| # | Titolo | Valutazione | Durata |
|---|
| 1 | Trouble, Why Pick on Me? | | 2:50 |
| 2 | Shakin' the African | | 2:53 |
| 3 | Chant of the Weed | | 3:17 |
| 4 | Shakin' the African | | 2:42 |
| 5 | I Heard | | 3:16 |
| 6 | How 'm I Doin'? (Hey-Hey) | | 2:55 |
| 7 | Try Getting a Good Night's Sleep | | 2:59 |
| 8 | Got the South in My Soul | | 2:54 |
| 9 | If It's True | | 3:19 |
| 10 | It's a Great World After All | | 2:48 |
| 11 | You Gave Me Everything but Love | | 2:53 |
| 12 | Tea for Two- ance :
- Rupert Cole (il 1932-06-30) e Edward Inge (il 1932-06-30)
- batteria :
- Manzie Johnson (il 1932-06-30)
- chitarra :
- Talcott Reeves (il 1932-06-30)
- contrabbasso :
- Bob Ysaguirre (il 1932-06-30)
- pianoforte :
- Horace Henderson (il 1932-06-30)
- sassofono contralto :
- Don Redman (il 1932-06-30)
- sassofono tenore :
- Robert Carroll (il 1932-06-30)
- tromba :
- Shirley Clay (il 1932-06-30), Langston Curl (il 1932-06-30) e Sidney De Paris (il 1932-06-30)
- trombone :
- Claude Jones (il 1932-06-30), Benny Morton (il 1932-06-30) e Fred Robinson (il 1932-06-30)
- voce:
- Harlan Lattimore (il 1932-06-30)
- registrazione di:
- Tea for Two (il 1932-06-30)
- paroliere:
- Irving Caesar
- compositore:
- Vincent Youmans
- editore:
- Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. , Warner Chappell Music Ltd. , WB Music Corp. (fino al 2019-05-28) e Harms, Inc. (il 1924-06-10)
- sub-editore:
- ワーナー・チャペル音楽出版 Synch事業部 , ヤマハミュージックパブリッシング (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (dal 2017-04-01 a oggi)
- parte di:
- No, No, Nanette
| | 3:08 |
| 13 | Hot and Anxious | | 2:46 |
| 14 | I Got Rhythm | | 3:10 |
| 15 | Pagan Paradise | | 3:08 |
| 16 | Two-Time Man | | 2:55 |
| 17 | Underneath the Harlem Moon | | 3:06 |
| 18 | Ain't I the Lucky One? | | 2:43 |
| 19 | Doin' What I Please | | 2:53 |
| 20 | Nagasaki | | 3:06 |
| 21 | Doin' the New Low-Down (instrumental) | | 2:31 |
| 22 | Doin' the New Low-Down (vocal) | | 3:07 |
| 23 | How Ya Feelin'? | | 3:02 |
| 24 | Shuffle Your Feet / Bandana Babies | | 2:45 |