101 Golden Memories

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1A Nightingale Sang in Berkeley Square
vocals:
Vera Lynn
Orchester:
Tony Osborne & His Orchestra
recording of:
A Nightingale Sang in Berkeley Square (in 1962)
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vera Lynn3:55
2Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Nat King Cole2:52
3The Very Thought of You
vocals:
Al Bowlly
recording of:
The Very Thought of You (am 1934-04-21)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Al Bowlly3:32
4You Belong to Me
recording of:
You Belong to Me
Verfasser(in):
Pee Wee King, Chilton Price und Redd Stewart
publisher:
Hill & Range Inc. (publisher) und Ridgeway Music Co, Inc.
Jo Stafford3:12
5I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Frank Sinatra43:42
6How D’Ya Like Your Eggs in the Morning?
recording of:
How D’Ya Like Your Eggs in the Morning?
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
Dean Martin & Helen O’Connell2:45
7Boogie Woogie Bugle Boy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-02)
vocals:
The Andrews Sisters (am 1941-01-02), Maxene Andrews (am 1941-01-02), Laverne Andrews (am 1941-01-02) und Patti Andrews (am 1941-01-02)
Orchester:
Vic Schoen and His Orchestra (am 1941-01-02)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1941)
recording of:
Boogie Woogie Bugle Boy (am 1941-01-02)
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
The Andrews Sisters2:38
8Dreamboat
vocals:
Alma Cogan
recording of:
Dreamboat (1955 song)
Texter und Komponist(in):
Jack Hoffman (U.S. songwriter/producer/label head)
Alma Cogan1:46
9My Resistance Is Low
Bing Crosby2:16
10Chicago
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) und Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
Gitarre:
Freddie Green (in 1959-01)
Klavier:
Ralph Sharon und Count Basie (pianist) (in 1959-01)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1959-01)
Posaune:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) und Benny Powell (jazz trombonist) (in 1959-01)
Schlagzeug:
Sonny Payne (in 1959-01)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1959-01) und Billy Mitchell (US jazz saxophonist) (in 1959-01)
Trompete:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) und Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
Interpret(in):
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
Tony Bennett42:07
11Careless Hands
Mel Tormé3:12
12I Believe
cover recording of:
I Believe
Verfasser(in):
Ervin Drake (songwriter), Irvin Graham, Jimmy Shirl (songwriter) und Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company und TRO Essex Music Ltd.
Frankie Laine2:11
13Secret Love
vocals:
Doris Day (am 1953-08-05)
Orchester:
The Warner Bros. Studio Orchestra (am 1953-08-05)
conductor:
Ray Heindorf (am 1953-08-05)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1953)
aufgenommen bei:
Warner Bros. Studios (Burbank, CA) in Burbank, California (Kalifornien), Vereinigte Staaten (am 1953-08-05)
recording of:
Secret Love (song from “Calamity Jane”) (am 1953-08-05)
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America und Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1953 winner)
Teil von:
Calamity Jane (stage musical)
Doris Day33:39
14Volare (Nel blu dipinto di blu)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
Dean Martin42:59
15Pickin’ a Chicken
recording of:
Pickin’ a Chicken
Verfasser(in):
Derek Bernfield, Garfield De Mortimer und Paddy Roberts (singer/songwriter)
Eve Boswell2:12
16My Blue Heaven
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
cover recording of:
My Blue Heaven (am 1955-12-23)
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
Fats Domino42:06
17Ac‐cent‐tchu‐ate the Positive (Here Come the Waves)
recording of:
Ac‐cent‐tchu‐ate the Positive
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Johnny Mercer2:48
18Just a Gigolo / I Ain’t Got Nobody
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
Louis Prima & Keely Smith44:44
19I Can’t Tell a Waltz From a Tango
vocals:
Alma Cogan
recording of:
I Can't Tell a Waltz From a Tango
Verfasser(in):
Al Hoffman und Dick Manning (American songwriter)
Alma Cogan2:25
20Love and Marriage
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-08-15)
conductor:
Nelson Riddle (am 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (am 1955-08-15)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
Frank Sinatra32:37
21Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (am 1955-10-28)
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin52:15
22Indian Love Call
cover recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und Otto Harbach
Komponist(in):
Rudolf Friml und Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. und Harms, Inc. (am 1924-09-02)
Teil von:
Rose-Marie (1924 operetta-style musical)
Teil von:
Rose-Marie (1936 musical film)
Slim Whitman3:17
23Vaya Con Dios (May God Be With You)
cover recording of:
Vaya con Dios (original)
Verfasser(in):
Inez James, Buddy Pepper und Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. und Manuskript (not for release label use! this is only for copyrights and publishing relationships)
Les Paul & Mary Ford2:49
24Mona Lisa
The Nat King Cole Trio3:26
25No Other Love
cover recording of:
No Other Love
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
Komponist(in):
Richard Rodgers (composer) (von 1952 bis 1953)
Version von:
Beneath the Southern Cross (Victory at Sea)
recording of:
No Other Love
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
Komponist(in):
Richard Rodgers (composer) (von 1952 bis 1953)
Version von:
Beneath the Southern Cross (Victory at Sea)
Ronnie Hilton3:06
26Here in My Heart
vocals:
Al Martino (singer & actor)
conductor:
Monty Kelly
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
recording of:
Here in My Heart
Verfasser(in):
Bill Borrelli (writer “Here in My Heart”), Pat Genaro (Songwriter) und Lou Levinson (writer “Here in My Heart”)
publisher:
Algonquin Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Mellin Music
Al Martino33:04
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Veröffentlichung

ASIN:UK: B002QQ7FVS [Info]