American Songbook: Richard Whiting

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1My Ideal
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-07-21)
vocals:
Margaret Whiting (am 1942-07-21)
Orchester:
Billy Butterfield's Orchestra (am 1942-07-21)
recording of:
My Ideal (from “Playboy of Paris”) (am 1942-07-21)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Newell Chase und Richard A. Whiting (composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Margaret Whiting2:53
2Louise
vocals:
Maurice Chevalier (am 1929-03-14)
conductor:
Leonard Joy (conductor, composer) (am 1929-03-14)
recording of:
Louise (from "Innocents of Paris") (am 1929-03-14)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Richard A. Whiting (composer)
Maurice Chevalier3:19
3Beyond the Blue Horizon
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-05)
Sologesang:
Jeanette MacDonald (am 1930-08-05)
vocals:
The Rounders (vocal group) (am 1930-08-05)
recording of:
Beyond the Blue Horizon (from "Monte-Carlo") (am 1930-08-05)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
W. Franke Harling und Richard A. Whiting (composer)
publisher:
Sony/ATV Harmony
Jeanette MacDonald and The Rounders2:15
4Honey
recorded in:
New York, New York, Vereinigte Staaten (am 1929-02-07)
vocals:
Rudy Vallee (am 1929-02-07)
Interpret(in):
Rudy Vallee and His Connecticut Yankees (am 1929-02-07)
recording of:
Honey (am 1929-02-07)
Texter:
Haven Gillespie und Seymour Simons
Komponist(in):
Richard A. Whiting (composer)
Rudy Vallee and His Connecticut Yankees3:25
5Eadie Was a Lady (Pt. 1 and 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1932-12-16)
vocals:
Ethel Merman (am 1932-12-16)
conductor:
Victor Young (American composer, arranger, violinist & conductor) (am 1932-12-16)
recording of:
Eadie Was a Lady (am 1932-12-16)
Texter:
Nacio Herb Brown (US songwriter) und Buddy DeSylva
Komponist(in):
Richard A. Whiting (composer)
Ethel Merman6:04
6Rock and Roll
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1934-10-04)
vocals:
The Boswell Sisters (am 1934-10-04)
Orchester:
Jimmy Grier and His Orchestra (am 1934-10-04)
recording of:
Rock and Roll (am 1934-10-04)
Texter:
Sidney Clare
Komponist(in):
Richard A. Whiting (composer)
The Boswell Sisters2:46
7Here's the Key to My Heart
recorded in:
New York, New York, Vereinigte Staaten (am 1934-07-13)
vocals:
Alice Faye (am 1934-07-13)
conductor:
Freddy Martin (am 1934-07-13)
recording of:
Here's the Key to My Heart (am 1934-07-13)
Texter:
Sidney Clare
Komponist(in):
Richard A. Whiting (composer)
Alice Faye3:01
8On the Good Ship Lollipop
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1934)
vocals:
Shirley Temple (US actor, singer, dancer, businesswoman & diplomat) (in 1934)
Orchester:
20th Century Fox studio orchestra (in 1934)
recording of:
On the Good Ship Lollipop (in 1934)
Texter:
Sidney Clare (in 1934)
Komponist(in):
Richard A. Whiting (composer) (in 1934)
Shirley Temple3:09
9You're an Old Smoothie
vocals:
Billy Hughes (Western Swing musician/songwriter) (am 1933-01-21) und Lee Wiley (am 1933-01-21)
Orchester:
Victor Young and His Serenaders (am 1933-01-21)
recording of:
You’re an Old Smoothie (am 1933-01-21)
Texter:
Buddy DeSylva
Komponist(in):
Nacio Herb Brown (US songwriter) und George A. Whiting (popular songwriter)
Victor Young and His Serenaders featuring Lee Wiley and Billy Hughes2:59
10When Did You Leave Heaven?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-18)
vocals:
Tony Martin (born Alvin Morris, actor and popular crooner of the 30s/40s/50s) (am 1936-07-18)
conductor:
Victor Young (American composer, arranger, violinist & conductor) (am 1936-07-18)
recording of:
When Did You Leave Heaven? (am 1936-07-18)
Texter:
Walter Bullock
Komponist(in):
Richard A. Whiting (composer)
publisher:
EMI April Music Inc., EMI Robbins Catalog Inc. (ASCAP), SBK Robbins Catalog, Inc. und Whiting Music Corp.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Tony Martin2:55
11Miss Brown to You
recorded in:
New York, New York, Vereinigte Staaten (am 1935-07-02)
Gitarre:
John Trueheart (am 1935-07-02)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1935-07-02)
Klavier:
Teddy Wilson (am 1935-07-02)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1935-07-02)
Schlagzeug:
Cozy Cole (am 1935-07-02)
Tenorsaxophon:
Ben Webster (am 1935-07-02)
Trompete:
Roy Eldridge (am 1935-07-02)
vocals:
Billie Holiday (am 1935-07-02)
recording of:
Miss Brown to You (am 1935-07-02)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger und Richard A. Whiting (composer)
