| # | Title | Artist | Rating | Length |
|---|
| 1 | Super Trouper- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- acoustic guitar:
- Björn Ulvaeus (on 1980-10-03)
- bass guitar:
- Mike Watson (on 1980-10-03)
- drums (drum set):
- Per Lindvall (on 1980-10-03)
- guitar:
- Janne Schaffer (on 1980-10-03)
- keyboard and synthesizer:
- Benny Andersson (on 1980-10-03)
- percussion:
- Åke Sundqvist (on 1980-10-03)
- background vocals:
- Agnetha Fältskog (in 1980)
- lead vocals:
- Frida (on 1980-10-03)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-10-03, on 1980-10-14)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (in 1980-10)
- recording of:
- Super Trouper (in 1980-10)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing , Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (from 1980 to ????), Countless Songs, Ltd. (from 1980 to ????), EMI Waterford Music (from 1980 to present), Universal PolyGram International Publishing, Inc. (from 1980 to present), Universal/Union Songs Musikförlag AB (from 1980 to present) and Union Songs AB (in 1980)
- part of:
- Mamma Mia!
| ABBA | 3.55 | 4:13 |
| 2 | Lip Up Fatty | Bad Manners | | 2:47 |
| 3 | Love in the First Degree | Bananarama | 3.35 | 3:30 |
| 4 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:32 |
| 5 | The Harder I Try | Brother Beyond | | 3:29 |
| 6 | Never Can Say Goodbye | The Communards | 3 | 4:28 |
| 7 | 1 2 3 | Gloria Estefan & Miami Sound Machine | 4.5 | 3:35 |
| 8 | She Drives Me Crazy | Fine Young Cannibals | 4 | 3:38 |
| 9 | Loco in Acapulco | Four Tops | | 3:31 |
| 10 | Oops Up Side Your Head- producer:
- Lonnie Simmons
- phonographic copyright (℗) by:
- Phonogram, Inc. (in 1979), UMG Recordings, Inc. (in 1979) and The Island Def Jam Music Group (in 1980)
- produced for:
- Total Experience Productions
- recording of:
- I Don’t Believe You Want to Get Up and Dance (Oops!)
- writer:
- Lonnie Simmons , Rudy Taylor , Charlie Wilson , Robert Wilson and Ronnie Wilson
- publisher:
- Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (in 1979) and Total Experience Music (in 1979)
- cover recording of:
- I Don’t Believe You Want to Get Up and Dance (Oops!)
- writer:
- Lonnie Simmons , Rudy Taylor , Charlie Wilson , Robert Wilson and Ronnie Wilson
- publisher:
- Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (in 1979) and Total Experience Music (in 1979)
| The Gap Band | | 3:27 |
| 11 | We Close Our Eyes | Go West | 3.2 | 3:43 |
| 12 | Jump to the Beat | Stacy Lattisaw | | 3:11 |
| 13 | Time After Time- additional engineer:
- John Jansen and Rod O’Brien
- assistant engineer:
- John Agnello
- engineer:
- William Wittman
- associate producer:
- William Wittman
- producer:
- Rick Chertoff
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- Epic Records (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (in 1983), Sony Music Entertainment (Holland) B.V. (in 1983) and Sony Music Entertainment Inc. (in 1983, in 1984)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- a cappella versions:
- Time After Time by Forte A Cappella
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 19), Billboard: The 500 Best Pop Songs (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
- recording of:
- Time After Time
- writer:
- Rob Hyman and Cyndi Lauper
- publisher:
- Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control , Dub Notes Music (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (, in 1984), Rellla Music Corp., Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Chappell Music , Warner Chappell Music Ltd. , Warner/Chappell North America, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Sony Music Publishing (Japan), Inc., A Division , Warner Brothers Music Ltd. , Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Cyndi Lauper | 4.25 | 4:00 |
| 14 | Funky Town- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1979), The Island Def Jam Music Group (in 1979) and UMG Recordings, Inc. (in 1980)
- edit of:
- Funkytown (12″ version) by Lipps, Inc.
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
- recording of:
- Funkytown
- lyricist and composer:
- Steven Greenberg
- publisher:
- Copyright Control , Intersong Music, Red Sea Songs, Rick S. Music , Steven Greenberg Music, Warner Chappell, Warner Chappell Music , Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd.
| Lipps, Inc. | 4.1 | 3:58 |
| 15 | Don’t Stand So Close to Me- engineer:
- Nigel Gray
- producer:
- Nigel Gray and The Police
- drums (drum set):
- Stewart Copeland (from 1980-07-07 until 1980-08-07)
- electric bass guitar, synthesizer and lead vocals:
- Sting (from 1980-07-07 until 1980-08-07)
- electric guitar:
- Andy Summers (from 1980-07-07 until 1980-08-07)
- background vocals:
- Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
- phonographic copyright (℗) by:
- A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
- recorded at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
- recording of:
- Don’t Stand So Close to Me (from 1980-07-07 until 1980-08-07)
- lyricist and composer:
- Sting
- publisher:
- Warner Bros. (ended), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (from 2003 to ????) and Songs of Universal, Inc. (from 2022-02 to present)
| The Police | 3.95 | 4:00 |
| 16 | Another One Bites the Dust- engineer:
- Mack
- co-producer:
- Mack
- producer:
- Mack , Brian May , Queen and Roger Taylor
- bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
- John Deacon (from 1980-02 until 1980-05)
- drums (drum set) and electronic instruments [electronic percussion]:
- Roger Taylor (from 1980-02 until 1980-05)
- electric guitar:
- John Deacon (from 1980-02 until 1980-05) and Brian May (from 1980-02 until 1980-05)
- background vocals and lead vocals:
- Freddie Mercury (from 1980-02 until 1980-05)
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (in 1980, in 2014), Queen Productions Ltd. (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
- recorded at:
- Musicland Studios in München , Bayern , Germany (from 1979-06 until 1980-05)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 48)
- recording of:
- Another One Bites the Dust (from 1980-02 until 1980-05)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Ltd., EMI Music Publishing Ltd. , Queen Music Ltd. (, in 1980), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 4.15 | 3:36 |
| 17 | All Night Long | Rainbow | 4 | 3:53 |
| 18 | To Cut a Long Story Short | Spandau Ballet | 3.5 | 3:22 |
| 19 | My Perfect Cousin | The Undertones | | 2:36 |
| 20 | Sweet Little Mystery | Wet Wet Wet | 3.65 | 3:40 |
Play on ListenBrainz