The Eras Tour Setlist

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Spotify + Deezer + iTunes)

(As of 2023-01-26).

  • Northern America: 🇧🇲 Bermuda (bm)
  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr) 🇫🇰 Falkland Islands (fk)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md) 🇷🇺 Russia (ru)
  • Northern Africa: 🇱🇾 Libya (ly)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇻 Cape Verde (cv) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇸🇱 Sierra Leone (sl) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇸🇴 Somalia (so)
  • Middle Africa: 🇦🇴 Angola (ao) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td) 🇨🇩 Democratic Republic of Congo (cd) 🇨🇫 Central African Republic (cf) 🇨🇬 Congo (cg)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge) 🇯🇴 Jordan (jo) 🇵🇸 Palestine (ps) 🇮🇶 Iraq (iq) 🇾🇪 Yemen (ye)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇺🇿 Uzbekistan (uz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm)
  • Southern Asia: 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk) 🇦🇫 Afghanistan (af)
  • Eastern Asia: 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo) 🇨🇳 China (cn)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇱🇦 Laos (la) 🇹🇱 Timor-Leste (tl) 🇲🇲 Myanmar (mm)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Anmerkung zuletzt geändert am 2023-01-26 17:00 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Anti‐Hero
recording engineer:
Jack Antonoff, Jon Gautier (Geige / Violine) und Laura Sisk
Programmierung:
Jack Antonoff
assistierende(r) Techniker(in):
John Rooney (engineer), Megan Searl und Jon Sher
Produzent(in):
Jack Antonoff und Taylor Swift
assistierende(r) Mix:
Bryce Bordone
Mix:
Serban Ghenea
Akustikgitarre, Bass, mellotron, Perkussion, Schlagzeug [drums], Synthesizer [modular synth, Prophet 5, Juno 6], Wurlitzer Electric Piano [Wurlitzer] und Hintergrundgesang:
Jack Antonoff
Geige / Violine:
Bobby Hawk
vocals:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift (in 2022)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten, Rough Customer Studio in Brooklyn Heights, New York, New York, Vereinigte Staaten und Sound House Studios in Lakeland, Florida, Vereinigte Staaten (Geige / Violine)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Anti‐Hero (music video) von Taylor Swift
Teil von:
Taylor Swift’s Quill Pen Songs (Nummer: 2), Billboard Year-End Hot 100 singles of 2023 (Nummer: 4), iHeartRadio Music Awards: Song of the Year nominees (Nummer: 2023 winner), MTV Video Music Award for Song of the Year nominees (Nummer: 2023 winner), BILLIONS CLUB, Grammy Award: Best Pop Solo Performance nominees (Nummer: 2024), Grammy Award: Record of the Year nominees (Nummer: 2024), Top Songs of 2024: Global (Nummer: 47) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 364)
recording of:
Anti‐Hero
Verfasser(in):
Jack Antonoff und Taylor Swift
Premiere bei:
The 1975 at Their Very Best: London (2023-01-12) (night 1)
publisher:
Ducky Donath Music, Sony/ATV Songs LLC und TASRM Publishing
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 2024)
Taylor Swift4.13:21
221
recording of:
21
Verfasser(in):
Sarah Aarons und Gracie Abrams
Gracie Abrams53:05
3Baby Girl
Owenn3:39
4my boy
recording engineer und Produzent(in):
FINNEAS
Mix:
Rob Kinelski
phonographisches Urheberrecht (℗) von:
Darkroom (in 2017, in 2018) und Interscope Records (part of UMG Recordings, Inc.) (in 2017, in 2018)
mixed at:
The Fortress of Amplitude in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
my boy
Verfasser(in):
Billie Eilish O’Connell und Finneas O’Connell
publisher:
DRUP, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Billie Eilish3.72:51
5You Belong With Me (Taylor’s version)
Assistent recording engineer:
Lowell Reynolds
recording engineer:
David Payne (engineer) und Christopher Rowe (Sologesang)
Perkussion [electronic percussion]-Programmierung:
Matt Billingslea (drummer for Taylor Swift) und Dan Burns (songwriter, producer, and instrumentalist from Nashville)
Techniker(in):
John Hanes (audio engineer, mixer)
zusätzliche(r) Techniker(in):
Derek Garten (producer, mixer, writer) und Lowell Reynolds
Produzent(in):
Christopher Rowe und Taylor Swift
Mix:
Serban Ghenea
Akustikgitarre, Gitarrenbanjo [ganjo] und Banjo und Mandoline:
Mike Meadows (guitar and keyboards for Taylor Swift)
Bassgitarre:
Amos Heller (bass guitar for Taylor Swift)
E-Gitarre:
Paul Sidoti (guitar for Taylor Swift)
Fiddle:
Jonathan Yudkin
Schlagzeug:
Matt Billingslea (drummer for Taylor Swift)
Steel-Gitarre:
Max Bernstein
Hintergrundgesang:
Caitlin Evanson
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift (in 2021)
aufgenommen bei:
