Le Domaine musical : 1956…1967

~ Veröffentlichung von Pierre Boulez (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Titelliste

1▼Digitales Medium: Le Concert du 10eme anniversaire
Nr.TitelKünstlerBewertungLänge
1Kontra-Punkte, op. 1
Instrumente:
Solistes du Domaine musical (in 1956)
conductor:
Pierre Boulez (composer and conductor) (in 1956)
recording of:
Kontra-Punkte, Nr. 1 (vom 1956 bis heute)
Komponist(in):
Karlheinz Stockhausen (composer) (von 1952 bis 1953)
Teil von:
Works of Karlheinz Stockhausen by Werk Nr. (Nummer: Nr. 1)
Karlheinz Stockhausen11:27
2Serenata I
flute:
Severino Gazzelloni (flutist) (in 1956)
Instrumente:
Solistes du Domaine musical (in 1956)
conductor:
Pierre Boulez (composer and conductor) (in 1956)
recording of:
Serenata I (in 1956)
Komponist(in):
Luciano Berio (Italian composer) (in 1957)
gewidmet:
Pierre Boulez (composer and conductor)
Luciano Berio10:20
3Le Marteau sans maître : 1. Avant “L’Artisanat furieux”
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez1:29
4Le Marteau sans maître : 2. Commentaire I de “Bourreaux de solitude”
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez3:39
5Le Marteau sans maître : 3. “L’Artisanat furieux”
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez2:04
6Le Marteau sans maître : 4. Commentaire II de “Bourreaux de solitude”
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez4:16
7Le Marteau sans maître : 5. “Bel édifice et les pressentiments”, version première
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez3:26
8Le Marteau sans maître : 6. “Bourreaux de solitude”
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez3:18
9Le Marteau sans maître : 7. Après “L’Artisanat furieux”
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez1:04
10Le Marteau sans maître : 8. Commentaire III de “Bourreaux de solitude”
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez5:37
11Le Marteau sans maître : 9. “Bel édifice et les pressentiments”, double
Bratsche / Viola:
Serge Collot (violist) (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
Gitarre:
Anton Stingl (guitarist and composer) (in 1964)
Perkussion:
Jean Batigne (in 1964)
Vibraphon:
Claude Ricou (in 1964)
Xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit (in 1964)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez7:14
12Oiseaux exotiques
Klavier:
Yvonne Loriod (pianist) (in 1956)
Orchester:
Orchestre du Domaine musical (in 1956)
conductor:
Rudolf Albert (conductor) (in 1956)
recording of:
Oiseaux exotiques, I/41 (in 1956)
Komponist(in):
Olivier Messiaen (composer and organist) (von 1955-10-05 bis 1956-01-03)
gewidmet:
Yvonne Loriod (pianist)
was commissioned by:
Pierre Boulez (composer and conductor)
publisher:
Universal Editions (publisher; do NOT use as release label)
Olivier Messiaen13:53
2▶Digitales Medium: Les Références françaises
3▶Digitales Medium: Le Compositeur Pierre Boulez
4▶Digitales Medium: Les Compagnons de route
5▶Digitales Medium: Igor Stravinsky
6▶Digitales Medium: L’Ecole de Vienne I. De 1899 à 1912
7▶Digitales Medium: L’Ecole de Vienne II. De 1906 à 1943
8▶Digitales Medium: L’Ecole de Vienne III. Le Sérialisme
9▶Digitales Medium: “Une histoire d’amitiés…” : / Le tout premier enregistrement du Marteau sans maître de Pierre Boulez / IIIe Concert – Saison 1956