Mucho Macho

~ Release by Machito and His Afro-Cuban Salseros (see all versions of this release, 4 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleRatingLength
C1Vaya Nina
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Vaya! Niña! (Vaya! Vaya!) (in 1949-12)
writer:
Chico O’Farrill
?:??
C2Hall of the Mambo King
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Hall of the Mambo King (in 1949-12)
composer:
Edvard Grieg (composer)
arranger:
José "Pin" Madera (saxophone, aka "Pin")
arrangement of:
Hall of the Mountain King
is based on:
Hall of the Mountain King
?:??
C3Donkey Serenade
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
The Donkey Serenade (from 1948 until 1949)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Rudolf Friml and Herbert Stothart (composer)
part of:
The Firefly (Rudolf Friml operetta)
?:??
C4Mambo Jambo
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Mambo Jambo (in 1950-08)
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
?:??
C5At Sundown
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
At Sundown (from 1948 until 1949)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
?:??
C6Why Do I Love You
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Why Do I Love You? (Show Boat) (from 1948 until 1949)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
?:??
D1Mambo Is Here to Stay
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Mambo Is Here to Stay (in 1950-08)
composer:
Walter “Gil” Fuller (jazz composer & arranger)
arranger:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz)
?:??
D2Rose Room
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Rose Room (from 1948 until 1949)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
?:??
D3Tea for Two
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Tea for Two (No, No, Nanette) (from 1948 until 1949)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
?:??
D4Finaliza un amor
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
vocals:
Graciela
recording of:
Finaliza un amor (in 1949-12)
composer:
Raúl Díaz (Latin music composer)
?:??
D5The World Is Waiting for the Sunrise
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
The World Is Waiting for the Sunrise (from 1948 until 1949)
lyricist:
Gene Lockhart (in 1918)
composer:
Raymond Roberts (in 1918)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Chappell Music Ltd. (on 1919-01-24)
?:??
D6St. Louis Blues
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
St. Louis Blues (from 1948 until 1949)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
?:??

Credits

Release

art direction:Sheldon Marks
vocals:Graciela
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz)
Discogs:https://www.discogs.com/release/11332327 [info]