Black Bird Studios in Nashville, Tennessee, Vereinigte Staaten, Kitty Committee Studio in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (Sologesang) und Prime Recording in Nashville, Tennessee, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
You Belong With Me (Taylor’s version) (lyric video) von Taylor Swift
Teil von:
Taylor Swift’s Glitter Gel Pen Songs (Nummer: 6)
recording of:
You Belong with Me
Texter und Komponist(in):
Liz Rose und Taylor Swift
publisher:
Wagnerville Music, BMG Platinum Songs (vom 2008 bis heute), Orbison Music LLC (vom 2008 bis heute), Sony/ATV Tree Publishing (vom 2008 bis heute), Taylor Swift Music (publisher) (vom 2008 bis heute) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 2008 bis heute)
sub-publisher:
BMG Rights Management (Australia) P/L (not for release label use! use “BMG” (post 2008) instead.), BMG Rights Management (Benelux) B.V. (not for release label use! use its imprint “BMG (2008–present)), BMG Rights Management (Italy) S.R.L. (not for release label use! file releases under its imprint “BMG (2008–present)), BMG Rights Management and Administration Spain S L U (not for release label use - for copyrights only), BMG Rights Management Austria, BMG Rights Management Canada B, BMG Rights Management France (not for release label use! file releases under its imprint BMG (2008–present)), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Canadiana Mus, Canciones Warner Internacional, Fujipacific Music Korea Inc, Neue Welt Musikverlag GmbH (2017 – present), One Asia Music Hong Kong Limited, Universal MCA Music Española, Universal MCA Music Holland BV, Universal MCA Music Publ Austria, Universal Music Publishing (not for release label use!), Universal Music Publishing (Belgium), Universal Music Publishing International Ltd, Universal Music Publishing Korea, Universal Music Publishing Limited (Hong Kong), Universal Music Publishing Ltd Taiwan (Universal Music Publishing Co., Ltd.), Universal Music Publishing Ricordi S.R.L, Universal Music Publishing S R O, Universal/MCA Music Limited (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, Warner Chappell /WA, Warner Chappell Music Australia Pty Ltd, Warner Chappell Music Belgium Nv, Warner Chappell Music France, Warner Chappell Music Holland BV, Warner Chappell Music Hong Kong Limited (Warner Chappell Music, Hong Kong Limited, 華納音樂出版有限公司, 2019–), Warner Chappell Music Hong Kong Limited (Taiwan Branch) (Warner Chappell Music, Hong Kong Limited Taiwan Branch), Warner Chappell Music Korea Inc, Warner Chappell Music S R O CZ, Warner Music Publishing Italy S.R.L. (publisher), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 酷亞音樂股份有限公司 (One Asia Music Inc.)
Taylor Swift3.353:51
6like that
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 2017)
Bea Miller23:06
7My My My!
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Oscar Görres
Mix:
Serban Ghenea
Hintergrundgesang:
Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer) und James Alan Ghaleb (singer/songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2018)
produced for:
Wolf Cousins Productions
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
My My My! von Troye Sivan
recording of:
My My My!
Verfasser(in):
Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Oscar Görres, James Alan Ghaleb (singer/songwriter) und Troye Sivan
publisher:
AnnaMylove Music, Bob Ochoa’s Homemade Salsa (ASCAP affiliated), EMI April Music Inc., Martin Shadowski Music Group, MXM Music AB, Universal Tunes, Warner/Chappell Music Scandinavia AB und Wolf Cousins
Troye Sivan3:25
8Fingers Crossed
recording engineer, Programmierung, Techniker(in) und Produzent(in):
Jakke Erixson
Teil von:
Billboard Hot 100: 2022-02-05 (Nummer: 30) und Billboard Year-End Hot 100 singles of 2022 (Nummer: 75)
recording of:
Fingers Crossed
Texter und Komponist(in):
Jakke Erixson, Fransisca Hall und Lauren Spencer Smith
Lauren Spencer Smith42:55
9cardigan
additionally recorded in:
Stuttgart, Baden-Württemberg, Deutschland
recording engineer:
Bella Blasko (Synthesizer [modular synthesizer]), Aaron Dessner, Clarice Jensen (cellist) (Cello), Jonathan Low (recording engineer), James McAlister (drum machine), Dave Nelson (NYC‐based trombonist/composer, member of Pfarmers, Nelson Patton et al.) (Posaune), Kyle Resnick (American trumpet player) (Geige / Violine, Bratsche / Viola) und Laura Sisk (Sologesang)
zusätzlich recording engineer:
Bella Blasko und Aaron Dessner
drum machine-Programmierung:
Aaron Dessner und James McAlister
Produzent(in):
Aaron Dessner
Mix:
Jonathan Low (recording engineer)
Bass, E-Gitarre, Klavier, mellotron, Perkussion und Synthesizer:
Aaron Dessner
Bratsche / Viola und Geige / Violine:
Yuki Numata Resnick
Cello:
Clarice Jensen (cellist)
Posaune:
Dave Nelson (NYC‐based trombonist/composer, member of Pfarmers, Nelson Patton et al.)
