Greatest Hits

~ Veröffentlichung von Aretha Franklin (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Titelliste

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Nr.TitelKünstlerBewertungLänge
1Sisters Are Doin’ It for Themselves
recording engineer:
Shelley Yakes
zusätzlich recording engineer:
Shelly Yakus
assistierende(r) Techniker(in):
Jay Willis
Techniker(in):
Dr. Dave Frazer, Don Smith (producer, engineer and mixer) und Adam Williams
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Don Smith (producer, engineer and mixer) und Dave Stewart (UK guitarist/singer for Eurythmics)
Bass und Bassgitarre:
Nathan East
Gitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Dave Stewart (UK guitarist/singer for Eurythmics)
Gitarre und Keyboard:
Dave Stewart (UK guitarist/singer for Eurythmics)
Keyboard:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Orgel:
Benmont Tench
Schlagzeug:
Stan Lynch
Chorgesang:
The Charles Williams Singers
Sologesang:
Aretha Franklin und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
vocals:
Aretha Franklin und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) (in 1985), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1985) und BMG Records (UK) Limited (1987–1996) (in 1991)
Remaster:
Sisters Are Doin’ It for Themselves von Eurythmics
recording of:
Sisters Are Doin’ It for Themselves
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aretha Franklin with the Eurythmics3.655:56
2A Deeper Love
recording engineer und Techniker(in):
Bob Rosa
Programmierung:
Ricky Crespo
Produzent(in):
C+C Music Factory
Mix:
C+C Music Factory und Bob Rosa
Keyboard:
David Cole (US musician/producer, member of C+C Music Factory)
Perkussion und Schlagzeug:
Robert Clivillés (record producer, songwriter, arranger, music video director)
Hintergrundgesang:
David Cole (US musician/producer, member of C+C Music Factory), Deborah Cooper, Lisa Fischer (American vocalist), Paulette McWilliams und Cindy Mizelle
remixer:
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
arranger:
C+C Music Factory
phonographisches Urheberrecht (℗) von:
Touchstone Records (TST catnos) (in 1993) und Touchstone Pictures (von 1993 bis 1994)
cover recording of:
A Deeper Love
Verfasser(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) und Virgin/EMI (80s–early 00s UK compilations)
Aretha Franklin44:41
3What a Fool Believes
cover recording of:
What a Fool Believes
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Aretha Franklin34:01
4Who’s Zoomin’ Who?
Techniker(in):
Dr. Dave Frazer
Produzent(in):
Narada Michael Walden
zusätzliche(r) Mix:
Michael Brauer (engineer)
Bass-Synthesizer:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre:
Corrado Rustici
Keyboard:
Walter Afanasieff und Preston Glass
Klavier und Schlagzeug:
Narada Michael Walden
Hintergrundgesang:
Jim Gilstrap, Preston Glass, Randy Jackson (former bassist with Journey and American Idol judge), Laundon Von Kendricks, Sylvester (US disco and soul singer-songwriter), Jeanie Tracy und Vickie Randle
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
Who’s Zoomin’ Who
Verfasser(in):
Aretha Franklin, Preston Glass und Narada Michael Walden
publisher:
Bellboy Music, Carlin Music Corporation, Gratitude Sky Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin34:43
5Willing to Forgive
Keyboard-Programmierung und Schlagzeug-Programmierung:
Babyface (R&B musician Kenny Edmonds)
assistierende(r) Techniker(in):
Jason Shablik
Techniker(in):
Jim "Z" Zumpano (production engineer)
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und Daryl Simmons
Mix:
Barney Perkins
Bass:
Nathan East
Saxophon:
Everette Harp
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1994)
recording of:
Willing to Forgive
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Boobie Loo Music, ECAF Music, Sony Songs Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin44:12
6Jumpin’ Jack Flash
assistierende(r) Techniker(in):
Mike Iacopelli (engineer)
Techniker(in):
Steve Lillywhite
Produzent(in):
Keith Richards (Rolling Stones guitarist)
Mix:
Michael Frondelli
Bassgitarre:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
Gitarre:
Keith Richards (Rolling Stones guitarist) (in 1986), Alan Rogan (in 1986) und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1986)
Keyboard:
Chuck Leavell (in 1986)
Klavier und Sologesang:
Aretha Franklin (in 1986)
Schlagzeug:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer) (in 1986)
Hintergrundgesang:
Ortheia Barnes (in 1986), Margaret Branch (in 1986) und Brenda Corbett (in 1986)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (von 1986 bis 1987)
cover recording of:
Jumpin’ Jack Flash (in 1986)
geschrieben in:
West Sussex, England, Vereinigtes Königreich
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International Ltd. und Westminster Music Ltd.