Billie Holiday3:02
12Have You Got Any Castles, Baby?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-08-30)
vocals:
Dick Powell (American singer, actor, producer, director and studio boss) (am 1937-08-30)
conductor:
Lou Forbes (am 1937-08-30)
recording of:
Have You Got Any Castles, Baby? (am 1937-08-30)
Texter:
Johnny Mercer
Komponist(in):
Richard A. Whiting (composer)
Dick Powell2:17
13Till We Meet Again
vocals:
Kate Smith (American singer)
conductor:
Jack Miller (conductor, singer)
recording of:
Till We Meet Again (1918 song)
Texter:
Raymond B. Egan (in 1918)
Komponist(in):
Richard A. Whiting (composer) (in 1918)
Teil von:
For Me and My Gal (1942 movie)
Kate Smith3:11
14Guilty
recorded in:
New York, New York, Vereinigte Staaten (in 1946-08)
Saiteninstrumente:
Artie Shaw and His Orchestra (in 1946-08)
Sologesang:
Mel Tormé (“The Velvet Fog”) (in 1946-08)
vocals:
The Meltones (backing group for Mel Torme) (in 1946-08)
recording of:
Guilty (in 1946-08)
Texter:
Gus Kahn
Komponist(in):
Harry Akst und Richard A. Whiting (composer)
Mel Tormé and The Meltones3:12
15Sleepy Time Gal
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-06-26)
vocals:
Bing Crosby (am 1953-06-26)
Interpret(in):
Buddy Cole Trio (am 1953-06-26)
recording of:
Sleepy Time Gal (am 1953-06-26)
Texter:
Joseph R. Alden und Raymond B. Egan
Komponist(in):
Ange Lorenzo und Richard A. Whiting (composer)
Bing Crosby2:34
16My Future Just Passed
recorded in:
New York, New York, Vereinigte Staaten (am 1955-12-16)
vocals:
Carmen McRae (am 1955-12-16)
Orchester:
Jack Pleis's Orchestra (am 1955-12-16)
recording of:
My Future Just Passed (am 1955-12-16)
Texter:
George Marion, Jr.
Komponist(in):
Richard A. Whiting (composer)
Carmen McRae3:18
17She's Funny That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-06-30)
vocals:
Nat "King" Cole (am 1958-06-30)
Orchester:
Count Basie and His Orchestra (am 1958-06-30)
recording of:
She’s Funny That Way (am 1958-06-30)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
Nat "King" Cole3:05
18True Blue Lou
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-24)
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1963-04-24)
conductor:
Ralph Burns (am 1963-04-24)
Interpret(in):
Ralph Sharon Trio (am 1963-04-24)
arranger:
Ralph Burns
recording of:
True Blue Lou (am 1963-04-24)
Texter:
Sam Coslow und Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Richard A. Whiting (composer)
Tony Bennett2:45
19Ain't We Got Fun
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-13)
vocals:
Doris Day (am 1951-11-13) und Danny Thomas (US singer & actor) (am 1951-11-13)
Orchester:
Paul Weston and His Orchestra (am 1951-11-13)
recording of:
Ain’t We Got Fun? (am 1951-11-13)
Texter:
Raymond B. Egan und Gus Kahn
Komponist(in):
Richard A. Whiting (composer)
Doris Day and Danny Thomas2:27
20Too Marvelous for Words
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-10)
Klavier, Kontrabass und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1955-03-10)
vocals:
Jeri Southern (am 1955-03-10)
recording of:
Too Marvelous for Words (am 1955-03-10)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jeri Southern4:19
21Breezin' Along With the Breeze
recorded in:
New York, New York, Vereinigte Staaten (in 1988)
Gitarre:
Bucky Pizzarelli (in 1988)
Klarinette und Tenorsaxophon:
Ken Peplowski (in 1988)
Klavier:
Dave Frishberg (in 1988)
Kontrabass:
John Goldsby (in 1988)
Schlagzeug:
Terry Clarke (Canadian jazz drummer) (in 1988)
vocals:
Susannah McCorkle (in 1988)
recording of:
Breezin’ Along With the Breeze (in 1988)
Texter:
Haven Gillespie (in 1926) und Seymour Simons (in 1926)
Komponist(in):
Richard A. Whiting (composer) (in 1926)
Susannah McCorkle3:13
22Can't Teach My Old Heart New Tricks
Klavier:
Loonis McGlohon (am 1977-01-10)
Kontrabass:
Terry Lassiter (am 1977-01-10)
Schlagzeug:
Jim Lackey (am 1977-01-10)
vocals:
Margaret Whiting (am 1977-01-10)
arranger:
Loonis McGlohon
recording of:
Can’t Teach My Old Heart New Tricks (music by Richard A. Whiting; first performed by Benny Goodman and His Orchestra) (am 1977-01-10)
Texter:
Johnny Mercer
Komponist(in):
Richard A. Whiting (composer)
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
Margaret Whiting3:50

Nennungen

Veröffentlichung

liner notes:Margaret Whiting
leitende(r) Produzent(in):Bruce Talbot
Partner-Produzent(in):Dennis Britton
Produzent(in):Dwight Blocker Bowers (Aufgabe: series)
mastering:Frank Abbey (engineer / producer)
design:Joe Yacinski (Aufgabe: designer)
booklet editor:Jane Sapp
artwork:Ed Lee (design, photography, art direction)