Synthesizer [modular synth]:
Ben Lanz (trombonist)
Sologesang:
Taylor Swift
Orchestrator(in):
Bryce Dessner (North American composer and guitarist)
phonographisches Urheberrecht (℗) von:
Taylor Swift (in 2020)
aufgenommen bei:
Kitty Committee Studio in Beverly Hills, California (Kalifornien), Vereinigte Staaten (Sologesang) und Long Pond (Aaron Dessner studio) in New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
La Gaîté Lyrique in Paris, Île-de-France, Frankreich
mixed at:
Long Pond (Aaron Dessner studio) in New York, Vereinigte Staaten
Musikvideos:
cardigan (music video) von Taylor Swift
Teil von:
BILLIONS CLUB
recording of:
cardigan
Verfasser(in):
Aaron Dessner und Taylor Swift
Premiere bei:
63rd Annual GRAMMY Awards (2021-03-14)
publisher:
Ingrid Stella Music (vom 2020 bis heute) und TASRM Publishing (vom 2020 bis heute)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 2021)
Taylor Swift4.34:00
10deja vu
recording engineer und Produzent(in):
Daniel Nigro (songwriter and instrumentalist)
drum machine-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
Mix:
Mitch McCarthy (mixer)
Akustikgitarre, E-Gitarre, Perkussion, Synthesizer [Juno 60] und Wurlitzer Electric Piano:
Daniel Nigro (songwriter and instrumentalist)
flute und Saxophon:
Ryan Linvill
Gitarre und Orgel:
Jam City (UK house artist Jack Latham)
Schlagzeug:
Sterling Laws
vocals:
Olivia Rodrigo (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Olivia Rodrigo (US singer‐songwriter) (in 2021)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Funk Studios, Salt Lake City in Salt Lake City, Utah, Vereinigte Staaten
mixed at:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
deja vu (explicit music video) von Olivia Rodrigo (US singer‐songwriter) und deja vu (music video & behind the scenes) von Olivia Rodrigo (US singer‐songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2021 (Nummer: 13) und BILLIONS CLUB
recording of:
deja vu
Texter:
Daniel Leonard Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
Komponist(in):
Anne Erin Clark (USA guitarist, singer and songwriter Annie Clark), Jack Antonoff, Daniel Leonard Nigro (songwriter and instrumentalist), Olivia Rodrigo (US singer‐songwriter) und Taylor Alison Swift (Taylor Swift)
publisher:
Big Deal Notes (ASCAP), Daniel Leonard Nigro Music, Ducky Donath Music, Hipgnosis Notes (ASCAP), Hipgnosis Worldwide, Liv Laf Luv, Nail Polish Manifesto Music (ASCAP), Peermusic (S.E. Asia) Ltd., Peermusic (UK) Ltd, Peermusic Belgium, Songs of Hipgnosis, Songs of Peer, Ltd. (ASCAP), Songs of Universal, Inc. (BMI), Sony Music Publishing Belgium, Sony/ATV Allegro, Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Sony/ATV Tunes LLC (ASCAP), Taylor Swift Music (publisher), Universal Music Publishing (Belgium), Universal Music Publishing Limited (Hong Kong), Sony/ATV Music Publishing LLC (1995–2020) (bis 2020-12-31) und Sony Music Publishing (Hong Kong) Limited (2021–) (vom 2021 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
quotes music from:
Cruel Summer
Olivia Rodrigo3.653:36
11Echo
Assistent recording engineer:
Callum Waddington
recording engineer:
Felix Joseph und Cameron Gower Poole
Programmierung:
Felix Joseph
Produzent(in):
Felix Joseph und Cameron Gower Poole (Aufgabe: vocal)
Mix:
Nathan Boddy (British mixing engineer & music producer)
Bassgitarre:
Huw Foster (British bassist)
Gitarre:
Todd Oliver
Klavier:
George Moore (British producer/songwriter)
Saiteninstrumente:
Claire Courchene
Synthesizer:
Felix Joseph
vocals:
Olivia Dean
recording of:
Echo
Verfasser(in):
Oli Bayston und Olivia Dean
Olivia Dean3:18
12Feels Like
recording of:
Feels Like
Verfasser(in):
Gracie Abrams, Omer Fedi und Blake Slatkin
Gracie Abrams42:32
13Lost in Japan
Programmierung:
Teddy Geiger und Nate Mercereau (US guitarist and songwriter)
A&R-Management:
Ziggy Chareton (artist & repertoire support), David Massey (Production music composer), James Petronio (artist & repertoire support) und Gabrielle Rosen
assistierende(r) Techniker(in):
Kaushlesh “Garry” Purohit
Techniker(in):
Ryan Shanahan und George Seara
zusätzliche(r) Techniker(in):
George Seara
Produzent(in):
Teddy Geiger und Shawn Mendes
zusätzliche(r) Produzent(in):
Louis Bell (American producer, engineer, and songwriter), Nate Mercereau (US guitarist and songwriter) und Zedd (Russian‐German producer)
assistierende(r) Mix:
Harry Burr
Mix:
Andrew Maury
Bass, Keyboard und Klavier:
Nate Mercereau (US guitarist and songwriter)
Gitarre:
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes und Nate Mercereau (US guitarist and songwriter)
Perkussion:
Teddy Geiger und Nate Mercereau (US guitarist and songwriter)
Schlagzeug:
Teddy Geiger
zusätzlich Perkussion:
Andrew Gertler
Hintergrundgesang:
Teddy Geiger und Shawn Mendes
Sologesang:
Shawn Mendes
remixer:
Zedd (Russian‐German producer)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2018)
aufgenommen bei:
Geejam Hotel Recording Studios in Port Antonio, Portland (Portland Parish), Jamaika und Woodshed Recording Studios (Malibu) in Malibu, California (Kalifornien), Vereinigte Staaten
mixed at:
Douglass Recording in Brooklyn, New York, New York, Vereinigte Staaten
recording of:
Lost in Japan
Verfasser(in):