Aretha Franklin4:59
7Freeway of Love
assistierende(r) Techniker(in):
Dana Jon Chappelle, Maureen Droney und Ray Pyle
Techniker(in):
Dr. Dave Frazer
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
Mix:
Michael Brauer (engineer)
Solo-Saxophon:
Clarence Clemons
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985)
recording of:
Freeway of Love
Verfasser(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Carlin Music Corporation, Gratitude Sky Music, Inc., Polo Grounds Music und When Words Collide Music
Aretha Franklin4:11
8Border Song (Holy Moses)
recording engineer:
Gene Paul (am 1970-08-19)
Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bassgitarre:
Chuck Rainey (American bassist) (am 1970-08-19)
Gitarre:
Cornell Dupree (am 1970-08-19)
Klavier und Sologesang:
Aretha Franklin (am 1970-08-19)
Orgel:
Billy Preston (am 1970-08-19)
Schlagzeug:
Ray Lucas (am 1970-08-19)
Hintergrundgesang:
Ronnie Bright (am 1970-08-19), J.R. Bailey (singer and songwriter) (am 1970-08-19), The Sweet Inspirations (am 1970-08-19) und Sammy Turner (am 1970-08-19)
Horn arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1970-08-19)
cover recording of:
Border Song (am 1970-08-19)
Texter:
Elton John (English singer, songwriter, pianist, and composer) und Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal–Songs of PolyGram International, Inc.
Aretha Franklin3:20
9Oh No Not My Baby
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-05-26)
Gitarre:
Duane Allman (am 1969-05-26), Cornell Dupree (am 1969-05-26), Eddie Hinton (am 1969-05-26) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-05-26)
Hybrid-Piano und Orgel:
Barry Beckett (am 1969-05-26)
Klavier:
Aretha Franklin (am 1969-05-26)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-05-26)
vocals:
Aretha Franklin (am 1969-05-26)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
cover recording of:
Oh No Not My Baby (am 1969-05-26)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin42:53
10Call Me
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-10-03)
Gitarre:
Eddie Hinton (am 1969-10-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-10-03)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-10-03)
Klavier:
Aretha Franklin (am 1969-10-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-10-03)
Hintergrundgesang:
Brenda Bryant (am 1969-10-03), Cissy Houston (am 1969-10-03) und Pat Lewis (am 1969-10-03)
vocals:
Aretha Franklin (am 1969-10-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-03)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 100)
recording of:
Call Me (am 1969-10-03)
Texter und Komponist(in):
Aretha Franklin
publisher:
R.S.O. Publishing Ltd. und Springtime Music, Inc.
