The Songs of John Ireland

~ Release by John Ireland; Lisa Milne, John Mark Ainsley, Christopher Maltman, Graham Johnson (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Songs Sacred and Profane: The Advent
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 1. The Advent (in 1998-09)
lyricist:
Alice Meynell (writer, editor, critic, suffragist, poet)
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland3:08
2Songs Sacred and Profane: Hymn for a Child
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 2. Hymn for a Child (in 1998-09)
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland2:04
3Songs Sacred and Profane: My Fair
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 3. My Fair (in 1998-09)
lyricist:
Alice Meynell (writer, editor, critic, suffragist, poet)
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland3:07
4Songs Sacred and Profane: The Salley Gardens
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 4. The Salley Gardens (in 1998-09)
lyricist:
William Butler Yeats
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland1:51
5Songs Sacred and Profane: The Soldier’s Return
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 5. The Soldier’s Return (in 1998-09)
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland1:01
6Songs Sacred and Profane: The Scapegoat
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 6. The Scapegoat (in 1998-09)
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland1:28
7Santa Chiara (Palm Sunday: Naples)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Santa Chiara (Palm Sunday, Naples) (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (in 1925)
John Ireland2:34
8Tryst (In Fountain Court)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Two Songs: Tryst (In Fountain Court) (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (in 1928)
part of:
Two Songs ("Tryst" & "During Music")
John Ireland3:39
9Three Songs: The Adoration
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: The Adoration (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland2:37
10Three Songs: The Rat
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: The Rat (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland1:50
11Three Songs: Rest
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: Rest (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland2:35
12Tutto è sciolto
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Tutto è sciolto (in 1998-09)
lyricist:
James Joyce (Irish writer)
composer:
John Ireland (English composer) (in 1932)
John Ireland1:58
13Spring Sorrow
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Spring Sorrow (in 1998-09)
lyricist:
Rupert Brooke (war poet)
composer:
John Ireland (English composer) (in 1918)
John Ireland1:51
14Two Songs: The Trellis
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Two Songs: The Trellis (in 1998-09)
lyricist:
Aldous Huxley (English writer and philosopher)
composer:
John Ireland (English composer) (in 1920)
part of:
Two Songs ("The Trellis" & "My True Love Hath My Heart")
John Ireland2:54
15Two Songs: My True Love Hath My Heart
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Two Songs: My True Love Hath My Heart (in 1998-09)
lyricist:
Sir Philip Sidney
composer:
John Ireland (English composer) (in 1920)
part of:
Two Songs ("The Trellis" & "My True Love Hath My Heart")
John Ireland1:58
16When I Am Old
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
When I Am Old (in 1998-09)
lyricist:
Ernest Dowson
composer:
John Ireland (English composer)
John Ireland2:48
17Spleen
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Marigold: No. 3. Spleen (in 1998-09)
lyricist:
Ernest Dowson
composer:
John Ireland (English composer) (in 1913)
part of:
Marigold (for voice and piano)
John Ireland3:19
18Love Is a Sickness Full of Woes
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Love Is a Sickness Full of Woes (in 1998-09)
lyricist:
Samuel Daniel
composer:
John Ireland (English composer) (in 1921)
John Ireland2:01
19If There Were Dreams to Sell
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
If There Were Dreams to Sell (in 1998-09)
lyricist:
Thomas Lovell Beddoes
composer:
John Ireland (English composer) (in 1918)
John Ireland2:23
20If We Must Part
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
If We Must Part (in 1998-09)
lyricist:
Ernest Dowson
composer:
John Ireland (English composer) (in 1929)
John Ireland1:58
21Five Songs to Poems by Thomas Hardy: Beckon to Me to Come
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 1. Beckon to Me (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:14
22Five Songs to Poems by Thomas Hardy: In My Sage Moments
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 2. In My Sage Moments (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:54
23Five Songs to Poems by Thomas Hardy: It Was What You Bore With You, Woman
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 3. It Was What You Bore With You, Woman (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland1:19
24Five Songs to Poems by Thomas Hardy: The Tragedy of That Moment
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 4. The Tragedy of That Moment (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland1:40
25Five Songs to Poems by Thomas Hardy: Dear, Think Not That They Will Forget You "Her Temple"
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 5. Dear, Think Not That They Will Forget You (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:33
26Three Songs to Poems by Thomas Hardy: Summer Schemes
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
3 Songs to Poems by Thomas Hardy: No. 1. Summer Schemes (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland2:16
27Three Songs to Poems by Thomas Hardy: Her Song
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
3 Songs to Poems by Thomas Hardy: No. 2. Her Song (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland2:41
28Three Songs to Poems by Thomas Hardy: Weathers
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
3 Songs to Poems by Thomas Hardy: No. 3. Weathers (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland2:18
29I Have Twelve Oxen
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
I Have Twelve Oxen (in 1998-09)
composer:
John Ireland (English composer) (in 1918)
John Ireland1:53
30Great Things
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Great Things (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
John Ireland2:15
31Earth’s Call (A Sylvan Rhapsody)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Earth’s Call (A Sylvan Rhapsody) (in 1998-09)
lyricist:
Harold Monro (poet)
composer:
John Ireland (English composer) (in 1918)
John Ireland5:18
32Hope the Hornblower
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Hope the Hornblower (for voice and piano) (in 1998-09)
lyricist:
Sir Henry Newbolt
composer:
John Ireland (English composer) (in 1911)
John Ireland2:04
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ASIN:UK: B00000JLKG [info]