Yesterdays Gold: 120 Golden Oldies, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Yesterdays Gold: 24 Golden Oldies, Volume 1
2▼CD: Yesterdays Gold: 24 Golden Oldies, Volume 2
Nr.TitelKünstlerBewertungLänge
1Only You
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (lead singer for The Platters) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:37
2Love Letters in the Sand
Produzent(in):
Randy Wood (producer)
Bass:
Larry Breen (am 1956-11-24)
Gitarre:
Barney Kessel (am 1956-11-24) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-24)
Klarinette:
Ryland Weston (am 1956-11-24)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-24)
Saxophon:
Babe Russin (am 1956-11-24) und Justin Gordon (am 1956-11-24)
Schlagzeug:
Dick Shanahan (am 1956-11-24)
Vibraphon:
Bernie Mattinson (am 1956-11-24)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-24)
vocals:
Pat Boone (am 1956-11-24)
conductor:
Billy Vaughn (am 1956-11-24)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-24)
cover recording of:
Love Letters in the Sand (am 1956-11-24)
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:16
3Be‐bop‐a‐lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:37
4Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, Robert Mellin Music Publishing Corp. und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:23
5Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
Elvis Presley3.82:02
6Young Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-10-30)
Hintergrundgesang:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-10-30)
Sologesang:
Sonny James (US country singer and songwriter) (am 1956-10-30)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 40)
cover recording of:
Young Love (am 1956-10-30)
Verfasser(in):
Ric Cartey (US rockabilly singer and songwriter) und Carole Joyner
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Sonny James2:31
7(’Til) I Kissed You
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 28)
recording of:
(’Til) I Kissed You (am 1959-07-07)
Texter und Komponist(in):
Don Everly
The Everly Brothers2:20
8Sea of Love
Produzent(in):
Trevor Jones (South African score composer)
Mix:
John Richards (engineer)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 39)
recording of:
Sea of Love
publisher:
Fort Knox Music Co und Tek Publishing
Phil Phillips4.52:24
9Earth Angel
cover recording of:
Earth Angel (Will You Be Mine)
Verfasser(in):
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) und Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
Teil von:
Back to the Future: the Musical
The Crew-Cuts32:53
10Honey Love
recorded in:
New York, New York, Vereinigte Staaten (am 1954-02-04)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass, Klavier, Schlagzeug, Tenorsaxophon und Vibraphon:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-02-04)
Gitarre:
Jimmy Oliver (guitar, Drifters) (am 1954-02-04)
Baritongesang:
Andrew Thrasher (am 1954-02-04)
Bass-Gesang:
Bill Pinkney (am 1954-02-04)
Sologesang:
Clyde McPhatter (am 1954-02-04)
Tenor-Gesang:
Clyde McPhatter (am 1954-02-04) und Gerhart Thrasher (am 1954-02-04)
aufgenommen bei:
Fulton Recording Studio in New York, New York, Vereinigte Staaten (am 1954-02-04)
recording of:
Honey Love (am 1954-02-04)
Verfasser(in):
Clyde McPhatter und Jerry Wexler
publisher:
P.M.P.C. Inc.
The Drifters42:25
11See You Later, Alligator
Bass:
Al Rex (am 1955-12-12)
E-Gitarre:
Francis 'Franny' Beecher (am 1955-12-12)
Gitarre:
Bill Haley (am 1955-12-12)
Klavier:
Johnny Grande (am 1955-12-12)
Schlagzeug:
Ralph Jones (1950s drummer) (am 1955-12-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1955-12-12)
Tenorsaxophon:
Rudy Pompilli (am 1955-12-12)
vocals:
Bill Haley (am 1955-12-12)
aufgenommen bei:
Decca Studios (New York) in New York, New York, Vereinigte Staaten (am 1955-12-12)
cover recording of:
See You Later, Alligator (am 1955-12-12)
Texter und Komponist(in):
Robert Guidry (in 1955-10)
Bill Haley & His Comets42:46
12A Teenager in Love
Interpret(in):
Dion & The Belmonts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 7)
recording of:
A Teenager in Love (in 1959)
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:35
13Who’s Sorry Now
vocals:
Connie Francis (American former actress and chart-topping singer)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1958)
cover recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
Connie Francis4.52:20
14Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
The Champs4.32:12
15Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:43
16I’m Walkin’
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (publisher) (in 1957)
Bearbeitung von:
I’m Walking von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 17)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:02
17Problems
recording of:
Problems
Verfasser(in):
Boudleaux Bryant und Felice Bryant
The Everly Brothers1:56
18Sittin’ in the Balcony
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (in 1957-01)
Kontrabass [stand-up bass]:
Connie “Guybo” Smith (bass player) (in 1957-01)
Hintergrundgesang:
The Johnny Mann Chorus (in 1957-01)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (in 1957-01)
aufgenommen bei:
Liberty Custom Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1957-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 32)
cover recording of:
Sittin’ in the Balcony (in 1957-01)
Texter und Komponist(in):
John D. Loudermilk
Eddie Cochran1:59
19My Prayer
recorded in:
New York, New York, Vereinigte Staaten (in 1956-04)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 20)
cover recording of:
My Prayer (in 1956-04)
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Avant de mourir
The Platters42:44
20At the Hop
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors2:33
21That’s All Right
cover recording of:
That’s All Right
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
Elvis Presley1:55
22Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1955, vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:14
23Witch Doctor
recording of:
Witch Doctor
Texter und Komponist(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Armen Bagdasarian und Bourne Music Ltd.
David Seville2:21
24Heartaches at Sweet Sixteen
recording of:
Heartaches at Sweet Sixteen
Verfasser(in):
Ira Kosloff, Irving Reid und Tony Springer
publisher:
Burlington Music Co., Ltd., Iris Trojan Music Corp und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Warner Chappell Music France
Kathy Linden1:47
3▶CD: Yesterdays Gold: 24 Golden Oldies, Volume 3
4▶CD: Yesterdays Gold: 24 Golden Oldies, Volume 4
5▶CD: Yesterdays Gold: 24 Golden Oldies, Volume 5

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