111 Classical Masterpieces

~ Release by Various Artists (see all versions of this release, 1 available)

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1Water Music, Suite: VI. Alla HornpipeGeorge Frideric Handel3:12
2Symphony no. 40 in G minor, K. 550: I. Molto allegro
orchestra:
London Symphony Orchestra
conductor:
Leopold Ludwig (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (catch-all for arrangements and unknown versions)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (catch-all for arrangements and unknown versions)
Wolfgang Amadeus Mozart5:54
3The Four Seasons, Spring, op. 8/1: I. Allegro
orchestra:
Stuttgart Chamber Orchestra
conductor:
Martin Sieghart (Austrian conductor and cellist)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:13
4Quintet in E major for 2 Violins, Viola and 2 Celli, op. 13/5: MinuetLuigi Boccherini3:48
5Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato
orchestra:
Slovak Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice)
conductor:
Bystrík Režucha (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert14:19
6Canon in D major
orchestra:
Mainzer Kammerorchester (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:52
7Turandot: Atto III: “Nessun dorma”
tenor vocals [Calaf]:
Charles K.L. Davis (Hawaiian tenor and baritone singer)
orchestra:
New York Philharmonic
conductor:
Wilfrid Pelletier (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:02
8Gayaneh: Sabre DanceAram Khachaturian2:28
9Adagio in G minor
organ:
Douglas Haas (Canadian organist)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Günter Kehr (conductor and violinist)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:44
10Clarinet Concerto in A major, K. 622: II. Adagio
clarinet:
Gerd Starke (clarinetist)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:48
11Impromptu in C‐sharp major, op. 66, “Fantaisie‐Impromptu”
piano:
Abbey Simon (pianist)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Classic 100: Piano (2004) (number: 13), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 46), Chopin National Edition: WN Catalogue (number: WN 46), Works of Fryderyk Chopin by opus number (number: op. 66) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 87)
Fryderyk Chopin5:01
12Liebesträume, Notturnos for Piano, S. 541: No. 3 in A‐flat major: “O lieb so lang’ du lieben kannst”
piano:
Shura Cherkassky (American pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:43
13The Four Seasons, Summer, op. 8/2: III. Presto. Tempo impettuoso d’estate
violin:
Rainer Kussmaul (violinist)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Martin Sieghart (Austrian conductor and cellist)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:38
14Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach10:52
15The Four Seasons, Autumn, op. 8/3: I. Allegro (Ballo e Canto Villanelli)
violin:
Rainer Kussmaul (violinist)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Martin Sieghart (Austrian conductor and cellist)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi4:45
16The Four Seasons, Winter, op. 8/4: II. Largo
violin:
Rainer Kussmaul (violinist)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Martin Sieghart (Austrian conductor and cellist)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:58
17Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante
piano:
Peter Lang (classical pianist)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:48
18Romance for Violin and Orchestra in F major, op. 50
violin:
Susanne Lautenbacher (violinist)
orchestra:
Badische Staatskapelle
conductor:
Curt Cremer (conductor)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven7:45
19L’Arlésienne Suite no. 2: III. Farandole
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke)
conductor:
Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:27
20Prince Igor: Polovtsian Dances (excerpt)
orchestra:
Philharmonia Hungarica
conductor:
Siegfried Köhler (conductor / composer)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin3:50
21Boléro
orchestra:
Minnesota Orchestra
conductor:
Stanisław Skrowaczewski (conductor)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel17:20
22Nabucco: “Va pensiero sull’ ali dorate” (Prisoners Chorus)
orchestra:
101 Strings Orchestra and Singers
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:27
23The Tale of the Tsar Saltan: The Flight of the Bumble Bee
orchestra:
Camerata Rhenania (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov1:32
24Serse (Xerxes): “Ombra mai fu”
mezzo-soprano vocals:
Jennifer Lane (operatic mezzo‐soprano)
orchestra:
Brewer Chamber Orchestra
conductor:
Rudolph Palmer (conductor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:31
25The Pearlfishers: « Au fond du temple saint »
baritone vocals:
Steven Page (opera baritone)
tenor vocals:
John Oakman (tenor)
orchestra:
Český národní symfonický orchestr (Czech National Symphony Orchestra)
conductor:
Julian Bigg (conductor)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet4:59
26Suite for Orchestra no. 3 in D major, BWV 1068: II. Air
orchestra:
Mainzer Kammerorchester (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:36
27Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
orchestra:
Slovenská filharmónia (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart7:52
28Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo – AllegroWolfgang Amadeus Mozart2:50
29Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: III. Adagio
