzatore e voce principale:
Geddy Lee (dal 1980-10 al 1980-11)
arrangiatore:
Terry Brown (producer) e Rush (Canadian rock trio)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2022)
registrata presso e mixata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (dal 1980-10 al 1980-11)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 19) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 91)
registrazione di:
Tom Sawyer (dal 1980-10 al 1980-11)
paroliere:
Pye Dubois e Neil Peart
compositore:
Geddy Lee e Alex Lifeson
editore:
Ole Core Music Publishing
Rush4.554:33
29No More Heroes
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1977-07)
registrazione di:
No More Heroes (nel 1977-07)
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers4.653:28
30Funk #49
basso :
Dale Peters (nel 1969-11)
batteria :
Jim Fox (American percussionist) (nel 1969-11)
chitarra :
Joe Walsh (Eagles/James Gang) (nel 1969-11)
registrazione di:
Funk #49 (nel 1969-11)
autore:
Jim Fox (American percussionist), Dale Peters e Joe Walsh (Eagles/James Gang)
editore:
Songs of Universal, Inc. (BMI)
James Gang43:55
31Piece of My Heart
registrazione cover di:
Piece of My Heart
autore:
Bert Russell e Jerry Ragovoy
editore:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. e Wren Music Co.
Janis Joplin4:27
32Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:59
33Caroline
tecnico:
Damon Lyon-Shaw e Richard Manwaring (Producer)
produttore:
Roger Glover e Status Quo (UK boogie rock band)
arrangiatore:
Status Quo (UK boogie rock band)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (UK) (nel 1973), Phonogram Ltd. (not for release label use!) (nel 1973) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1973)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito
registrazione di:
Caroline
autore:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) e Francis Rossi
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Valley Music Ltd (publisher)
Status Quo4.353:45
34Pride and Joy
assistente tecnico di registrazione:
James Geddes
tecnico di registrazione:
Richard Mullen
assistente produttore:
Mikie Harris
produttore:
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen e Stevie Ray Vaughan
produttore esecutivo:
John Hammond (producer)
assistente tecnico di missaggio:
Harry Spiridakis e Don Wershba (engineer)
tecnico di missaggio:
Lincoln Clapp (engineer)
batteria :
Chris Layton
chitarra :
Stevie Ray Vaughan
chitarra basso :
Tommy Shannon
voce:
Stevie Ray Vaughan
registrata presso:
Down Town Studio in Los Angeles, California, Stati Uniti e Riverside Sound in Austin, Texas, Stati Uniti
mixata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Pride and Joy
paroliere e compositore:
Stevie Ray Vaughan
editore:
Wixen Music UK Ltd.
Stevie Ray Vaughan & Double Trouble4.253:39
35How You Remind Me
produttore:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake e Ryan "Nik" Vikedal
tecnico di missaggio:
Randy Staub
basso :
Mike Kroeger
batteria [drums] :
Ryan "Nik" Vikedal
chitarra [guitars] :
Chad Kroeger e Ryan Peake
voce:
Ryan Peake
voce principale:
Chad Kroeger
diritti fonografici (℗) detenuti da:
The All Blacks B.V. (company, for copyrights purposes) (nel 2001)
video musicali:
How You Remind Me di Nickelback
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 1) e BILLIONS CLUB
registrazione di:
How You Remind Me
paroliere:
Chad Kroeger
compositore:
Chad Kroeger, Mike Kroeger, Ryan Peake e Ryan Vikedal
editore:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zero‐G Music Inc.
Nickelback3.83:43
36Fool for Your Loving
tecnico, produttore e tecnico di missaggio:
Mike Clink e Keith Olsen (US producer and engineer)
batteria :
Tommy Aldridge
chitarra :
Steve Vai
chitarra basso :
Rudy Sarzo
tastiera :
Alan Pasqua
voce di accompagnamento:
Tommy Funderburk e Glenn Hughes (UK rock bassist and vocalist)
voce principale:
David Coverdale
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Fool for Your Loving (1988 version) di Whitesnake
registrazione di:
Fool for Your Loving
autore:
David Coverdale, Bernie Marsden e Micky Moody
editore:
Colgems-EMI Music Inc., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Seabreeze Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Windswept Pacific Music Ltd., 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), WB Music Corp. (1929–2019) (fino al 2019-05-28), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), WC Music Corp. (dal 2019-05-28 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake3.854:18
37American Storm
diritti fonografici (℗) detenuti da:
Hideout Records & Distributors, Inc. (nel 1986)
registrazione di:
American Storm
paroliere e compositore:
Bob Seger
editore:
Hideout Records/Distribtrs Inc (Gear Publishing Div) e Gear Publishing Co (nel 1985)
Bob Seger & the Silver Bullet Band4:02
38Hold the Line (single version)
produttore:
Toto (US rock group)
basso :
David Hungate
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
tastiera :
David Paich e Steve Porcaro
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrazione di:
Hold the Line
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.73:32
39I Surrender
assistente tecnico:
Thomas Brekling e Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
produttore:
Roger Glover
batteria :
Bob Rondinelli (nel 1980-11)
chitarra :
Ritchie Blackmore (nel 1980-11)
chitarra basso :
Roger Glover (nel 1980-11)
tastiera :
Don Airey (nel 1980-11)
voce principale:
Joe Lynn Turner (US rock vocalist) (nel 1980-11)
registrata presso:
