Bach: The Essentials

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Brandenburg Concerto no. 3 in G major, BWV 1048: 1. (without Tempo Indication)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Jennifer Ward Clarke (cellist) (from 1982-03 until 1982-05), Anthony Pleeth (cellist) (from 1982-03 until 1982-05) and Richard Webb (cellist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
viola:
Annette Isserlis (violist) (from 1982-03 until 1982-05), Trevor Jones (British violist, ex. Salomon Quartet) (from 1982-03 until 1982-05) and Jan Schlapp (violist Janet Schlapp) (from 1982-03 until 1982-05)
violin:
Micaela Comberti (English violinist) (from 1982-03 until 1982-05), Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05) and Elizabeth Wilcock (violinist) (from 1982-03 until 1982-05)
violone:
Amanda MacNamara (double bass player) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:50
2Suite no. 3 in D major, BWV 1068: 2. Air
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
54:41
3Das Wohltemperierte Klavier: Book 1, BWV 846-869: Prelude and Fugue no. 1 in C major, BWV 846
piano:
Hélène Grimaud (French pianist) (in 2003-09)
recorded at:
Radiohuset in Stockholm, Stockholms län (Stockholm county), Sweden (in 2003-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2003-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
2:49
4Orchestral Suite no. 2 in B minor, BWV 1067: 7. Badinerie
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
cello:
Jaap ter Linden (cellist/violist/conductor) (in 1982-04)
harpsichord:
Henk Bouman (in 1982-04)
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1982-04)
transverse flute:
Wilbert Hazelzet (flautist) (in 1982-04)
viola:
Karlheinz Steeb (in 1982-04)
viola da gamba:
Jean-Michel Forest (in 1982-04)
violin:
Hajo Bäß (viola player) (in 1982-04) and Reinhard Goebel (violinist and conductor) (in 1982-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1982-04)
balance engineer:
Wolf‐Dieter Karwatky and Wolfgang Mitlehner
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1982-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:26
5Partita for Violin Solo no. 3 in E major, BWV 1006: 1. Preludio
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1983-01)
recorded at:
Nikolauskloster in Jüchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1983-01)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (in 1983-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
3:58
6Wachet Auf, Ruft Uns Die Stimme Cantata, BWV 140: 1. Chor: "Wachet Auf, Ruft Uns Die Stimme"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
9:44
7Aria Mit 30 Veränderungen, BWV 988 "Goldberg Variationen": Aria
executive producer:
Dr. Christiane Lehnigk, Angelika Meissner and Maider Múgica
producer:
Christoph Claßen (producer/engineer)
harpsichord:
Mahan Esfahani (harpsichordist) (in 2016-04)
balance engineer:
Michael Morawietz
harpsichord technician:
Simon Neal (instrument technician)
phonographic copyright (℗) by:
Deutsche Grammophon (in 2016) and Deutschlandradio (in 2016)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2016-04)
recording of:
Goldberg-Variationen, BWV 988: Variatio 13. a 2 Clav. (in 2016-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
4:53
8Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo, Ma Non Tanto
producer:
Hans Weber (producer/engineer)
harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1961-02)
violin:
David Oistrakh (violinist) (in 1961-02) and Igor Oistrakh (violinist) (in 1961-02)
orchestra:
Royal Philharmonic Orchestra (in 1961-02)
conductor:
Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (in 1961-02)
balance engineer:
Harald Baudis (sound engineer) (in 1961-02)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1961-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1961-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
7:38
9Cello Suite no. 1 in G major, BWV 1007: 1. Prélude
recording engineer:
Karl-Heinz Schneider (producer) (in 1960-12)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Karl-Heinz Schneider (producer)
cello:
Pierre Fournier (cellist) (in 1960-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-12)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1960-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:51
10Partita no. 1 in B-Flat major, Op.1 no. 1, BWV 825: 1. Praeludium
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01: piano)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Partita no. 1 in B-flat major, BWV 825: I. Prelude (in 1994-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
2:01
11Mass in B minor, BWV 232: 3. Sanctus
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
The English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:27
12St. Matthew Passion, BWV 244: 1. Chorus I/II: "Kommt, Ihr Töchter, Helft Mir Klagen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Werner Roth (Engineer) and Ulrich Vette (engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
The English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:57
13Wachet Auf, Ruft Uns Die Stimme, BWV 645
organ:
Helmut Walcha (German organist) (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
4:20
14Herz Und Mund Und Tat Und Leben, BWV 147: 10. Choral: "Jesus Bleibet Meine Freude"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
The English Baroque Soloists (in 1990-03)
conductor:
John Eliot Gardiner (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:31
15St. Matthew Passion, BWV 244: no. 39 Aria "Erbarme Dich"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1988-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:46
16St. Matthew Passion, BWV 244: no. 54 Choral: "O Haupt Voll Blut Und Wunden"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1988-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
1:50
17St. Matthew Passion, BWV 244: no. 68 Chorus I/II: "Wir Setzen Uns Mit Tränen Nieder"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
instruments and orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:09
18Gottes Zeit Ist Die Allerbeste Zeit, BWV 106 "Actus Tragicus": no. 2 A-D "Gottes Zeit Ist Die Allerbeste Zeit"… "Es Ist Der Alte Bund"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1989-09)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
7:55
19Toccata and Fugue in D minor, BWV 565: 1.Toccata
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (German organist) (on 1956-09-17)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
2:36
20Toccata and Fugue in D minor, BWV 565: 2.Fugue
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (German organist) (on 1956-09-17)
pipe organ:
Helmut Walcha (German organist)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
6:53
21Brandenburg Concerto no. 4 in G, BWV 1049: 3. Presto
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
violin:
Reinhard Goebel (violinist and conductor) (from 1987-02 until 1987-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (from 1987-02 until 1987-06)
conductor:
Reinhard Goebel (violinist and conductor) (from 1987-02 until 1987-06)
balance engineer:
Wolfgang Mitlehner
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1987-02 until 1987-06)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (from 1987-02 until 1987-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
4:20
22Partita for Violin Solo no. 2 in D minor, BWV 1004: 5. Ciaccona
engineer and balance engineer:
Klaus Hiemann (engineer/producer)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
14:01
23Partita no. 2 in C minor, BWV 826: 6. Capriccio
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: VI. Capriccio (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
3:11
24Sonata no. 1 in E-Flat major, BWV 525: 1. Allegro Moderato
organ:
Ton Koopman (conductor, organist and harpsichordist)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: I. (Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
2:53
25Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro Assai
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Wolfgang Mitlehner
violin:
Reinhard Goebel (violinist and conductor) (in 1986-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-06)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-06)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1986-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:36

Credits

Release group

part of:The Essentials (Deutsche Grammophon) (order: 6)