bassoon:
Jürgen Gode (bassoonist) and Alfred Rinderspacher (bassoon player)
clarinet:
Franz Klein (clarinetist), Helmut Pallushek (clarinetist) and Walter Triebskorn (clarinetist and horn player)
double bass:
Herbert Duft (double bass player)
horn:
Volker Hardt (hornist), Gerd Krumbein (horn player), Kurt Krumbein (horn player) and Werner Müller (basset horn player)
oboe:
Lajos Lencsés (oboist / english horn player) and Willy Schnell (oboist)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart5:30
30Carmina Burana: I. O Fortuna
choir vocals:
The Choir of the Salzburg Mozarteum
orchestra:
The Orchestra of the Salzburg Mozarteum (Salzburg Mozarteum Orchestra)
conductor:
Kurt Prestel (conductor, chorus master)
phonographic copyright (℗) by:
The Reader’s Digest Association Limited (not for release label use!) (in 1972)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:47
31Gaité parisienne: Can‐Can no. 4 (from « Orphée aux enfers »)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Gaîté Parisienne: XVII. Cancan
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:23
32The Valkyrie: Ride of the Valkyries
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra)
conductor:
Jerzy Semkow (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:29
33The Bartered Bride: Entry of the Comediants
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) and Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor:
Libor Pešek (conductor) and Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
Die verkaufte Braut: III. Komödiantenszene (The Bartered Bride: III. Dance of the Comedians)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana4:50
34Piano Sonata no. 14 in C‐sharp minor, op. 27/2 “Moonlight”: I. Adagio sostenutoLudwig van Beethoven6:18
35Rêverie, for Piano, L. 68
piano:
Peter Frankl (pianist)
recording of:
Rêverie, L. 68, CD 76 (for piano)
composer:
Claude Debussy (French composer) (in 1890)
premiered at:
[concert] (1899-02-27)
publisher:
Choudens (in 1891) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)
Claude Debussy3:46
36Bagatelle for Piano in A minor “Für Elise”, WoO 59
piano:
Alfred Brendel (Austrian pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven2:44
37Suite bergamasque: III. Clair de Lune
piano:
Peter Frankl (pianist)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
included in:
Granblue Fantasy (video game soundtrack)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:55
38Piano Sonata no. 11 in A major, K. 331: III. Alla turca – AllegrettoWolfgang Amadeus Mozart3:07
39L’estro armonico no. 8 in a minor, op. 3, RV 522: II. Larghetto e spiritoso
violin:
Rainer Kussmaul (violinist) and Herwig Zack (German violinist)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Martin Sieghart (Austrian conductor and cellist)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, “Con due Violini obligati”: II. Larghetto e spiritoso
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, 'Con due Violini obligati'
Antonio Vivaldi3:59
40Peer Gynt Suite no. 1, op. 46: I. Morning Mood
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:52
41Estudiantina Waltz, op. 191
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Estudiantina, op. 191
composer:
Émile Waldteufel (classical composer)
Émile Waldteufel5:11
42Symphony no. 5 in C minor, op. 67 “Fate”: I. Allegro con brio
engineer:
Aaron Nathanson
producer:
Bert Whyte
orchestra:
London Symphony Orchestra (from 1960-01-12 until 1960-06-03)
conductor:
Josef Krips (conductor/violinist) (from 1960-01-12 until 1960-06-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1960-01-12 until 1960-06-03)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1960-01-12 until 1960-06-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:19
43Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
orchestra:
North German Radio Orchestra (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Leopold Ludwig (conductor)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn6:33
44Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:21
45Adagio for Strings (from Strings Quartet, op. 11)
orchestra:
New Zealand Symphony Orchestra
conductor:
Andrew Schenck (conductor)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber9:04
46The Nutcracker, Ballet Suite, op. 71a: II. MarchPyotr Ilyich Tchaikovsky2:23
47Impromptus, op. 90: No. 4 in A‐flat major (Allegretto)
recording engineer:
Cees Heijkoop (recording engineer) and Willem van Leeuwen (recording engineer)
producer and balance engineer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1988-07)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1988-07)
recording of:
Impromptu in A‐flat major, op. 90, D. 899: No. 4. Allegretto (in 1988-07)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert7:07
48Scenes from Childhood, op. 15: VII. Träumerei
piano:
Peter Schmalfuss (pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:03
49Ellen’s Song III (“Ave Maria”), D. 839, op. 52/6
piano:
Eileen Flissler (pianist)
violin:
Aaron Rosand (violinist)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:05
50Swan Lake, Ballet Suite, op. 20: Scene (Lake in the Moonlight)
orchestra:
Philharmonic Orchestra Belgrad
conductor:
Igor Markevitch (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky2:43
51The Sleeping Beauty, Ballet Suite, op. 66a: Pas d’action
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Edouard van Remoortel (Belgian 1940-70s conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky4:25
