The Pop Years: The 80s

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD: 1980
2CD: 1981
3CD: 1982
4CD: 1983
5CD: 1984
6CD: 1985
7CD: 1986
8CD: 1987
9CD: 1988
#TitleArtistRatingLength
1I Owe You Nothing
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer:
Ric Wake
producer and mixer:
Nicky Graham
remixer:
Bob Cadway and Ric Wake
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Owe You Nothing
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) and Virgin Music (Publishers) Ltd. (in 1988)
Bros3:35
2Together Forever
keyboard [Fairlight] programming:
Ian Curnow (in 1987)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1987)
guitar [guitars]:
Matt Aitken (in 1987)
keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) and Matt Aitken (in 1987)
background vocals [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) and Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1987) and PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 and PWL Studio 2
recording of:
Together Forever (in 1987)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (from 1987 to present)
Rick Astley4.653:25
3Tell It to My Heart
producer:
Ric Wake
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint and Intersong Music
Taylor Dayne3.753:38
4I Should Be So Lucky
engineer:
Karen Hewitt, Mark McGuire (UK producer/engineer) and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographic copyright (℗) by:
Mushroom Records (from 1988 to present)
music videos:
I Should Be So Lucky by Kylie Minogue
recording of:
I Should Be So Lucky
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (from 1988 to present)
Kylie Minogue4.353:22
5Nothing Can Divide Us
engineer:
Karen Hewitt and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Dave Ford (remixer, producer & technician known for work with SAW)
additional keyboard:
George De Angelis (Production music composer)
drums (drum set):
A. Linn (Linn 9000)
guitar:
Matt Aitken
keyboard:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
background vocals:
Mae McKenna (vocalist), Mike Stock (of Stock Aitken Waterman) and Miriam Stockley
phonographic copyright (℗) by:
PWL Records Ltd. (not release use)
recorded at:
PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
Nothing Can Divide Us
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jason Donovan23:43
6Boys (Summertime Love)
producer:
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
lyricist:
Claudio Cecchetto (Italian record producer & talent scout) and Malcolm Charlton
composer:
Matteo Bonsanto and Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina3.63:55
71-2-3
recording of:
1‐2‐3
writer:
Enrique Garcia (Miami Sound Machine) and Gloria M. Estefan
publisher:
Foreign Imported Productions & Publishing, Inc.
is based on:
Esteros
Gloria Estefan3:34
8Loco in Acapulco
recording engineer:
Rick Ruggieri
drums (drum set) and background vocals:
Phil Collins (of Genesis)
electric bass guitar:
Freddie Washington (US session bassist)
guitar:
Michael Landau, Paul Jackson (bassist) and David Williams (folk guitarist)
keyboard:
Aaron Zigman (American score composer)
choir vocals:
Four Tops (Motown)
guitar arranger and horn arranger:
Paul Riser
percussion arranger:
Aaron Zigman (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Four Tops4.354:32
9Girl You Know It’s True
phonographic copyright (℗) by:
Hansa (in 1988) and BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1994)
cover recording of:
Girl You Know It's True
writer:
Ky Adeyemo, Bill Pettaway, Jr. (R&B songwriter, musician, producer), Rodney Holloman (Numarx), Kevin Lyles (executive / songwriter) and Sean Spencer (American DJ and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music Ltd.
Milli Vanilli3:18
10Come Into My LifeJoyce Sims33:44
11Sign Your Name
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
strings arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) and Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. and Young Terrence Music (Publisher)
Terence Trent D’Arby3.64:33
12Theme From S-Express
producer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
samples:
Is It Love You’re After by Rose Royce, Stacey’s Dream (a cappella) by Stacey Q and The Bottle by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
writer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S-Express43:55
13Doctorin’ the House
vocals:
Yazz (UK pop singer Yasmin Marie Evans)
part of:
TV Cream: Real 100 Best Singles Ever (number: 73)
recording of:
Doctorin’ the House
writer:
Matt Black (British DJ and one half of Coldcut), Jonathan More (of Coldcut), Winston Riley and Yazz (UK pop singer Yasmin Marie Evans)
Coldcut53:46
14Hazy Shade of Winter
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
music videos:
Hazy Shade of Winter by The Bangles
part of:
New York Post: 100 Greatest Covers (2007) (number: 3)
cover recording of:
A Hazy Shade of Winter
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Bangles4.62:43
15Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.44:30
16I’m Not Scared
producer:
Phil Harding (engineer, producer and remixer) and Pet Shop Boys
recording of:
I’m Not Scared
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd. (in 1988) and Cage Music Ltd. (in 1988)
Eighth Wonder54:30
17Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:36
18The King of Rock ’n’ Roll
producer:
Thomas Dolby
mixer:
David Leonard (US producer and engineer)
keyboard:
Thomas Dolby
lead vocals:
Paddy McAloon
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
recording of:
The King of Rock ’n’ Roll
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout44:23
19Crash
mixer:
Mark Wallis (in 1988)
bass guitar:
Steve Dullaghan
guitar:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Crash
writer:
Paul Court (of "The Primitives"), Steve Dullaghan and Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives4.652:32
20Keeping the Dream Alive
producer:
Armand Volker
guest performer:
The Jackson Singers and London Symphony Orchestra
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1988)
recording of:
Keeping the Dream Alive
lyricist:
Curtis Briggs and Timothy Touchton
writer:
Vic Briggs (Victor Briggs)
composer:
Aron Strobel and Stefan Zauner (pop vocalist and keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Sony/ATV Music Publishing LLC (1995–2020) (in 1988)
translated version of:
Solang’ man Träume noch leben kann
Freiheit24:14
10CD: 1989