Aretha Franklin4.53:55
11Ain’t No Way
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-19 bis 1967-12-20)
Bassgitarre:
Tommy Cogbill (von 1967-12-19 bis 1967-12-20)
Bassposaune:
Tony Studd (von 1967-12-19 bis 1967-12-20)
flute:
Frank Wess (von 1967-12-19 bis 1967-12-20)
Klavier:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-19 bis 1967-12-20)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-19 bis 1967-12-20), Seldon Powell (von 1967-12-19 bis 1967-12-20) und Frank Wess (von 1967-12-19 bis 1967-12-20)
Trompete:
Bernie Glow (von 1967-12-19 bis 1967-12-20), Melvin Lastie (von 1967-12-19 bis 1967-12-20) und Joe Newman (US jazz trumpeter) (von 1967-12-19 bis 1967-12-20)
Vibraphon:
Warren Smith (jazz percussionist) (von 1967-12-19 bis 1967-12-20)
Chorgesang:
Carolyn Franklin (von 1967-12-19 bis 1967-12-20) und The Sweet Inspirations (von 1967-12-19 bis 1967-12-20)
Hintergrundgesang:
Cissy Houston (von 1967-12-19 bis 1967-12-20)
vocals:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Horn arranger und Saiteninstrumente arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-19 bis 1967-12-20)
recording of:
Ain’t No Way (von 1967-12-19 bis 1967-12-20)
Texter und Komponist(in):
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Aretha Franklin54:12
12Since You’ve Been Gone (Sweet Sweet Baby)
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-16 bis 1967-12-17)
Bassgitarre:
Tommy Cogbill (von 1967-12-16 bis 1967-12-17)
Bassposaune:
Tony Studd (von 1967-12-16 bis 1967-12-17)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-16 bis 1967-12-17) und Bobby Womack (von 1967-12-16 bis 1967-12-17)
Hybrid-Piano:
Spooner Oldham (von 1967-12-16 bis 1967-12-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-16 bis 1967-12-17)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-16 bis 1967-12-17), Seldon Powell (von 1967-12-16 bis 1967-12-17) und Frank Wess (von 1967-12-16 bis 1967-12-17)
Trompete:
Bernie Glow (von 1967-12-16 bis 1967-12-17), Melvin Lastie (von 1967-12-16 bis 1967-12-17) und Joe Newman (US jazz trumpeter) (von 1967-12-16 bis 1967-12-17)
Chorgesang:
Carolyn Franklin (von 1967-12-16 bis 1967-12-17), Erma Franklin (von 1967-12-16 bis 1967-12-17) und The Sweet Inspirations (von 1967-12-16 bis 1967-12-17)
vocals:
Aretha Franklin (von 1967-12-16 bis 1967-12-17)
Horn arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-16 bis 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (von 1967-12-16 bis 1967-12-17)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Aretha Franklin4.352:24
13Baby I Love You
recording engineer:
Tom Dowd (am 1967-06-23) und Arif Mardin (am 1967-06-23)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-06-23)
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Bassposaune:
Tony Studd (am 1967-06-23)
E-Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano, Klavier und Orgel:
Spooner Oldham (am 1967-06-23) und Truman Thomas (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-06-23) und King Kurtis (saxophonist) (am 1967-06-23)
Trompete:
Melvin Lastie (am 1967-06-23)
Vibraphon:
Ted Somers (vibes) (am 1967-06-23)
Chorgesang:
Aretha Franklin (am 1967-06-23), Carolyn Franklin (am 1967-06-23) und Irma Franklyn (am 1967-06-23)
Sologesang:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
recording of:
Baby I Love You (am 1967-06-23)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. und Pronto Music (publisher)
Aretha Franklin32:41
14The Long and Winding Road
recording engineer:
Gene Paul (am 1970-08-12)
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass:
Chuck Rainey (American bassist) (am 1970-08-12)
Gitarre:
Cornell Dupree (am 1970-08-12)
Klavier und Sologesang:
Aretha Franklin (am 1970-08-12)
Orgel:
Billy Preston (am 1970-08-12)
Schlagzeug:
Ray Lucas (am 1970-08-12)
Hintergrundgesang:
Margaret Branch (am 1970-08-12), Carolyn Franklin (am 1970-08-12) und Erma Franklin (am 1970-08-12)
Horn arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1970-08-12)
cover recording of:
The Long and Winding Road (am 1970-08-12)
geschrieben in:
Scotland, Vereinigtes Königreich (in 1968)
Verfasser(in):
John Lennon (The Beatles) (in 1968) und Paul McCartney (The Beatles) (in 1968)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Aretha Franklin3:37
15Today I Sing the Blues
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-04-17) und Frank Wess (am 1968-04-17)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-04-17)
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre [lead guitar]:
Tommy Cogbill (am 1968-04-17)
Gitarre [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-17)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-04-17)
Klavier:
Aretha Franklin (am 1968-04-17)
Orgel:
Spooner Oldham (am 1968-04-17)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-04-17), Urbie Green (am 1968-04-17), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-04-17) und Benny Powell (jazz trombonist) (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-04-17) und Seldon Powell (am 1968-04-17)
Trompete:
Bernie Glow (am 1968-04-17), Joe Newman (US jazz trumpeter) (am 1968-04-17), Ernie Royal (am 1968-04-17), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-04-17) und Snookie Young (am 1968-04-17)
Vibraphon:
Jack Jennings (am 1968-04-17)
conductor:
Arif Mardin (am 1968-04-17)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
cover recording of:
Today I Sing the Blues (am 1968-04-17)
Verfasser(in):
Curley Hamner
Komponist(in):
Curtis Lewis (US songwriter)
publisher:
Bess Music und BMG Music Publishing Ltd.
