Mega Beat Box

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Other: BX 877712
Other: BX 877722
Other: BX 877732
Other: BX 877742
Other: BX 877752
Other: BX 877762
Other: BX 877772
Other: BX 877782
Other: BX 877792
Other: BX 877802
Matrix / Runout: EMI UDEN BX 877712 @ 1 1-1-10-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A1
Matrix / Runout: EMI UDEN BX 877722 @ 2 2-1-11-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A8
Matrix / Runout: EMI UDEN BX 877732 @ 3 3-2-15-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A9
Matrix / Runout: EMI UDEN BX 877742 @ 1 1-1-14-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A1
Matrix / Runout: EMI UDEN BX 877752 @ 1 1-2-9-NL
Mastering SID Code: IFPI L047
Matrix / Runout: EMI UDEN BX 877762 @ 1 1-1-12-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A9
Matrix / Runout: EMI UDEN BX 877772 @ 1 1-1-10-NL
Mould SID Code: ifpi 15A1
Mastering SID Code: IFPI L047
Matrix / Runout: EMI UDEN BX 877782 @ 2 2-1-13-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A8
Matrix / Runout: EMI UDEN BX 877792 @ 2 2-1-12-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A3
Matrix / Runout: EMI UDEN BX 87802 @ 2 1-1-14-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A8
Matrix / Runout: EMI UDEN BX 877712 @ 2 2-2-6-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A4
Matrix / Runout: EMI UDEN BX 877722 @ 2 2-4-17-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A2
Matrix / Runout: EMI UDEN BX 877732 @ 4 4-1-21-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15D2
Matrix / Runout: EMI UDEN BX 877742 @ 1 1-3-11-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A3
Matrix / Runout: EMI UDEN BX 877752 @ 1 1-5-25-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A2
Matrix / Runout: EMI UDEN BX 877762 @ 1 1-3-10-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15BA
Matrix / Runout: EMI UDEN BX 877772 @ 1 1-3-3-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BD
Matrix / Runout: EMI UDEN BX 877782 @ 2 2-3-11-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15D2
Matrix / Runout: EMI UDEN BX 877792 @ 2 2-4-4-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A4
Matrix / Runout: EMI UDEN BX 87802 @ 2 1-3-7-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15DO
Matrix / Runout: EMI UDEN BX 877712 @ 2 2-1-19-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A2
Matrix / Runout: EMI UDEN BX 877722 @ 2 2-1-22-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A4
Matrix / Runout: EMI UDEN BX 877732 @ 4 4-1-3-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BE
Matrix / Runout: EMI UDEN BX 877742 @ 1 1-2-7-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15BD
Matrix / Runout: EMI UDEN BX 877752 @ 1 1-5-2-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BB
Matrix / Runout: EMI UDEN BX 877762 @ 1 1-2-12-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15BC
Matrix / Runout: EMI UDEN BX 877772 @ 1 1-2-7-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BE
Matrix / Runout: EMI UDEN BX 877782 @ 2 2-1-25-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15AB
Matrix / Runout: EMI UDEN BX 877792 @ 2 2-3-2-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BC
Matrix / Runout: EMI UDEN BX 877802 @ 2 1-2-5-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BB

Marketed By – Disky Communications Europe B.V., Super RTL
Distributed By – Disky Communications Europe B.V.
Phonographic Copyright (p) – Disky Communications Europe B.V.
Copyright (c) – Disky Communications Europe B.V.
Glass Mastered At – EMI Uden
Pressed By – EMI Uden
Licensed From – EMI International Records Ltd., K-Tel Entertainment Ltd., Castle Copyrights Ltd., Laurence Myers Ltd., Buddah Records, Barnaby Records Inc., BR Music Two B.V., Strike Records Ltd., Interworld Ltd., Chrysalis Copyrights Ltd., Creole Records Ltd., A.A.M.I., Tic-Toc Music (UK) Ltd., Repertoire Records, Nestshare Ltd., Munnycroft Ltd., Janus Records Inc., The Hit Label, Red Bullet, Chelsea/Roxbury/Wes Sky Industries Inc., Sunny Records (3), Celebrity Licensing, Inc., State Records (3), Trojan Records, HWF Number Two, Hundred & Seventeen Ltd., Templemill Music Ltd., A.T. Hiller, Jonathan King Enterprises Ltd., Roadshow Music Corp.

Anmerkung zuletzt geändert am 2023-05-14 16:02 UTC.