Sweet Silence Studio (at Strandlodsvej, 1976–1999) in Copenhagen, Capital Region of Denmark, Danimarca (nel 1980-11)
registrazione cover di:
I Surrender (nel 1980-11)
paroliere e compositore:
Russ Ballard
editore:
April Music Publishing Inc., Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd, フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Rainbow53:25
40Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.54:47
41Free Ride
registrazione di:
Free Ride
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e Silver Steed Music
The Edgar Winter Group4.653:08
42The Joker
assistente tecnico e assistente tecnico di missaggio:
Gene Hicks
tecnico e tecnico di missaggio:
Jay Ranellucci
produttore:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Sailor Music (nel 1973)
registrazione di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:37
43Something in the Air
produttore:
Pete Townshend (of The Who)
registrazione di:
Something in the Air (nel 1969)
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman43:56
44God Gave Rock and Roll to You
registrazione di:
God Gave Rock and Roll to You
paroliere e compositore:
Russ Ballard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mainspring Music e Verulam Music Co., Ltd.
Argent3:22
45I’m Waiting for the Man (remastered)
tecnico di registrazione:
Omi Haden
produttore:
Andy Warhol (American artist)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 159)
registrazione di:
I’m Waiting for the Man
paroliere e compositore:
Lou Reed
editore:
Oakfield Avenue Music, Screen Gems e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground & Nico3.654:39
46Cum On Feel the Noize
produttore:
Bryan “Chas” Chandler
parte di:
Q50 – December 2005 (numero: 34)
registrazione di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4.154:26
4720th Century Boy
esecutore:
Marc Bolan
diritti fonografici (℗) detenuti da:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 1973)
registrazione di:
20th Century Boy (nel 1972-12)
paroliere e compositore:
Marc Bolan
editore:
Fintage Publishing, Spirit Catalogue Holdings e Wizard (Bahamas) Ltd.
sub-editore:
Shinko Music Entertainment Co., Ltd. (conclusa) e フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex4.83:39
48Crazy Crazy Nights
produttore:
Ron Nevison
tecnico di missaggio:
Ron Nevison (dal 1987-06 al 1987-07)
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
mixata presso:
Can‐Am Recorders in Tarzana, Los Angeles, California, Stati Uniti (dal 1987-06 al 1987-07)
registrazione di:
Crazy Crazy Nights
autore:
Adam Mitchell (Scottish-Canadian songwriter) e Paul Stanley (KISS frontman)
editore:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 大洋音楽 (Taiyō Music)
KISS43:45
49Don’t Bring Me Down
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1979-03 al 1979-04)
chitarra basso :
Kelly Groucutt (dal 1979-03 al 1979-04)
chitarra elettrica e voce principale:
Jeff Lynne (dal 1979-03 al 1979-04)
clarinetto e pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
pianoforte e sintetizzatore :
Jeff Lynne (dal 1979-03 al 1979-04) e Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
cori:
Kelly Groucutt (dal 1979-03 al 1979-04) e Jeff Lynne (dal 1979-03 al 1979-04)
direttore d'orchestra:
Louis Clark (dal 1979-03 al 1979-04)
arrangiatore archi e arrangiatore cori:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1979), Jet Inc. (nel 1979), Jet Records (nel 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2005)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-03 al 1979-04)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 215)
registrazione di:
Don’t Bring Me Down (dal 1979-03 al 1979-04)
paroliere e compositore:
Jeff Lynne
editore:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.54:03
50New Year’s Day
registrazione di:
New Year’s Day
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. e Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U25:34
51Won’t Get Fooled Again
tecnico di registrazione:
Glyn Johns e Pete Townshend (of The Who) (sintetizzatore)
produttore:
The Who
produttore associato:
Glyn Johns
produttore esecutivo:
Pete Kameron, Kit Lambert e Chris Stamp
tecnico di missaggio:
Glyn Johns
batteria e percussione :
Keith Moon (drummer) (dal 1971-04-06 al 1971-04-07)
chitarra acustica e chitarra elettrica , organo e sintetizzatore :
Pete Townshend (of The Who) (dal 1971-04-06 al 1971-04-07)
chitarra basso :
John Entwistle (dal 1971-04-06 al 1971-04-07)
voce:
John Entwistle (dal 1971-04-06 al 1971-04-07) e Pete Townshend (of The Who) (dal 1971-04-06 al 1971-04-07)
voce principale:
Roger Daltrey (dal 1971-04-06 al 1971-04-07)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1971)
registrata in aggiunta presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1971-04-06 al 1971-04-07)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (dal 1971-04-06 al 1971-04-07)
mixata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1971-05-28)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 133) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 295)
registrazione di:
Won’t Get Fooled Again (dal 1971-04-06 al 1971-04-07)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Towser Tunes, Inc.
The Who4.558:35

Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:NOW That’s What I Call Music LLP (British holding company) (nel 2019)
scaricare a pagamento:https://itunes.apple.com/gb/album/id1464558504 [info]

Gruppo di pubblicazioni

parte di:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (ordine: 5)