52William Tell: Overture
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Alfred Scholz
recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini12:06
53L’elisir d’amore: Atto II: “Una furtiva lagrima”
tenor vocals:
Charles K.L. Davis (Hawaiian tenor and baritone singer)
orchestra:
New York Philharmonic
conductor:
Wilfrid Pelletier (conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:58
54Slavonic Dances, op. 46, no. 8 in G major
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Antal Doráti (conductor)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:43
55Slavonic Dances, op. 72, no. 2 in E minor
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Antal Doráti (conductor)
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
orchestration of:
Slawische Tänze, op. 72 no. 2 e-Moll (Slavonic Dance, op. 72 no. 2 in E minor, for Piano, four hands)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák5:09
56Romeo and Juliet, Suite no. 2 from the Ballet, op. 64b: I. Montagues & CapuletsSergei Prokofiev5:22
57A Midsummer Night’s Dream: Wedding March
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
David Zinman (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:08
58Pomp and Circumstance March no.1 in D major, op. 39, no.1
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:15
59Requiem Mass “Manzoni Requiem”: II. Dies irae
choir vocals:
Moscow State Academic Choir
orchestra:
Moscow Philharmonic Orchestra
conductor:
Igor Markevitch (conductor)
recording of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi3:52
60The Messiah, HWV 56: Hallelujah
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Walter Süsskind (conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:15
61Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
orchestra:
London Symphony Orchestra
conductor:
Josef Krips (conductor/violinist)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven5:01
62Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito
piano:
Ida Černecká (pianist) and Peter Toperczer (Slavic pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky20:09
6312 Etudes, op. 10: No. 3 in E major “Tristesse”
piano:
Abbey Simon (pianist)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 16) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 74)
part of:
Études, op. 10
Fryderyk Chopin4:06
64Rondo a Capriccio in G major, op. 129 “Rage Over a Lost Penny”Ludwig van Beethoven6:06
65Violin Concerto no. 3 in G major, K. 216: I. Allegro
recording engineer:
Christfried Bickenbach (from 1984-03-19 until 1984-03-21)
producer:
Gerd Berg (producer)
violin:
Frank Peter Zimmermann (violinist) (from 1984-03-19 until 1984-03-21)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1984-03-19 until 1984-03-21)
conductor:
Jörg Faerber (conductor) (from 1984-03-19 until 1984-03-21)
balance engineer:
Wolfgang Gülich (engineer) (from 1984-03-19 until 1984-03-21)
recorded at:
Kreuzkirche in Heilbronn, Baden-Württemberg, Germany (from 1984-03-19 until 1984-03-21)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: I. Allegro aperto (from 1984-03-19 until 1984-03-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
Wolfgang Amadeus Mozart8:46
66Requiem, K. 626: VII. Lacrymosa
orchestra:
Amor Artis Orchestra
conductor:
Johannes Somary
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:01
67Horn Concerto no. 1 in D major, K. 412: I. AllegroWolfgang Amadeus Mozart4:58
68Violin Sonata no. 5 in F major, op. 24 “Spring”: I. AllegroLudwig van Beethoven8:52
69Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo
orchestra:
Slovenská filharmónia (Slovak Philharmonic)
conductor:
Bystrík Režucha (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky17:48
70Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo
orchestra:
London Symphony Orchestra (from 1960-01-12 until 1960-06-03)
conductor:
Josef Krips (conductor/violinist) (from 1960-01-12 until 1960-06-03)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (from 1960-01-12 until 1960-06-03)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:15
71Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto
orchestra:
Slovakian National Philharmonic (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák8:52
72Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro
orchestra:
London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:49
73Music for the Royal Fireworks, Suite for Orchestra, HWV 351: La Réjouissance
orchestra:
Kammerorchestra der Slowakischen Philharmonie (Slovak Chamber Orchestra)
conductor:
Oliver von Dohnányi (conductor)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:47
74Serenade for Strings in C major, op. 48: II. WaltzPyotr Ilyich Tchaikovsky3:43
75Romeo and Juliet: Fantasy Overture
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (from 1972 until 1973)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky19:40
76Ave Maria
organ:
Mary Jane Newman
mezzo-soprano vocals:
Amy Butler (Mezzo-soprano)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Charles Gounod3:07
77Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazoniLudwig van Beethoven16:46
78Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
piano:
Yuri Rozum (pianist)
orchestra:
Moscow RTV Large Symphony Orchestra
conductor:
Klaus‐Peter Hahn (cellist/conductor)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff11:33
79Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
