100 Greatest Arias

~ Release by Enrico Caruso (see all versions of this release, 1 available)

Tracklist

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#TitleRatingLength
1Non ve l’avevo detto?
tenor vocals:
Enrico Caruso (tenor)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
3:48
2No! Pagliaccio non son
tenor vocals:
Enrico Caruso (tenor) (on 1910-12-28)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-12-28)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-12-28)
recording of:
Pagliacci: Atto II. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda) (on 1910-12-28)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
3:16
3Ora e per sempre addio
tenor vocals:
Enrico Caruso (tenor)
recording of:
Otello: Atto II. “Ed ora” … “Ora e per sempre addio” (Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
2:19
4Siciliana: O Lola
tenor vocals:
Enrico Caruso (tenor)
recording of:
Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
2:44
5Mal reggendo
tenor vocals:
Enrico Caruso (tenor)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
3:39
6Se m’ami ancor. Ai nostri monti
tenor vocals:
Enrico Caruso (tenor)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:27
7Già i sacerdoti adunansi
tenor vocals:
Enrico Caruso (tenor) (on 1910-12-29)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-12-29)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-12-29)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (on 1910-12-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:26
8Misero appien mi festi
tenor vocals:
Enrico Caruso (tenor)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:39
9Dì tu se fedele
choir vocals:
Metropolitan Opera Chorus (on 1911-11-19)
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-19)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-19)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-19)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (on 1911-11-19)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
2:59
10Io non ho che una povera stanzetta
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-26)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-26)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-26)
recording of:
La bohème: Atto II. “Io non ho che una povera stanzetta” (Marcello, Musette, Durand) (on 1911-11-26)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
La bohème: Atto II (Leoncavallo)
3:25
11Musette! O gioia della mia dimora!
tenor vocals:
Enrico Caruso (tenor)
recording of:
La bohème: Atto III. “Ecco, ho finito” / “Musetta! O gioia della mia dimora!” / “Testa adorata” (Marcello, Musette)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
La bohème: Atto III (Leoncavallo)
3:27
12L’importuna insistenza. Quando nascesti tu
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-19)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-19)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-19)
recording of:
Lo schiavo: Atto II. "L'importuna insistenza" (on 1911-11-19)
composer:
Antônio Carlos Gomes (composer)
part of:
Lo schiavo: Atto II
4:14
13Invano, Alvaro ti celasti al mondo
baritone vocals:
Pasquale Amato (Italian operatic baritone) (on 1911-11-21)
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-21)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-21)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-21)
recording of:
La forza del destino: Atto IV, scena 1. “Invano, Alvaro ti celasti al mondo” … “Col sangue sol cancellasi l'infamia” (Alvaro, Don Carlo) (on 1911-11-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
3:56
14Le minaccie, i fieri accenti
baritone vocals:
Pasquale Amato (Italian operatic baritone) (on 1911-11-21)
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-21)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-21)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-21)
recording of:
La forza del destino: Atto IV, scena 1. “Le minaccie, i fieri accenti” … “Ah, una suora me lasciasti” (Alvaro, Don Carlo) (on 1911-11-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
4:02
15Una furtiva lacrima
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-26)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-26)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-26)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (on 1911-11-26)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
4:23
16Forse la soglia attinse. Ma se m’è forza perderti!
tenor vocals:
Enrico Caruso (tenor) (on 1911-12-27)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-12-27)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-12-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (on 1911-12-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
4:20
17Je suis seul. Ah! Fuyez, douce image
tenor vocals:
Enrico Caruso (tenor) (on 1911-12-27)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-12-27)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-12-27)
recording of:
Manon: Acte III, Scène II. “Je suis seul !… Ah, fuyez, douce image” (des Grieux) (on 1911-12-27)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
4:32
18Se quel guerrier io fossi… Celeste Aida
tenor vocals:
Enrico Caruso (tenor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (catch-all for arrangements)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni
arrangement of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
4:52
19Qual voluttà trascorrere
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1912-01-07)
recording of:
I Lombardi: Atto III. N°14 Finale. Terzetto "Qual voluttà trascorrere" (Oronte, Pagano, Giselda) (on 1912-01-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto III (La conversione)
4:18
20Crucifix
recorded in:
New York, New York, United States (on 1912-01-07)
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1912-01-07)
recording of:
Le Crucifix (on 1912-01-07)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Jean‐Baptiste Faure (in 1873)
publisher:
Heugel (in 1873)
3:46
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Release group

part of:Deja Vu Definite Gold (order: 2)