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes und Nate Mercereau (US guitarist and songwriter)
Shawn Mendes3.253:21
14Nice to Meet Ya
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
zusätzliche(r) assistierende(r) Mix:
Matt Wolach
phonographisches Urheberrecht (℗) von:
Neon Haze Music Ltd. (in 2019)
mixed at:
The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Nice to Meet Ya
Verfasser(in):
Julian Bunetta, Niall Horan, Tobias Jesso Jr. und Ruth-Anne Cunningham (Irish singer-songwriter)
publisher:
Downtown DMP Songs (vom 2019 bis heute), Dragon Bunny Music (BMI) (vom 2019 bis heute), Family Affair Songbook (vom 2019 bis heute), Music of Big Family (vom 2019 bis heute), Songs of Universal, Inc. (BMI) (vom 2019 bis heute) und These Are Songs of Pulse (ASCAP) (vom 2019 bis heute)
Niall Horan2.852:39
15Happier Than Ever
recording engineer:
Billie Eilish (Sologesang) und FINNEAS
drum machine-Programmierung:
FINNEAS
Programmierung und Produzent(in):
FINNEAS
Mix:
Rob Kinelski
Bassgitarre, E-Gitarre, klassiche Gitarre, Perkussion und Synthesizer:
FINNEAS
Sologesang:
Billie Eilish
vocals arranger:
FINNEAS
phonographisches Urheberrecht (℗) von:
Darkroom (in 2021, in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2021, in 2022)
aufgenommen bei:
FINNEAS’ home studio (since October 2019) in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Happier Than Ever (music video) von Billie Eilish
commentary:
Billie on Happier Than Ever (Spotify “Lyric Mode”) von Billie Eilish
Teil von:
Grammy Award: Best Pop Solo Performance nominees (Nummer: 2022), Grammy Award: Record of the Year nominees (Nummer: 2022), Pitchfork: The 100 Best Songs of the 2020s So Far (Nummer: 92), Billboard Year-End Hot 100 singles of 2021 (Nummer: 94) und BILLIONS CLUB
recording of:
Happier Than Ever
geschrieben in:
Europa
Verfasser(in):
Billie Eilish O’Connell und Finneas Baird O’Connell
publisher:
Drup, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 2022)
Billie Eilish4.354:59
16Love Story (Taylor’s version)
Assistent recording engineer:
Sean Badum
recording engineer:
Sam Holland (sound engineer) (Sologesang) und David Payne (engineer)
zusätzlich recording engineer:
Christopher Rowe
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Christopher Rowe und Taylor Swift
Mix:
Serban Ghenea
Akustikgitarre, Banjo und Mandoline:
Mike Meadows (guitar and keyboards for Taylor Swift)
Bassgitarre:
Amos Heller (bass guitar for Taylor Swift)
E-Gitarre:
Max Bernstein und Paul Sidoti (guitar for Taylor Swift)
Fiddle:
Jonathan Yudkin
Schlagzeug:
Matt Billingslea (drummer for Taylor Swift)
Hintergrundgesang:
Caitlin Evanson, Mike Meadows (guitar and keyboards for Taylor Swift) und Paul Sidoti (guitar for Taylor Swift)
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift (in 2021)
aufgenommen bei:
Black Bird Studios in Nashville, Tennessee, Vereinigte Staaten, Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Sologesang), Kitty Committee Studio in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (Sologesang) und Prime Recording in Nashville, Tennessee, Vereinigte Staaten
zusätzlich aufgenommen bei:
Prime Recording in Nashville, Tennessee, Vereinigte Staaten und Studio 13 in Nashville, Tennessee, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Love Story (Taylor’s version) (lyric video) von Taylor Swift
Teil von:
BILLIONS CLUB
recording of:
Love Story
Texter und Komponist(in):
Taylor Alison Swift (Taylor Swift)
publisher:
Universal Music Publishing Limited (Hong Kong), Sony/ATV Tree Publishing (vom 2008 bis heute), Taylor Swift Music (publisher) (vom 2008 bis heute) und Sony Music Publishing (Hong Kong) Limited (2021–) (vom 2021 bis heute)
Taylor Swift3.753:56
17Green Light
assistierende(r) Techniker(in):
Greg Eliason und Barry McCready
Techniker(in):
Laura Sisk
leitende(r) Produzent(in):
Jack Antonoff und Lorde (New Zealand singer‐songwriter)
Produzent(in):
Jack Antonoff, Frank Dukes (Canadian record producer, songwriter, musician), Kuk Harrell (Aufgabe: first verse vocal) und Lorde (New Zealand singer‐songwriter)
Mix:
Serban Ghenea
zusätzliche(r) Mix:
John Hanes (audio engineer, mixer)
vocals:
Lorde (New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2017)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten, Rough Customer Studio in Brooklyn Heights, New York, New York, Vereinigte Staaten und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Stereogum Readers’ 10 Favorite Songs of 2017 (Nummer: 5), Stereogum: The 200 Best Songs of the 2010s (Nummer: 10) und Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 82)
recording of:
Green Light
Texter:
Jack Antonoff und Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter)
Komponist(in):
Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter) und Joel Little
publisher:
Ducky Donath Music, EMI Blackwood Music Inc., Songs Music Publishing und Sony/ATV Songs LLC
Teil von:
APRA Silver Scroll Awards Winners (Nummer: 2017)
Lorde4.23:55
18What a Time
Produzent(in):
Casey Barth, Ian Kirkpatrick (producer/songwriter) und Riley Knapp
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre und Saiteninstrumente:
Casey Barth
Gitarre:
Juan Ariza (Colombian-American guitarist / composer / producer) und Riley Knapp
