Anmerkung

Two disc Complete Original Motion Picture Soundtrack

Disc 1

Tracks 1-23 are The Complete Original Score
Tracks 24-30 contain The Rescored Alternate Cues

Suboptimal Credits

  • Recorded February 20-23, 27 and March 1, 1979 at Anvil Film and Recording Group, Inc., Denham, Bucks, England
  • Executive Producers for Intrada: Douglass Fake and Roger Feigelson
  • Originally released on LP as 20th Century Fox Records T-593
  • Soundtrack Executive for Twentieth Century Fox: Tom Cavanaugh
  • Multi-track transfers by DJ Audio, Studio City, CA
  • Restoration, Mixing and Assembly by Mike Matessino
  • CD Mastered by Douglass Fake at Intrada, Oakland, CA
  • Album Art Direction by Joe Sikoryak, www.designWELL.com
  • Motion Picture Title, Artwork and Photos ©1979 Twentieth Century Fox Film Corporation, All Rights Reserved
  • Additional images courtesy BOB BURNS and PHOTOFEST/JAGARTS
  • Special Thanks to: Ron Fuglsby, Schawn Belston, Ted Spellman, Jon Burlingame, Roger Hunt; Mary Ann Fake, George Champagne, Jeff Johnson, Mark Hammon, and Wendy Kupsaw.

Disc 2

Tracks 1-10 are The Original 1979 Soundtrack Album
Tracks 11-17 contain Bonus Tracks

Suboptimal Credits

  • Recorded February 20-23, 27 and March 1, 1979 at Anvil Film and Recording Group, Inc., Denham, Bucks, England
  • Executive Producers for Intrada: Douglass Fake and Roger Feigelson
  • Originally released on LP as 20th Century Fox Records T-593
  • Soundtrack Executive for Twentieth Century Fox: Tom Cavanaugh
  • Multi-track transfers by DJ Audio, Studio City, CA
  • Restoration, Mixing and Assembly by Mike Matessino
  • CD Mastered by Douglass Fake at Intrada, Oakland, CA
  • Album Art Direction by Joe Sikoryak, www.designWELL.com
  • Motion Picture Title, Artwork and Photos ©1979 Twentieth Century Fox Film Corporation, All Rights Reserved
  • Additional images courtesy BOB BURNS and PHOTOFEST/JAGARTS
  • Special Thanks to: Ron Fuglsby, Schawn Belston, Ted Spellman, Jon Burlingame, Roger Hunt; Mary Ann Fake, George Champagne, Jeff Johnson, Mark Hammon, and Wendy Kupsaw.
Anmerkung zuletzt geändert am 2023-01-09 20:47 UTC.

Titelliste

1CD: The Complete Original Score
Nr.TitelKünstlerBewertungLänge
1Main Title
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Main Title (Alien)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
publisher:
Fox Fanfare Music Inc.
Jerry Goldsmith4:12
2Hyper Sleep
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Hyper Sleep
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:46
3The Landing
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Landing
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:31
4The Terrain
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Terrain
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:21
5The Craft
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Craft
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:00
6The Passage
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Passage
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:49
7The Skeleton
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Skeleton
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:30
8A New Face
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
A New Face (~2:35)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:35
9Hanging On
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Hanging On
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:39
10The Lab
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Lab
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:05
11Drop Out
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Drop Out
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith0:57
12Nothing to Say
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Nothing to Say
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:52
13Cat Nip
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Cat Nip
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:01
14Here Kitty
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Here Kitty
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:08
15The Shaft
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Shaft
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:31
16It’s a Droid
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
It's a Droid
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:28
17Parker’s Death
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Parker's Death
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:51
18The Eggs
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Eggs
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:24
19Sleepy Alien
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Sleepy Alien
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:04
20To Sleep
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
To Sleep
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:56
21The Cupboard
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Cupboard
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:05
22Out the Door
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Out the Door
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:13
23End Title
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
End Title (Alien)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Teil von:
Alien (film soundtrack)
Jerry Goldsmith3:09
24Main Title (rescored alternate cue)
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Main Title (alternate)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:11
25Hyper Sleep (rescored alternate cue)
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Hyper Sleep (alternate)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:45
26The Terrain (rescored alternate cue)
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Terrain (alternate)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith0:58
27The Skeleton (rescored alternate cue)
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Skeleton (alternate)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:31
28Hanging On (rescored alternate cue)
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Hanging On (alternate)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:08
29The Cupboard (rescored alternate cue)
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
The Cupboard (alternate)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:12
30Out the Door (rescored alternate cue)
recording engineer:
Eric A. Tomlinson (British recording engineer)
zusätzlich recording engineer:
Alan Snelling
Editing:
Bob Hathaway
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Lionel Newman
recording of:
Out the Door (alternate)
Orchestrator(in):
Arthur Morton
Komponist(in):
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:02
2CD: The Original 1979 Soundtrack Album