Cannnonball Adderley

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1This Here
phonographisches Urheberrecht (℗) von:
Xelon Productions (in 2010)
recording of:
This Here
Komponist(in):
Stefano Di Battista und Bobby Timmons
9:21
2Rose Room
recorded in:
New York, New York, Vereinigte Staaten (am 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-08-05)
baritone saxophone:
Cecil Payne (am 1955-08-05)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-08-05)
Klavier:
John Williams (American jazz pianist) (am 1955-08-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-08-05)
Kornett:
Nat Adderley (am 1955-08-05)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-08-05)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1955-08-05)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
instrumental cover recording of:
Rose Room (am 1955-08-05)
Texter:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
Komponist(in):
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group und Warner/Chappell Music, Inc.
5:46
3Minority (take 2)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005) und Xelon Productions (in 2010)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Minority (am 1958-07-01)
Komponist(in):
Gigi Gryce
publisher:
Jacogg Publications und Twenty-Eighth Street Music
7:35
4Straight Life
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Straight Life (am 1958-07-01)
Komponist(in):
Art Pepper
5:26
5Fallen Feathers
phonographisches Urheberrecht (℗) von:
HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
recording of:
Fallen Feathers
Komponist(in):
Quincy Jones
3:46
6Toy
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-21)
Produzent(in):
Orrin Keepnews (in 1961-02)
alto saxophone:
Cannonball Adderley (am 1961-02-21)
Klavier:
Bill Evans (pianist) (am 1961-02-21)
Kontrabass und Kontrabass [bass]:
Percy Heath (am 1961-02-21)
Schlagzeug:
Connie Kay (am 1961-02-21)
phonographisches Urheberrecht (℗) von:
HHO Licensing (in 2005, in 2008), Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Xelon Productions (in 2010), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-21)
recording of:
Toy (am 1961-02-21)
Komponist(in):
Clifford Jordan
publisher:
Upam Music Co.
5:08
7You’d Be So Nice to Come Home To
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-29)
baritone saxophone:
Cecil Payne (am 1955-07-29)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-29)
Klavier:
John Williams (American jazz pianist) (am 1955-07-29)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-29)
Kornett:
Nat Adderley (am 1955-07-29)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-07-29)
Schlagzeug:
Kenny Clarke (am 1955-07-29)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (am 1955-07-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
3:37
8Scavenger
phonographisches Urheberrecht (℗) von:
HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
11:11

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