Stars of the London Palladium

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Please note that these recordings are many years old and the quality of reproduction is representative of the recording techniques of the time

Other Identifiers
Rights Society: MCPS
Matrix / Runout (Variant 1 mirrored): ECD 3585 01 DISCTRONICS
Mastering SID Code (Variant 1): IFPI L501
Mould SID Code (Variant 1 on matrix hub): IFPI 8725
Matrix / Runout (Variant 2): ECD 3585 01 DISCTRONICS MADE IN THE UK
Mastering SID Code (Variant 2): IFPI L501
Mould SID Code (Variant 2 outer hub): IFPI 04AR
Mould SID Code (Variant 2 inner hub): IFPI 0473

Anmerkung zuletzt geändert am 2025-08-04 17:08 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Hernando's Hideaway
Johnnie Ray2:19
2Little White Cloud That Cried
recording of:
The Little White Cloud That Cried
Texter und Komponist(in):
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer)
Johnnie Ray2:28
3You Don't Owe Me a Thing
recording of:
You Don’t Owe Me a Thing
Texter und Komponist(in):
Marty Robbins
Johnnie Ray2:27
4Somebody Stole My Gal
recording of:
Somebody Stole My Gal
Texter und Komponist(in):
Leo Wood (American songwriter & lyricist; 1882—1929) (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
Johnnie Ray2:26
5Jezebel
recording of:
Jezebel
Texter und Komponist(in):
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. und Domino Publishing Co. Ltd.
Frankie Laine3:12
6Moonlight Gambler
recording of:
Moonlight Gambler (1956 song)
Texter:
Bob Hilliard
Komponist(in):
Philip Springer
Frankie Laine3:00
7Mule Train
recording of:
Mule Train
Komponist(in):
Fred Glickman, Hy Heath und Johnny Lange
publisher:
Chappell (Warner/Chappell Music, Inc.) und W. Disney Mus. (music publisher, do not use as release label)
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 2)
Frankie Laine2:31
8Jealousy
Frankie Laine3:18
9Come On-A My House
Rosemary Clooney1:57
10Half as Much
recording of:
Half as Much
Texter und Komponist(in):
Curley Williams (in 1951)
publisher:
Fred Rose Music, Inc. (in 1951) und Acuff-Rose Publications, Inc. (BMI) (am 1951-10-17)
Rosemary Clooney2:49
11Botch-A-Me
recording of:
Botch‐a‐Me (Ba‐ba‐baciami piccina)
Texter:
Riccardo Morbelli
Verfasser(in) und Übersetzer:
Eddie Stanley
Komponist(in):
Luigi Astore
übersetzte Version von:
Ba ba baciami piccina
Rosemary Clooney2:21
12Knee Deep in the Blues
recording of:
Knee Deep in the Blues
Texter und Komponist(in):
Melvin Endsley
Guy Mitchell2:13
13Rock-A-Billy
recording of:
Rock-a-Billy
Verfasser(in):
Eddie Deane und Woody Harris
Guy Mitchell2:18
14Heartaches by the Number
recording of:
Heartaches by the Number
Texter und Komponist(in):
Harlan Howard
publisher:
Good Ol’ Harlan Music, Sony/ATV Tree Publishing und Legacy of Harlan Perry Howard, LLC (in 1959)
Guy Mitchell2:36
15My Prayer
cover recording of:
My Prayer
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Avant de mourir
The Platters2:47
16Twilight Time
recording of:
Twilight Time
Texter:
Buck Ram
Komponist(in):
Artie Dunn, Al Nevins und Morty Nevins
publisher:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) und Victoria Music Publishing Co. Ltd.
übersetzte Version von:
Al caer la noche
The Platters2:33
17Harbor Lights
cover recording of:
Harbour Lights
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Peter Maurice Music Co. Ltd.
The Platters2:56
18Remember You're Mine
recording of:
Remember You're Mine (1957 song)
Verfasser(in):
Bernie Lowe und Kal Mann
Pat Boone2:19
19Ain't That a Shame
recording of:
Ain’t That a Shame
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Pat Boone2:20
20Why, Baby, Why?
Produzent(in):
Randy Wood (producer)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1957-02-11) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1957-02-11)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1957-02-11)
Kontrabass:
Rolly Bundock (am 1957-02-11)
Schlagzeug:
Dick Shanahan (am 1957-02-11)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-02-11)
vocals:
Pat Boone (am 1957-02-11)
conductor:
Billy Vaughn (am 1957-02-11)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-02-11)
cover recording of:
Why Baby Why (am 1957-02-11)
Verfasser(in):
Luther Dixon und Larry Harrison
publisher:
Winneton Music Corp.
Pat Boone1:58
21A Wonderful Time Up There
cover recording of:
Everybody’s Gonna Have a Wonderful Time Up There (Gospel Boogie) (von 1958-01 bis 1958-02)
Texter:
Lee Roy Abernathy
Komponist(in):
Lee Roy Abernathy (in 1947)
Pat Boone2:03
22Swinging on a Star
Hintergrundgesang:
Williams Brothers Quartet (vocal quartet comprised of Bob, Don, Dick and Andy Williams) (am 1944-02-07)
Sologesang:
Bing Crosby (am 1944-02-07)
Orchester:
John Scott Trotter and His Orchestra (am 1944-02-07)
aufgenommen bei:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-02-07)
recording of:
Swinging on a Star (am 1944-02-07)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Verfasser(in):
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1944 winner)
Bing Crosby42:32
23Sunday, Monday or Always
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-07-02)
Sologesang:
Bing Crosby (am 1943-07-02)
vocals:
Bing Crosby und The Ken Darby Singers (am 1943-07-02)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1943)
recording of:
Sunday, Monday or Always (am 1943-07-02)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1943)
Komponist(in):
Jimmy Van Heusen (in 1943)
publisher:
Burke-Van Heusen, Inc.
Bing Crosby2:38
24Too-Ra-Loo-Ra-Loo-Ra! (That's an Irish Lullaby)
recording of:
Too-Ra-Loo-Ra-Loo-Ral (That’s an Irish Lullaby)
Texter und Komponist(in):
James Royce Shannon
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby3:13
25Blue Skies
Bing Crosby3:02

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:K-tel Entertainment (UK) Ltd
gepresst von:Disctronics Group, United Kingdom
Discogs:https://www.discogs.com/release/4917196 [Info]