Dark Dear Heart 10 Song Sampler

~ Release by Holly Cole (see all versions of this release, 9 available)

Tracklist

1▼CD
#TitleRatingLength
1I've Just Seen a Face
programming:
Helik Hadar and Iki Levy
bass:
David Piltch
guest drums (drum set):
Helik Hadar and Iki Levy
guest guitar:
Dean Parks (American session guitarist)
guest Hammond organ:
Jim Cox (US keyboard player, composer)
background vocals:
Holly Cole
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
cover recording of:
I’ve Just Seen a Face
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:29
2You Want More
acoustic guitar and electric guitar:
Kevin Breit
bass:
David Piltch
drums (drum set) and tambourine:
Mark Kelso (drums)
guest electric guitar:
Dean Parks (American session guitarist)
guest electric guitar and pedal steel guitar:
Greg Leisz
Hammond organ and electric piano:
Aaron Davis
guest background vocals:
Alex Brown (US soul vocalist, member of Raelets) and Mona Lisa Young (US funk / soul singer)
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
You Want More
composer:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
54:32
3Make It Go Away
bass:
David Piltch
drums (drum set):
Mark Kelso (drums)
guest electric piano:
Jim Cox (US keyboard player, composer)
guest pedal steel guitar:
Greg Leisz
guitar:
Kevin Breit
Hammond organ:
Aaron Davis
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Make It Go Away
composer:
Aaron Davis and Laura Harding
part of:
East Coast Music Association Song of the Year Nominees (number: 2001)
44:00
4Onion Girl
acoustic guitar, bouzouki and electric guitar:
Kevin Breit
bass:
David Piltch
drums (drum set) and tambourine:
Mark Kelso (drums)
guest bass guitar and electric guitar:
Dean Parks (American session guitarist)
guest Hammond organ:
Jim Cox (US keyboard player, composer)
piano:
Aaron Davis
background vocals:
Holly Cole
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Onion Girl
composer:
Laura Harding and Jeff Hull (songwriter and producer)
4:06
5Hold On
programming:
Iki Levy
bass:
David Piltch
drums (drum set):
Mark Kelso (drums)
guest Hammond organ:
Jim Cox (US keyboard player, composer)
guest pedal steel guitar:
Greg Leisz
guitar:
Kevin Breit
Rhodes piano:
Aaron Davis
background vocals:
Holly Cole
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Hold On
4:34
6World Seems to Come and Go
programming:
Iki Levy
editor:
Helik Hadar
bass, guitar and mandolin:
David Piltch
drums (drum set):
Mark Kelso (drums)
guest guitar:
Dean Parks (American session guitarist)
guest pedal steel guitar:
Greg Leisz
guitar:
Kevin Breit
Hammond organ and piano:
Aaron Davis
background vocals:
Holly Cole
guest background vocals:
Alex Brown (US soul vocalist, member of Raelets) and Mona Lisa Young (US funk / soul singer)
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
World Seems to Come and Go
composer:
David Piltch and Jim White (US alt‐country artist)
5:16
7River
bass:
George Koller
drums (drum set):
Mark Kelso (drums)
guest pedal steel guitar:
Greg Leisz
guest soprano saxophone:
Steve Tavaglione
piano:
Aaron Davis
vocals:
Mark Kelso (drums)
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
cover recording of:
River
lyricist and composer:
Joni Mitchell
publisher:
Joni Mitchell Publishing Corp. and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
quotes music from:
Jingle Bells
4:46
8Jersey Girl
assistant engineer:
Robin Aube, Julian Baglioni (engineer), Sandeep Bhandari and Jo Rossi (engineer)
engineer:
Danny Kopelson
producer:
Craig Street
recorded at:
Grant Avenue Studio in Hamilton, Ontario, Canada
mixed at:
Manta / Eastern Sound in Toronto, Ontario, Canada and Sear Sound in New York, New York, United States
cover recording of:
Jersey Girl
lyricist and composer:
Tom Waits
3:47
9I Can See Clearly Now
recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:14
10Calling You
recording of:
Calling You
lyricist and composer:
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 61st Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1988 nominee)
4:39