Aretha Franklin4:24
16Love All the Hurt Away
recording engineer:
Jeremy Smith (producer/engineer)
Produzent(in):
Arif Mardin
Mix:
Lew Hahn
alto saxophone:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist)
Bassgitarre [bass]:
Louis Johnson (bass, member of Brothers Johnson)
Gitarre:
Buzz Feiten
Hybrid-Piano und Synthesizer:
David Foster (Canadian music producer, arranger and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Marci Levy und Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
Sologesang:
George Benson (jazz guitarist/singer) und Aretha Franklin
vocals:
Aretha Franklin
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Love All the Hurt Away
Texter und Komponist(in):
Sam Dees
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aretha Franklin feat. George Benson4:09
17It Isn’t, It Wasn’t, It Ain’t Never Gonna Be
zusätzliche(r) Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Narada Michael Walden
assistierende(r) Mix:
Kevin Mahoney (engineer) und Tim Roberts (engineer)
Mix:
Serban Ghenea
Interpret(in):
Aretha Franklin und Whitney Houston
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, LLC (holding company - file NO releases here!) (in 1989) und Arista Records LLC (holding company - file NO releases here!) (in 1995)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
It Isn’t, It Wasn’t, It Ain’t Never Gonna Be
Texter und Komponist(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, Music of Windswept und Realsongs
Aretha Franklin with Whitney Houston44:52
18Through the Storm
recording engineer und Mix:
David Frazer (engineer)
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Mike Iacopelli (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer) (Sologesang)
Produzent(in):
Narada Michael Walden
Gitarre:
Corrado Rustici
Keyboard:
Walter Afanasieff
Synthesizer:
Walter Afanasieff und Ren Klyce
Hintergrundgesang:
Kitty Beethoven, Skyler Jett, Melisa Kary und Claytoven Richardson
Bass arranger und Schlagzeug arranger:
Walter Afanasieff
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1989) und Arista Records, LLC (holding company - file NO releases here!) (in 1989)
engineered at:
Sunset Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und United Sound Systems, Inc. in Detroit, Michigan, Vereinigte Staaten
recording of:
Through the Storm
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Music of Windswept und Realsongs
Aretha Franklin feat. Elton John4:22
19A Rose Is Still a Rose
recording engineer:
Commissioner Gordon (US hip hop producer Gordon Williams) und Warren Riker
Programmierung:
Vada Nobles
Produzent(in):
Ms. Lauryn Hill
assistierende(r) Mix:
Alex Olsson
Mix:
Commissioner Gordon (US hip hop producer Gordon Williams)
Hintergrundgesang:
Ms. Lauryn Hill
Saiteninstrumente arranger:
Akua Dixon
arranger:
Ms. Lauryn Hill
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1997)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten und Vanguard Recording Complex (Oak Park, Detroit) in Oak Park, Michigan, Vereinigte Staaten
mixed at:
Chung King Studios in New York, New York, Vereinigte Staaten
recording of:
A Rose Is Still a Rose
Texter und Komponist(in):
Ms. Lauryn Hill
publisher:
Obverse Creation Music, Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
Aretha Franklin23:58

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