Na Na Hey Hey 30 Great Sing‐Along Hits of the ’60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Dedicated to the One I Love
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
Dunhill Records Inc. (nel 1967)
è stato produttore per:
Dunhill Records USA
registrazione cover di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.22:59
2You Were on My Mind
registrata a:
San Francisco, California, Stati Uniti (nel 1965-04)
produttore:
Frank Werber
basso :
Peter Fullerton (nel 1965-04)
batteria :
Jerry Granelli (nel 1965-04)
chitarra :
Jerry Burgan (nel 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (nel 1965-04) e Michael Stewart (US producer/guitarist from California, 1945–2002) (nel 1965-04)
voce di accompagnamento:
Jerry Burgan (nel 1965-04), Peter Fullerton (nel 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (nel 1965-04) e Michael Stewart (US producer/guitarist from California, 1945–2002) (nel 1965-04)
voce principale:
Beverly Bivens (nel 1965-04)
registrazione cover di:
You Were on My Mind (nel 1965-04)
paroliere e compositore:
Sylvia Tyson
registrazione di:
You Were on My Mind
paroliere e compositore:
Sylvia Tyson
We Five22:37
3Different Drum
tecnico:
Peter Abbott (US recording engineer) e John Krause (1950s US engineer)
produttore:
Nick Venet
basso :
Lyle Ritz
batteria :
Jimmy Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Bernie Leadon e Al Viola
clavicembalo :
Don Randi
esecutore:
Linda Ronstadt
registrazione cover di:
Different Drum
paroliere e compositore:
Michael Nesmith
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Stone Poneys4.352:38
4Wouldn’t It Be Nice
tecnico:
Larry Levine (il 1966-01-22) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Mark Linett e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Mark Linett (nel 1996)
basso elettrico :
Carol Kaye (il 1966-01-22)
basso elettrico [Dano Bass] :
Ray Pohlman (il 1966-01-22)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-01-22)
campana , percussione e timpani :
Frank Capp (il 1966-01-22)
chitarra :
Jerry Cole (il 1966-01-22), Barney Kessel (il 1966-01-22) e Bill Pitman (il 1966-01-22)
contrabbasso :
Lyle Ritz (il 1966-01-22)
fisarmonica :
Carl Fortina (il 1966-01-22) e Frank Marocco (il 1966-01-22)
pianoforte :
Al De Lory (il 1966-01-22)
pianoforte tack :
Larry Knechtel (il 1966-01-22)
sassofono baritono :
Jay Migliori (il 1966-01-22)
sassofono tenore :
Steve Douglas (American saxophonist, flautist and clarinetist) (il 1966-01-22) e Plas Johnson (il 1966-01-22)
tromba :
Roy Caton (trumpet player) (il 1966-01-22)
voce principale:
Brian Wilson (Beach Boys co‐founder) (dal 1966-03 al 1966-04)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22) e Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-03 al 1966-04)
mixata presso:
Your Place or Mine Recording in Glendale, California, Stati Uniti (nel 1996)
remix di:
Wouldn’t It Be Nice (mono) di The Beach Boys (American rock band)
registrazione di:
Wouldn’t It Be Nice (dal 1966-01-22 al 1966-04)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.352:33
5One
registrazione cover di:
One
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.753:05
6Goin’ Up the Country
produttore:
Canned Heat e Skip Taylor
flauto :
Jim Horn (saxophonist, hornist, flutist and oboist) (dal 1968-08-06 al 1968-08-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
I.D. Sound in Los Angeles, California, Stati Uniti (dal 1968-08-06 al 1968-08-07)
registrazione di:
Going Up the Country (dal 1968-08-06 al 1968-08-07)
paroliere, autore e compositore:
Alan Wilson (Canned Heat member)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. e United Artists Music Ltd.
versione di:
Bull Doze Blues
Canned Heat2.52:52
7The Mighty Quinn
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1967)
registrazione cover di:
Quinn the Eskimo (The Mighty Quinn) (nel 1967)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding e Dwarf Music (nel 1968)
Manfred Mann4.52:51
8Nobody but Me
produttore:
Alexis de Azevedo (Lex DeAzevedo)
registrazione cover di:
Nobody but Me
autore:
O’Kelly Isley (nel 1963), Ronald Isley (a.k.a. Mr. Biggs) (nel 1963) e Rudolph Isley (nel 1963)
editore:
Full Keel Music Co. (Publishing company - affiliated to ASCAP)
sub-editore:
EMI Music Publishing France
The Human Beinz52:20
9Reach Out of the Darkness
Friend & Lover3:10
10Incense and Peppermints
produttore:
Frank Slay
registrazione di:
Incense and Peppermints
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Tim Gilbert
autore aggiunto:
Ed King (US guitarist, bassist & songwriter) e Mark Weitz (keyboardist)
editore:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
11Hair
registrazione dal vivo di:
Hair (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
parte di:
Hair (1967 musical)
The Cowsills33:31
12The Weight
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Levon Helm (il 1968-01-12)
chitarra acustica :
Robbie Robertson (il 1968-01-12)
chitarra basso :
Rick Danko (il 1968-01-12)
pianoforte :
Garth Hudson (il 1968-01-12)
voce di accompagnamento:
Rick Danko (il 1968-01-12), Levon Helm (il 1968-01-12) e Richard Manuel (il 1968-01-12)
voce principale:
Rick Danko (il 1968-01-12) e Levon Helm (il 1968-01-12)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1968-01-12)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 80) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
The Weight (il 1968-01-12)
paroliere e compositore:
Robbie Robertson
editore:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:36
13Games People Play
voce:
Joe South (nel 1968)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969)
registrazione di:
Games People Play (nel 1968)
paroliere e compositore:
Joe South
editore:
Bike Music
sub-editore:
Sweden Music (publisher, founded in 1960) (nel 1988)
Joe South33:30
14What the World Needs Now is Love
registrazione di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1993)
Jackie DeShannon3.63:07
15Abraham, Martin and John
produttore:
Phil Gernhard (songwriter and producer)
arrangiatore:
John Abbott (American arranger)
registrazione cover di:
Abraham, Martin and John
paroliere e arrangiatore:
Dick Holler
compositore:
Dick Holler (nel 1968)
editore:
Regent Music (BMI) e TJ Musicservice GmbH
Dion43:21

Accreditamenti