Klavier:
Juan Ariza (Colombian-American guitarist / composer / producer)
Hintergrundgesang:
Casey Barth und Riley Knapp
Sologesang:
Niall Horan und Julia Michaels
recording of:
What a Time
Verfasser(in):
Casey Daniel Barth, James Riley Knapp, Julia Carin Cavazos und Justin Tranter (singer and songwriter)
publisher:
I’ve Got Issues Music, Songtrust Ave und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Julia Michaels & Niall Horan42:53
19Girl Crush
Teil von:
Billboard Decade End Chart: Hot Country Songs (2010's) (Nummer: 21), Grammy Award: Best Country Duo/Group Performance nominees (Nummer: 2016 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 48), Billboard Year-End Hot 100 singles of 2015 (Nummer: 63) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 80)
recording of:
Girl Crush
Verfasser(in):
Hillary Lindsey, Lori McKenna (American folk singer/songwriter) und Liz Rose
Little Big Town3.93:13
20Trampoline
Produzent(in):
Grant Eadie, Alex Mendoza und SHAED
phonographisches Urheberrecht (℗) von:
Photo Finish Records (in 2019)
Remix von:
Trampoline von SHAED
recording of:
Trampoline
Verfasser(in):
Spencer Ernst, Chelsea Lee (SHAED), Maxwell Ernst (SHAED), Alex Mendoza und ZAYN (British singer)
SHAED & ZAYN3.93:04
21willow
recording engineer:
Thomas Bartlett (Synthesizer [synthesizers], Keyboard), CJ Camerieri (trumpet) (Waldhorn), Aaron Dessner, Jonathan Low (recording engineer) (Sologesang [vocals]), Jonathan Low (recording engineer), James McAlister (Synthesizer [synthesizers]), Kyle Resnick (American trumpet player) (Geige / Violine) und Alex Sopp (flute)
drum machine-Programmierung:
Aaron Dessner, Bryan Devendorf und James McAlister
Produzent(in):
Aaron Dessner
Mix:
Jonathan Low (recording engineer)
Akustikgitarre, Bassgitarre, Keyboard [keyboards] und Klavier:
Aaron Dessner
Cello:
Clarice Jensen (cellist)
E-Gitarre:
Aaron Dessner und Josh Kaufman (multi‐instrumentalist, songwriter, producer)
flute:
Alex Sopp
Geige / Violine:
Yuki Numata Resnick
Glockenspiel:
Jason Treuting
Keyboard:
Thomas Bartlett
Perkussion:
Aaron Dessner und Bryan Devendorf
Synthesizer [synthesizers]:
Thomas Bartlett, Aaron Dessner und James McAlister
Waldhorn:
CJ Camerieri (trumpet)
Sologesang:
Taylor Swift
Orchestrator(in):
Bryce Dessner (North American composer and guitarist)
phonographisches Urheberrecht (℗) von:
Taylor Swift (in 2020, in 2021)
aufgenommen bei:
Kitty Committee Studio in Beverly Hills, California (Kalifornien), Vereinigte Staaten, Long Pond (Aaron Dessner studio) in New York, Vereinigte Staaten, Long Pond (Aaron Dessner studio) in New York, Vereinigte Staaten (Akustikgitarre, E-Gitarre, Cello, Perkussion, Synthesizer [Synthesizers], Klavier, Glockenspiel, Keyboard [keyboards], Bassgitarre) und The Dwelling in New York, New York, Vereinigte Staaten (Synthesizer [synthesizers], Keyboard)
mixed at:
Long Pond (Aaron Dessner studio) in New York, Vereinigte Staaten
Musikvideos:
willow (music video) von Taylor Swift und willow (lyric video) von Taylor Swift
Teil von:
Taylor Swift’s Quill Pen Songs (Nummer: 11) und Billboard Year-End Hot 100 singles of 2021 (Nummer: 55)
recording of:
willow
Verfasser(in):
Aaron Dessner und Taylor Swift
Premiere bei:
63rd Annual GRAMMY Awards (2021-03-14)
publisher:
Ingrid Stella Music (vom 2020 bis heute) und TASRM Publishing (vom 2020 bis heute)
komponiert bei und Liedtexte geschrieben bei:
Holiday House in Westerly, Rhode Island, Vereinigte Staaten
Taylor Swift3.83:35
22There Are Worse Things I Could Do
Produzent(in):
Louis St. Louis (American songwriter, music arranger and singer)
Mix:
David J. Holman
Saxophon:
Ernie Watts (jazz and blues saxophonist)
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
There Are Worse Things I Could Do (Grease, 1971 musical)
Verfasser(in):
Warren Casey und Jim Jacobs
Teil von:
Grease (1971 musical)
Stockard Channing42:23
23Liability (reprise)
assistierende(r) Techniker(in):
Eric Eylands, Barry McCready und Seth Paris
Techniker(in):
Laura Sisk
leitende(r) Produzent(in):
Jack Antonoff und Lorde (New Zealand singer‐songwriter)
Produzent(in):
Jack Antonoff und Lorde (New Zealand singer‐songwriter)
assistierende(r) Mix:
Brandon Bost
Mix:
Tom Elmhirst (mixing engineer)
vocals:
Lorde (New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2017)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Liability (reprise)
Texter:
Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter)
Komponist(in):
Jack Antonoff und Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter)
publisher:
Ducky Donath Music, Songs Music Publishing und Sony/ATV Songs LLC
basiert auf:
Liability
Lorde3.52:16
24TV
recording engineer:
Billie Eilish und FINNEAS
Programmierung und Produzent(in):
FINNEAS
assistierende(r) Mix:
Eli Heisler
Mix:
Rob Kinelski
Editing:
Billie Eilish (Sologesang) und FINNEAS (Sologesang)
Bass, Gitarre, Klavier, Schlagzeug und Synthesizer:
FINNEAS
phonographisches Urheberrecht (℗) von:
Darkroom (in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2022)
recording of:
TV
Texter und Komponist(in):
Billie Eilish O’Connell und Finneas Baird O’Connell
Premiere bei:
Happier Than Ever, The World Tour: Manchester (2022-06-07) (night 1)