Titelliste

1CD
2CD
3CD
4CD
5CD
6CD
7CD
8CD
9CD
10CD
Nr.TitelKünstlerBewertungLänge
1Radar Love
recording engineer:
Pieter Nieboer
leitende(r) Produzent(in):
Fred Haayen
Produzent(in):
Golden Earring
Mix:
Damon Lyon-Shaw
Akustikgitarre und E-Gitarre:
George Kooymans
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
Perkussion und Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
Slide-Gitarre:
Eelco Gelling
vocals:
Barry Hay und George Kooymans
arranger:
Golden Earring
phonographisches Urheberrecht (℗) von:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) und Geffen Records (in 1974)
produced for:
Red Bullet Productions
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.36:23
22‐4‐6‐8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:21
3Greased Lightning
Produzent(in):
Louis St. Louis (American songwriter, music arranger and singer)
Mix:
David J. Holman
Saxophon:
Ray Pizzi
Sologesang:
John Travolta (American actor and singer)
zusätzlich vocals:
Jeff Conaway (actor)
Horn arranger und Saiteninstrumente arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (vom 1978 bis heute) und RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
Verfasser(in):
Warren Casey und Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (vom 1978 bis heute)
Teil von:
Grease (1971 musical)
John Travolta4.653:16
4Be My Day
cover recording of:
Be My Day
Texter und Komponist(in):
Larry Murray
The Cats2:58
5Where Is the Love
recording of:
Where Is the Love
Komponist(in):
Michael Denne und Ken Gold
Delegation5:14
6Hit Me With Your Rhythm Stick
Produzent(in):
Laurie Latham
E-Bass:
Norman Watt-Roy (in 1978)
Gitarre:
John Turnbull (in 1978)
Hammond-Orgel:
Mick Gallagher (UK hammond organ player) (in 1978)
Klavier:
Chaz Jankel (English musician and songwriter) (in 1978)
Saxophon:
Davey Payne (UK saxophonist) (in 1978)
Schlagzeug:
Charley Charles (UK drummer) (in 1978)
Sologesang:
Ian Dury (in 1978)
phonographisches Urheberrecht (℗) von:
Templemill Music Ltd (in 1979)
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury & the Blockheads3.93:44
7Milk and Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.152:39
8Barbara Ann
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Sologesang:
Dean Torrence und Brian Wilson (Beach Boys co‐founder)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
cover recording of:
Barbara‐Ann
Texter und Komponist(in):
Fred Fassert
publisher:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. und Windswept Pacific Music Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
adaptations:
Bomb Iran (Vince Vance & the Valiants parody)
adaptations:
Bomb Iran (Paul Shanklin parody)
adaptations:
Bomb Iraq
The Beach Boys42:06
9Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
10Save Me
cover recording of:
Save Me
Texter und Komponist(in):
Guy Fletcher (songwriter) und Doug Flett (songwriter)
publisher:
Big Secret Music Ltd.
Clout34:14
11One for You, One for Me
recording of:
One for You One for Me
Texter:
Richard Palmer‐James (guitarist and lyricist)
Komponist(in):
Angelo La Bionda und Carmelo La Bionda
publisher:
Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Universal Music Italia s.r.l. (NOT for release label use! IT subsidiary of UMG) und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
La Bionda33:34
12Something Is HappeningHerman’s Hermits3:11
13When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Texter:
Carole Bayer Sager
Komponist(in):
Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) und Windswept Music (London) Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
14Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:23
15No Time for a TangoSnoopy2:53
16Sweet Love
recording of:
Sweet Love
Texter und Komponist(in):
Frank Faas
Ferrari3:33
17Do It
Produzent(in):
Jeff Lane (soul funk singer, songwriter, arranger, producer)
Saiteninstrumente arranger:
Randy Muller
phonographisches Urheberrecht (℗) von:
Roadshow (70s/80s US) (in 1974)
recording of:
Do It (’Til You’re Satisfied)
Verfasser(in):
Billy Nichols (US soul/disco singer/songwriter)
publisher:
Bravo and Encore Music und Music in Three
B.T. Express45:51
18You’re My World (Il Mio Mondo)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
You’re My World
Texter:
Gino Paoli (singer, songwriter)
Komponist(in):
Umberto Bindi
Übersetzer:
Carl Sigman
publisher:
Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Welbeck Music Ltd.
übersetzte Version von:
Il mio mondo
Cilla Black3:00
19Lonesome Loser
recorded in:
Melbourne, Victoria, Australien (in 1979-06)
Produzent(in):
John Boylan und Little River Band
Bass:
Clive Harrison (in 1979-06)
Gitarre:
David Briggs (producer, guitarist of Little River Band) (in 1979-06)
Klavier:
Peter Sullivan (UK producer) (in 1979-06)
Schlagzeug:
Derek Pellicci (in 1979-06)
vocals:
Beeb Birtles (in 1979-06), Graham Goble (in 1979-06) und Glenn Shorrock (in 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 1979), Capitol Records (imprint of Capitol Records, Inc.) (in 1979, in 2002) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
produced for:
Tumbleweed Productions
recording of:
Lonesome Loser (in 1979-06)
Texter und Komponist(in):
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band43:56
20Don’t Let Me Be Misunderstood
phonographisches Urheberrecht (℗) von:
Casablanca (label that Tommy Mottola founded circa 2003, part of UMG) (in 1977)
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Santa Esmeralda3:27

Nennungen

Veröffentlichung

Fotografie:Tony Stone (photographer)
design:Studio van Dijken (ICT, media and graphic design studio)
vertrieben von und vermarkted von:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 1997)
lizensiert von:A.A.M.I.
Barnaby Records, Inc.
BR Music Two B.V.
Buddah Records (revived/renamed in 1998 as Buddha Records)
Castle Copyrights Ltd.
Celebrity Licensing
Chelsea/Roxbury/Wes Sky Industries Inc.
Chrysalis Copyrights Ltd.
Creole Records Ltd.
EMI Int. Records Ltd.
HWF Number Two Hundred & Seventeen Ltd.
Interworld Ltd.
Janus Records Inc.
Jonathan King Enterprises Ltd.
K-tel Entertainment Ltd.
Laurence Myers Ltd.
Munnycroft Ltd.
Nestshare Ltd.
Red Bullet (Dutch independent label)
Repertoire Records (Hamburg‐based multinational reissue label)
Roadshow Music Corp.
Strike Records Ltd.
Sunny Records (US latin label, 80s/90s)
Templemill Ltd.
The Hit Label
Tic Toc Music (UK) Ltd.
Trojan Records
Discogs:https://www.discogs.com/release/6685449 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/160167 [Info]