Superhits of Rock ’n’ Roll

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Re-recordings:

  • Long Tall Sally
  • Ain’t That a Shame
  • The Great Pretender
  • Wild One
  • Rubber Ball
  • Let’s Twist Again
  • At the Hop
  • Good Golly Miss Molly
  • Let's Have a Party
  • Da Doo Ron Ron
  • The Night Has a Thousand Eyes
  • Yakety Yak
  • The Twist
  • Blue Moon
  • Rock ’n’ Roll Is Here to Stay
  • Sleep Walk
  • More Than I Can Say
  • April Love
  • Smoke Gets in Your Eyes
  • I’ll Be Home
  • Come Softly to Me
  • My Prayer
  • Lucille
  • Love Potion No. 9
  • Seven Little Girls Sittin’ in the Back Seat
  • Wipe Out
  • Speedy Gonzales
  • The Girl Can't Help It
  • Then He Kissed Me
  • Sh-boom
  • Will You Love Me Tomorrow
  • Only You
  • Moody River

Live version:

  • Blueberry Hill
Anmerkung zuletzt geändert am 2021-01-23 23:01 UTC.

Titelliste

1▶CD
2▶CD
3▶CD
4▶CD
5▼CD
Nr.TitelKünstlerBewertungLänge
1The Girl Can’t Help It
recording of:
The Girl Can’t Help It
Texter und Komponist(in):
Bobby Troup
publisher:
Robbins Music Corp. und Twentieth Century Music Corp. (in 1956)
Little Richard2:28
2Breathless
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1958-01-21)
Gitarre:
Roland Janes (am 1958-01-21) und Billy Lee Riley (am 1958-01-21)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
Schlagzeug:
Jimmy Van Eaton (am 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Breathless (am 1958-01-21)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. und Obie Music Inc.
Jerry Lee Lewis42:43
3Love Letters in the Sand
Produzent(in):
Randy Wood (producer)
Bass:
Larry Breen (am 1956-11-24)
Gitarre:
Barney Kessel (am 1956-11-24) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-24)
Klarinette:
Ryland Weston (am 1956-11-24)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-24)
Saxophon:
Babe Russin (am 1956-11-24) und Justin Gordon (am 1956-11-24)
Schlagzeug:
Dick Shanahan (am 1956-11-24)
Vibraphon:
Bernie Mattinson (am 1956-11-24)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-24)
vocals:
Pat Boone (am 1956-11-24)
conductor:
Billy Vaughn (am 1956-11-24)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-24)
cover recording of:
Love Letters in the Sand (am 1956-11-24)
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:18
4Because They’re Young
recording of:
Because They’re Young
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Domenick Costa
Duane Eddy1:58
5When Will I Be Loved
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (am 1960-02-18)
Texter und Komponist(in):
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:02
6Matchbox
Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Clayton Perkins (am 1956-12-04)
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (am 1956-12-04)
Gitarre [rhythm guitar]:
Jay Perkins (am 1956-12-04)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-12-04)
Schlagzeug [drums]:
W.S. Holland (am 1956-12-04)
vocals:
Carl Perkins (American pioneer of rockabilly music) (am 1956-12-04)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-12-04)
recording of:
Matchbox (am 1956-12-04)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
Carl Perkins2:09
7Live It Up
Bill Haley & His Comets2:51
8Hound Dog Man
phonographisches Urheberrecht (℗) von:
Chancellor Records Inc. (in 1958)
recording of:
Hound Dog Man
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
Fabian2:15
9Keep Searchin’
recording of:
Keep Searching (We’ll Follow the Sun)
Texter und Komponist(in):
Del Shannon
Del Shannon2:08
10Then He Kissed Me
Techniker(in):
Larry Levine (in 1963-07)
Produzent(in):
Phil Spector
Sologesang:
LaLa Brooks (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-07)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1963-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 11), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 254) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 493)
recording of:
Then He Kissed Me (in 1963-07)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. und Universal–Songs of PolyGram International, Inc.
The Crystals4.652:33
11Sh-Boom
recording of:
Sh‐Boom
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts2:51
12Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:44
13Venus
vocals:
Frankie Avalon (American actor, singer)
conductor und chorus master:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Chancellor Records Inc. (in 1959)
recording of:
Venus
Texter und Komponist(in):
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:22
14Only You
recording of:
Only You
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:43
15He’s a Rebel
Techniker(in):
Larry Levine
Instrumente:
The Wrecking Crew (1960s–70s Los Angeles backing band)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang:
Fanita Barrett (soul singer), Gloria Jones (member of The Blossoms, aka The Dreamers), Jean King, Gracia Nitzsche und Bobby Sheen
Hintergrundgesang und Sologesang:
Edna Wright (R&B singer)
Sologesang:
Darlene Love
arranger:
Jack Nitzsche (American musician and score composer)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 263)
recording of:
He’s a Rebel
Texter und Komponist(in):
Gene Pitney
publisher:
January Music Corp.
The Crystals2:17
16Volare
Bobby Rydell2:42
17Moody River
recording of:
Moody River
Verfasser(in):
Chase Webster
Übersetzer:
Kari Tuomisaari
publisher:
Gary Bruce Music und Gil Music
Pat Boone2:38
18Beatnick Fly
recording of:
Beatnik Fly
Komponist(in):
Tom King (50s & 60s songwriter) und Ira Mack
basiert auf:
Blue Tail Fly (“Jimmy Crack Corn”)
Johnny and the Hurricanes2:10
19Heart and Soul
cover recording of:
Heart and Soul
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Jan & Dean2:11
20Run to Him
recording of:
Run to Him
Texter:
Gerry Goffin
Komponist(in):
Jack Keller
Bobby Vee2:02