publisher:
Drup, Kobalt Music Publishing Asia Limited, Kobalt Music Publishing Australia P/L, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Last Frontier, OYOY Publishing Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (Belgium), Universal Music Publishing International Ltd., Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Billie Eilish4.54:41
25Heather
drum machine [drum]-Programmierung:
Jam City (UK house artist Jack Latham) und Daniel Nigro (songwriter and instrumentalist)
Programmierung:
Jam City (UK house artist Jack Latham)
Synthesizer-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
Techniker(in) und Produzent(in):
Jam City (UK house artist Jack Latham) und Daniel Nigro (songwriter and instrumentalist)
zusätzliche(r) Produzent(in) und assistierende(r) Mix:
Jam City (UK house artist Jack Latham)
Mix:
Mitch McCarthy (mixer)
Akustikgitarre, Bass, E-Gitarre, Klavier und Synthesizer:
Daniel Nigro (songwriter and instrumentalist)
Gitarre:
Jam City (UK house artist Jack Latham)
Hintergrundgesang:
Conan Gray und Daniel Nigro (songwriter and instrumentalist)
vocals:
Conan Gray
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2020, in 2024, in 2025)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
SOTA Studios in Toronto, Ontario, Kanada
Musikvideos:
Heather (music video) von Conan Gray und Heather (lyric video) von Conan Gray
Teil von:
BILLIONS CLUB
recording of:
Heather
Verfasser(in):
Conan Gray
publisher:
Sony/ATV Music Publishing LLC (1995–2020) (in 2020)
Conan Gray4.53:18
26It’ll Be Okay
Shawn Mendes3.53:43
27emails i can’t send
recording engineer, Produzent(in) und Mix:
Leroy Clampitt (NZ/US producer/songwriter/multi-instrumentalist)
Keyboard [keyboards]:
JP Saxe
Sologesang:
Sabrina Carpenter
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
emails i can’t send
Verfasser(in):
Sabrina Carpenter, Julia Michaels und JP Saxe
publisher:
Good Deal Publishing, Modern Arts Songs, Music by Work of Art, Sabalicious Songs, Songs of Starker Saxe und Starkersaxesongs
Sabrina Carpenter41:44
28Flowers
Lauren Spencer Smith2:37
29happier
Assistent recording engineer:
Dan Viafore
recording engineer und Produzent(in):
Daniel Nigro (songwriter and instrumentalist)
drum machine-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
zusätzliche Programmierung:
Ryan Linvill
Mix:
Mitch McCarthy (mixer)
Bassgitarre, Gitarre, Klavier, Synthesizer und Hintergrundgesang:
Daniel Nigro (songwriter and instrumentalist)
Bratsche / Viola und Geige / Violine:
Paul Cartwright
vocals:
Olivia Rodrigo (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Olivia Rodrigo (US singer‐songwriter) (in 2021)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Funk Studios, Salt Lake City in Salt Lake City, Utah, Vereinigte Staaten
mixed at:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
BILLIONS CLUB
recording of:
happier
Texter und Komponist(in):
Olivia Rodrigo (US singer‐songwriter)
publisher:
Liv Laf Luv, Sony/ATV Tunes LLC (ASCAP) und Sony Music Publishing (Hong Kong) Limited (2021–) (vom 2021 bis heute)
Olivia Rodrigo3.42:56
30Anxiety
Produzent(in):
Ian Kirkpatrick (producer/songwriter)
recording of:
Anxiety
Verfasser(in):
Selena Gomez, Scott Harris (Shawn Mendes collaborator), Ian Kirkpatrick (producer/songwriter) und Julia Michaels
Julia Michaels & Selena Gomez33:30
31Hands to Myself
Assistent recording engineer:
Juan Carlos Torrado
recording engineer:
Mattman & Robin (Swedish songwriting and production duo)
Programmierung:
Max Martin (Swedish record producer) und Mattman & Robin (Swedish songwriting and production duo)
Produzent(in):
Max Martin (Swedish record producer) (Sologesang [vocal]), Mattman & Robin (Swedish songwriting and production duo) und Mattman & Robin (Swedish songwriting and production duo) (Sologesang [vocal])
Mix:
Serban Ghenea
zusätzliche(r) Mix:
John Hanes (audio engineer, mixer)
Bass, Gitarre, Klavier und Schlagzeug [drums]:
Mattman & Robin (Swedish songwriting and production duo)
Perkussion und Synthesizer [synth]:
Max Martin (Swedish record producer) und Mattman & Robin (Swedish songwriting and production duo)
Hintergrundgesang:
Julia Michaels
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2015)
aufgenommen bei:
Interscope Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten, Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Hands to Myself (music video) von Selena Gomez
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 56)
recording of:
Hands to Myself
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Selena Gomez, Mattias Larsson (of Mattman & Robin), Max Martin (Swedish record producer), Julia Michaels und Justin Tranter (singer and songwriter)
publisher:
Justin’s School for Girls, Ma-Jay Publishing, MXM Music AB, SMG Tunes, Thanks for the Songs Richard, Universal Music Corp. (USA, affiliated with ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Scandinavia AB und Wolf Cousins
Selena Gomez3.23:21
32Breathe
cover recording of:
Breathe (Blu Cantrell, rap version)
Texter und Komponist(in):
Alvin Joiner, Charles Aznavour, Richard Bembery, Marshall Mathers (Eminem, US rapper), Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Melvin Charles Bradford (US west coast hip‐hop producer Melvin Bradford; Aftermath Entertainment) und Stephon Harris Cunningham
