The Collection

~ Veröffentlichung von Deniece Williams (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Free
Produzent(in):
Charles Stepney (musician, producer, arranger and songwriter) und Maurice White (Earth, Wind & Fire)
recording of:
Free
Verfasser(in):
Susaye Greene, Hank Redd, Nathan Watts und Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams45:59
2That’s What Friends Are For
Produzent(in):
Charles Stepney (musician, producer, arranger and songwriter) und Maurice White (Earth, Wind & Fire)
recording of:
That’s What Friends Are For (Deniece Williams song)
Verfasser(in):
Fritz Baskett (singer-songwriter), Lani Groves, Clarence McDonald und Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Logo Songs Ltd., VIP Bagaroses Music (ascap) und VIP New Bag Music
Deniece Williams4:27
3Baby, Baby My Love’s All for You
recording of:
Baby, Baby, My Love’s All for You
Verfasser(in):
Verdine White und Robert Wright (disco/funk producer)
Deniece Williams4:12
4Too Much, Too Little, Too Late
Produzent(in):
Jack Gold
Interpret(in):
Johnny Mathis (US pop/soul singer) und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
Verfasser(in):
Nat Kipner (Australian producer, songwriter, label owner & publisher) und John McIntyre Vallins
publisher:
Homewood House Music und MCA Music Ltd.
Deniece Williams with Johnny Mathis43:01
5You’re All I Need to Get By
Produzent(in):
Jack Gold
Interpret(in):
Johnny Mathis (US pop/soul singer) und Deniece Williams (US soul/funk vocalist/songwriter)
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Jon Mat Records (in 1978)
cover recording of:
You’re All I Need to Get By
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Deniece Williams with Johnny Mathis2:44
6I’ve Got the Next Dance
Techniker(in) und Mix:
Humberto Gatica
Koproduzent(in):
Deniece Williams (US soul/funk vocalist/songwriter)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Bassgitarre:
Michael Porcaro
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Ray Parker Jr.
Keyboard:
David Foster (Canadian music producer, arranger and composer)
Schlagzeug:
Ed Greene (drummer)
Solo-Saxophon:
Gary Herbig
Hintergrundgesang:
Bill Champlin und Deniece Williams (US soul/funk vocalist/songwriter)
Sologesang:
Deniece Williams (US soul/funk vocalist/songwriter)
arranger:
Greg Mathieson
phonographisches Urheberrecht (℗) von:
American Recording Company (in 1979)
recording of:
I’ve Got the Next Dance
Texter:
Cheyenne Fowler (Native American female vocalist) und Deniece Williams (US soul/funk vocalist/songwriter)
Komponist(in):
Cheyenne Fowler (Native American female vocalist) und Keg Johnson (soul/funk producer)
publisher:
Cheyenne Publishing, Embassy Music Corporation, Kee‐Drick Music, Motor Music Company (US work publisher), Music Sales Corporation (American copyright holder in both popular and classical music), National League Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Deniece Williams5:52
7It’s Your Conscience
recording of:
It’s Your Conscience
Texter und Komponist(in):
Thom Bell (keyboards, songwriter, producer) und June Denice Williams (US soul/funk vocalist/songwriter)
publisher:
Bell Boy Music (in 1981) und Kee‐Drick Music (in 1981)
Deniece Williams53:50
8It’s Gonna Take a Miracle
cover recording of:
It’s Gonna Take a Miracle
Verfasser(in):
Teddy Randazzo, Lou Stallman (Songwriter and producer active since the 1950s) und Bobby Weinstein (US songwriter)
publisher:
South Mountain Music Corp. (beendet), Bobby Weinstein Music Publishing, Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music und Universal–Songs of PolyGram International, Inc.
Deniece Williams4:11
9Waiting by the Hotline
Deniece Williams3:42
10Do What You Feel
Deniece Williams4:26
11Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:22
12Next Love
Deniece Williams3:43
13Wiser and Weaker
Deniece Williams3:50
14Never Say Never
Deniece Williams5:22
15I Confess
Deniece Williams4:14
16I Can’t Wait
Deniece Williams4:27
17This Is as Good as It Gets
Deniece Williams4:32

Nennungen

Veröffentlichungsgruppe

andere Datenbanken:https://www.45cat.com/cdalbum/cd/vsopcd326 [Info]