piano:
Abbey Simon (pianist)
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra)
conductor:
Leonard Slatkin (conductor)
recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
composer:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Sergei Rachmaninoff15:25
80Piano Concerto no. 1 in E minor, op. 11: II. Romance (Larghetto)
piano and solo piano:
Abbey Simon (pianist)
orchestra:
Hamburg Symphony Orchestra
conductor:
Heribert Beissel (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (ended)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin9:06
81Violin Concerto in D major, op. 35: II. Canzonetta: Andante
producer:
Heinz Jansen (engineer)
violin:
Aaron Rosand (violinist)
orchestra:
Orchestre symphonique de Radio Télé Luxembourg (The Luxembourg Philharmonic Orchestra, Luxembourg Philharmonic Orchestra)
conductor:
Louis de Froment (conductor)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky6:18
82Violin Concerto in D minor for 2 Violins and Orchestra, BWV 1043: II. Largo ma non tanto
violin:
Susanne Lautenbacher (violinist) and Dieter Vorholz (violinist)
orchestra:
Mayence Chamber Orchestra (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach8:22
83Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
violin:
Ruggiero Ricci (violinist)
orchestra:
Philharmonia Hungarica
conductor:
Reinhard Peters (conductor)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn12:12
84Hungarian Dances: No. 5 in G minor
orchestra:
Bamberg Symphony Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Jonel Perlea (Romanian conductor)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms2:18
85Piano Concerto no. 5 in E‐flat major, op. 73 “The Emperor”: II. Adagio un poco mosso
piano:
Alfred Brendel (Austrian pianist) (in 1961)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1961)
conductor:
Zubin Mehta (conductor) (in 1961)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1961)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:34
86Serenade in E major, op. 22: II. Tempo di valse
orchestra:
Stuttgart Chamber Orchestra
conductor:
Martin Sieghart (Austrian conductor and cellist)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák6:42
87The Beautiful Blue Danube, Waltz, op. 314
orchestra:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Carl Michalski (conductor)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss10:54
88Tritsch‐Tratsch Polka, op. 214
orchestra:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Carl Michalski (conductor)
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss2:39
89Suite for Orchestra no. 2 in B minor for Flute and Strings, BWV 1067: VII. Badinerie
flute:
Klaus Pohlers (flutist)
orchestra:
Mainzer Kammerorchester (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:17
90Sonata for Two Pianos in D major, K. 448: III. Allegro molto
piano:
Alfred Brendel (Austrian pianist) (from 1959 until 1967) and Walter Klien (pianist) (from 1959 until 1967)
recording of:
Sonata for 2 Pianos in D major, K. 375a/448: III. Allegro molto & Coda (from 1959 until 1967)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for 2 Pianos in D major, K. 375a/448
Wolfgang Amadeus Mozart5:38
91The Well‐Tempered Clavier, B. 1: Prelude & Fugue no. 1 in C major, BWV 846
harpsichord:
Christiane Jaccottet (harpsichord)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach3:46
92Goldberg Variations, BWV 988: I. Aria
harpsichord:
Christiane Jaccottet (harpsichord)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach2:13
93Toccata and Fugue in D minor, BWV 565
organ:
Hans-Christoph Becker-Foss (organist and choir leader)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1982 to present)
recorded at:
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen (Lower Saxony), Germany
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach48:08
94Symphony no. 5 in C‐sharp minor: IV. Adagietto (sehr langsam)
orchestra:
London Symphony Orchestra
conductor:
Harold Farberman (conductor and composer)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:04
95Madama Butterfly: “Un bel dì vedremo”
soprano vocals:
Maria Spacagna (US soprano)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Charles Rosekrans (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:05
96Mandolin Concerto in C major, RV 425: I. Allegro
orchestra:
Württemberg Chamber Orchestra, Helibronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:29
97Album for the Young, op. 68 (“Album für die Jugend”): No. 10: Fröhlicher Landmann “The Merry Peasant”Robert Schumann0:38
983 Gymnopédies: Gymnopedie No. 1 – Lent et douloureux
piano:
Frank Glazer
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie2:57
99Melodies for Piano, op. 3: No. 1: Melody in F
piano:
Michael Ponti (pianist)
recording of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano)
composer:
Антон Григорьевич Рубинштейн (Anton Rubinstein, Russian composer) (in 1852)
part of:
2 Mélodies, op. 3
Anton Rubinstein3:39
100Songs Without Words, op. 62: Spring Song
piano:
Klaus von Wildemann (Klaus von Wildermann, pianist)
violin:
Hans Kalafusz (violinist)
recording of:
Lied ohne Worte A‐Dur, op. 62 Nr. 6 (catch‐all for arrangements)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
arrangement of:
Lied ohne Worte A-Dur, op. 62 Nr. 6 (Song Without Words in A major, Op. 62 No. 6, Frühlingslied / Spring Song; original for piano)
Felix Mendelssohn2:43
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