Version von:
Breathe
Years & Years3:53
33The Middle
Produzent(in):
Grey (Los Angeles-based duo), The Monsters & Strangerz und Zedd (Russian‐German producer)
Mix:
Grey (Los Angeles-based duo), Tom Norris (American engineer and multi-instrumentalist), Ryan Shanahan und Zedd (Russian‐German producer)
vocals:
Maren Morris
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2018)
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 6), iHeartRadio Music Awards: Song of the Year nominees (Nummer: 2019 winner), Billboard Year-End Hot 100 singles of 2018 (Nummer: 8) und Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2019)
recording of:
The Middle
Verfasser(in):
Sarah Aarons, Stefan Johnson (songwriter and producer), Jordan K. Johnson (member of The Monsters and the Strangerz), Marcus Lomax, Kyle Trewartha, Michael Trewartha und Zedd (Russian‐German producer)
Zedd, Maren Morris & Grey33:05
34Be My Own Boyfriend
recording engineer, Programmierung und Produzent(in):
Barney Lister
Mix:
Nathan Boddy (British mixing engineer & music producer)
Flügelhorn und Trompete:
Aaron Woods
Gitarre:
Jack Patchett
vocals:
Olivia Dean
Flügelhorn arranger und Trompete arranger:
Aaron Woods
recording of:
Be My Own Boyfriend
Verfasser(in):
Olivia Dean, Jonny Lattimer und Barney Lister
Olivia Dean3:28
35There’s Nothing Holdin’ Me Back
Musikvideo für:
There's Nothing Holdin' Me Back von Shawn Mendes
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 23)
recording of:
There’s Nothing Holdin’ Me Back
Verfasser(in):
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes und Geoff Warburton (Canadian songwriter)
Shawn Mendes4.253:19
36Flemme
Produzent(in):
Angèle (Belgian female singer, Angèle Van Laeken) und Tristan Salvati
phonographisches Urheberrecht (℗) von:
Angèle VL Records (in 2019)
recording of:
Flemme
Verfasser(in):
Angèle (Belgian female singer, Angèle Van Laeken)
Komponist(in):
Angèle (Belgian female singer, Angèle Van Laeken) und Tristan Salvati
Angèle4.354:16
37Slow Hands
recording engineer und Produzent(in):
Julian Bunetta
zusätzlich recording engineer:
Julian Bunetta und Eric Greedy
Programmierung:
AfterHrs (American production duo), Dave Emery (engineer) und Mark “Spike” Stent (producer, engineer)
zusätzliche(r) Produzent(in):
AfterHrs (American production duo) und Mark “Spike” Stent (producer, engineer)
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
Gitarre:
Mark Goldenberg, Niall Horan und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Keyboard [keyboards]:
Dave Emery (engineer)
Orgel:
Tommy King (keyboardist/songwriter/engineer)
Synthesizer:
AfterHrs (American production duo)
Hintergrundgesang:
Julian Bunetta
vocals:
Niall Horan
phonographisches Urheberrecht (℗) von:
Neon Haze Music Ltd. (in 2017)
produced for:
Family Affairs Productions
aufgenommen bei:
Enemy Dojo in Calabasas, California (Kalifornien), Vereinigte Staaten und Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Wendy House Productions in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 32)
recording of:
Slow Hands
Verfasser(in):
Julian Bunetta, Niall Horan, Alexander Izquierdo, Tobias Jesso Jr., Ruth-Anne Cunningham (Irish singer-songwriter) und John Ryan (American pop singer/producer a/k/a “John the Blind”)
publisher:
AIX Music Publishing, BMG Gold Songs, BMG Platinum Songs, Bob Erotik Music, Dragon Bunny Music (BMI), Family Affair Songbook, Music of Big Deal, NJH Publishing Ltd., Songs of Universal, Inc. (BMI), The Family Songbook und These Are Songs of Pulse (ASCAP)
Niall Horan2.93:08
38all the good girls go to hell
Produzent(in):
FINNEAS
Mix:
Rob Kinelski
phonographisches Urheberrecht (℗) von:
Darkroom (in 2019, in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2019, in 2022)
aufgenommen bei:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
all the good girls go to hell (music video) von Billie Eilish
recording of:
all the good girls go to hell
Verfasser(in):
Billie Eilish O’Connell und Finneas O’Connell
publisher:
Drup, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Billie Eilish3.42:49
39Maniac
drum machine [drum]-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
Techniker(in) und Produzent(in):
Daniel Nigro (songwriter and instrumentalist)
Audio-Engineering:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Bass, E-Gitarre, Keyboard [keyboards] und Synthesizer:
Daniel Nigro (songwriter and instrumentalist)
Hintergrundgesang:
Conan Gray
vocals:
Conan Gray
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2019, in 2020, in 2025)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Maniac (music video) von Conan Gray
recording of:
Maniac
Verfasser(in):
Daniel Leonard Nigro (songwriter and instrumentalist) und Conan Gray
publisher:
Daniel Leonard Nigro Music, Sony/ATV Allegro, Sony/ATV Songs LLC und Sony/ATV Music Publishing LLC (1995–2020) (in 2020)
Conan Gray33:06
40Lover
Assistent recording engineer:
John Rooney (engineer)
recording engineer:
Jack Antonoff und Laura Sisk
Programmierung:
Jack Antonoff
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Jack Antonoff und Taylor Swift
Mix:
Serban Ghenea
Akustikgitarre, Bassgitarre, Keyboard, Klavier, Perkussion und Schlagzeug:
Jack Antonoff
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift (in 2019)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Spotify: Top Hits of 2019 (Nummer: 2), Taylor Swift’s Fountain Pen Songs (Nummer: 16), Top Songs of 2024: Global (Nummer: 34), Top Songs of 2024: China (Nummer: 87) und BILLIONS CLUB
recording of:
Lover
Texter und Komponist(in):
Taylor Swift
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift4.153:41
41Stick Season
recording engineer:
Konrad Snyder
A&R-Management:
Ben Adelson (A&R)
Produzent(in):
Noah Kahan, Dan Rome (Sologesang) und Gabe Simon
assistierende(r) Mix:
Jordon Silva
Mix:
Ryan Hewitt
Banjo, Gitarre und Perkussion:
Gabe Simon
E-Gitarre und Sologesang:
Noah Kahan
Musikvideos:
Stick Season von Noah Kahan
Teil von:
Billboard Year-End Hot 100 singles of 2024 (Nummer: 11), Top Songs of 2024: Global (Nummer: 13) und Best of 2024: Today’s Hits (Nummer: 22)
recording of:
Stick Season
Verfasser(in):
Noah Kahan
Noah Kahan3.953:02
42Too Much to Ask
recording engineer:
Julian Burg, Greg Kurstin und Alex Pasco
Produzent(in):
Greg Kurstin
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
Bass, Gitarre, Keyboard [keyboards], Klavier und Schlagzeug [drums]:
Greg Kurstin
Hintergrundgesang:
Jamie Scott (UK singer-songwriter)
vocals:
Niall Horan
phonographisches Urheberrecht (℗) von:
Neon Haze Music Ltd. (in 2017)
aufgenommen bei:
Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Too Much to Ask
Verfasser(in):
Niall Horan und Jamie Scott (UK singer-songwriter)
publisher:
NJH Publishing Ltd. und Sony/ATV Music Publishing
Niall Horan23:43
43Sucker
drum machine-Programmierung, zusätzliche Programmierung und leitende(r) Produzent(in):
Ryan Tedder (American singer, songwriter, and producer)
Techniker(in):
Ben Baptie und Rich Rich (engineer)
Koproduzent(in):
Frank Dukes (Canadian record producer, songwriter, musician)
Produzent(in):
Ryan Tedder (American singer, songwriter, and producer)
assistierende(r) Mix:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Akustikgitarre, Trillerpfeife und Hintergrundgesang:
Ryan Tedder (American singer, songwriter, and producer)
Bass:
Louis Bell (American producer, engineer, and songwriter) und Ryan Tedder (American singer, songwriter, and producer)
E-Gitarre:
Frank Dukes (Canadian record producer, songwriter, musician)
Gitarre:
Andrew DeRoberts
Schlagzeug:
Homer Steinweiss
phonographisches Urheberrecht (℗) von:
Jonas Brothers Recording, Limited Liability Company (in 2019)
aufgenommen bei:
St. Regis Hotel (Toronto) in Toronto, Ontario, Kanada
zusätzlich aufgenommen bei:
Patriot Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 10) und Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2020)
recording of:
Sucker
Verfasser(in):
Mustafa Ahmed, Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician), Joe Jonas (of the Jonas Brothers), Kevin Jonas, Nick Jonas, Homer Steinweiss und Ryan Tedder (American singer, songwriter, and producer)
zusätzliche(r) Verfasser(in):
Carl Rosen (songwriter)
publisher:
Downtown Global Two, EMI April Music Inc., Joseph Jonas Publishing, NJJ Publishing o/b/o Nick Jonas, Paul Kevin Jonas II Publishing, PKJ Publishing, LLC, Songs of Universal, Inc. (BMI), Sony/ATV und Write Me a Song Publishing
Jonas Brothers4.453:01
44If I Can’t Have You
recording engineer und Mix:
George Seara
Programmierung:
Raul Cubina (Producer and songwriter, member of Ojivolta), Teddy Geiger, Shawn Mendes und Mark Williams (Producer and songwriter, member of Ojivolta)
Techniker(in):
Zubin Thakkar
Produzent(in):
Teddy Geiger und Shawn Mendes
zusätzliche(r) Produzent(in):
Scott Harris (Shawn Mendes collaborator), Nate Mercereau (US guitarist and songwriter) und Ojivolta
assistierende(r) Mix:
Mike Gnocato
Bassgitarre und Klavier:
Nate Mercereau (US guitarist and songwriter)
Flügelhorn und Trompete:
Ryan Svendsen (trumpet player)
Gitarre:
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes, Nate Mercereau (US guitarist and songwriter) und Mark Williams (Producer and songwriter, member of Ojivolta)
Keyboard:
Teddy Geiger und Mark Williams (Producer and songwriter, member of Ojivolta)
Perkussion:
Raul Cubina (Producer and songwriter, member of Ojivolta)
Schlagzeug:
Raul Cubina (Producer and songwriter, member of Ojivolta) und Teddy Geiger
Hintergrundgesang:
Ray ‘August Grant’ Jacobs
vocals:
Shawn Mendes
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2019)
Teil von:
Spotify: Top Hits of 2019 (Nummer: 13) und Billboard Year-End Hot 100 singles of 2019 (Nummer: 29)
recording of:
If I Can’t Have You
Verfasser(in):
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes und Nate Mercereau (US guitarist and songwriter)
Komponist(in):
Dmitry Fedorov (Dmitry Fedorov Alekseevich)
Shawn Mendes3.63:11
45I miss you, I’m sorry
recording of:
I miss you, I’m sorry
Verfasser(in):
Sarah Aarons und Gracie Abrams
Gracie Abrams42:48

Nennungen

Veröffentlichung

kostenlos streamen:https://open.spotify.com/album/3DdNhzAayjzWtaV9ahMwCv [Info] (beendet)
https://www.deezer.com/album/398147387 [Info] (beendet)
Streaming-Seite:https://music.apple.com/gb/album/1664950607 [Info] (beendet)