The Best of Gilbert & Sullivan

~ Release by Gilbert & Sullivan; The D’Oyly Carte Opera Company, Glyndebourne Festival Opera (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Yeomen of the Guard: Overture
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1958)
conductor:
Sir Malcolm Sargent (conductor) (in 1958)
recording of:
The Yeomen of the Guard: Overture (in 1958)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Yeomen of the Guard
Gilbert & Sullivan5:31
2Trial by Jury: Hark the Hour of Ten Is Sounding
recorded in:
London (Greater London), England, United Kingdom (in 1949)
orchestra:
New Promenade Orchestra (in 1949)
conductor:
Isidore Godfrey (conductor) (in 1949)
recording of:
Trial by Jury: “Hark, the Hour of Ten Is Sounding” (Chorus) (in 1949)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Trial by Jury
Gilbert & Sullivan1:26
3Trial by Jury: When I, Good Friends, Was Call'd to the Bar
recorded in:
London (Greater London), England, United Kingdom (in 1949)
lead vocals [The Learned Judge]:
Richard Watson (performer at D'Oyly Carte) (in 1949)
orchestra:
New Promenade Orchestra (in 1949)
conductor:
Isidore Godfrey (conductor) (in 1949)
recording of:
Trial by Jury: “When I, Good Friends, Was Call’d to the Bar” (Judge, Chorus) (in 1949)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
Trial by Jury
Gilbert & Sullivan2:58
4The Sorceror: My Name Is John Wellington Wells
lead vocals [John Wellington Wells]:
Peter Pratt (British actor and singer) (in 1953)
orchestra:
D’Oyly Carte Opera Orchestra (in 1953)
conductor:
Isidore Godfrey (conductor) (in 1953)
recording of:
The Sorcerer: Act I. “My name is John Wellington Wells” (Mr. Wells) (in 1953)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Sorcerer: Act I
Gilbert & Sullivan2:15
5H.M.S. Pinafore: We Sail the Ocean Blue
choir vocals:
Glyndebourne Festival Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
H.M.S. Pinafore: Act I, no. 1, Chorus, “We Sail the Ocean Blue” (Sailors) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
H.M.S. Pinafore: Act I
Gilbert & Sullivan2:19
6H.M.S. Pinafore: I'm Called Little Buttercup
lead vocals [Little Buttercup]:
Monica Sinclair (contralto) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
H.M.S. Pinafore: Act I, no. 2 “I’m Called Little Buttercup” (Buttercup, Boatswain) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
H.M.S. Pinafore: Act I, Recitative and Song “Hail! Men-o’-War’s Men” / “I’m Called Little Buttercup” (Buttercup, Boatswain)
Gilbert & Sullivan1:45
7H.M.S. Pinafore: My Gallant Crew, Good Morning!
choir vocals:
Glyndebourne Festival Chorus (in 1957)
lead vocals [Captain Corcoran]:
John Cameron (baritone) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
H.M.S. Pinafore: Act I, no. 4 “My Gallant Crew, Good Morning” (Captain, Sailors (recitative only, preceding song) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
H.M.S. Pinafore: Act I, no. 4 “My Gallant Crew, Good Morning…” (Captain, Sailors)
Gilbert & Sullivan0:31
8H.M.S. Pinafore: I Am the Captain of the Pinafore
choir vocals:
Glyndebourne Festival Chorus (in 1957)
lead vocals [Captain Corcoran]:
John Cameron (baritone) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
H.M.S. Pinafore: Act I, no. 4 “I Am the Captain of the Pinafore” (Captain, Sailors) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
H.M.S. Pinafore: Act I, no. 4 “My Gallant Crew, Good Morning…” (Captain, Sailors)
Gilbert & Sullivan2:01
9H.M.S. Pinafore: When I Was a Lad / For I Hold That on the Seas
choir vocals:
Glyndebourne Festival Chorus (in 1957)
lead vocals [Hebe]:
Marjorie Thomas (contralto) (in 1957)
lead vocals [Sir Joseph Porter]:
George Baker (baritone) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
H.M.S. Pinafore: Act I, no. 9, “When I Was a Lad” (Sir Joseph) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
H.M.S. Pinafore: Act I
recording of:
H.M.S. Pinafore: Act I, no. 9a “For I Hold That on the Seas” (Sir Joseph, Cousin Hebe, Chorus) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
H.M.S. Pinafore: Act I
Gilbert & Sullivan3:27
10H.M.S. Pinafore: Fair Moon, to Thee I Sing
lead vocals [Captain Corcoran]:
John Cameron (baritone) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
H.M.S. Pinafore: Act II, no. 13 “Fair Moon, to Thee I Sing” (Captain) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
H.M.S. Pinafore: Act II
Gilbert & Sullivan2:55
11H.M.S. Pinafore: Things Are Seldom What They Seem
lead vocals [Captain Corcoran]:
John Cameron (baritone) (in 1957)
lead vocals [Little Buttercup]:
Monica Sinclair (contralto) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
H.M.S. Pinafore: Act II, no. 14 “Things Are Seldom What They Seem” (Buttercup, Captain) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
H.M.S. Pinafore: Act II
Gilbert & Sullivan3:12
12H.M.S. Pinafore: Never Mind the Why and Wherefore
lead vocals [Captain Corcoran]:
John Cameron (baritone) (in 1957)
lead vocals [Josephine]:
Elsie Morison (soprano) (in 1957)
lead vocals [Sir Joseph Porter]:
George Baker (baritone) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
H.M.S. Pinafore: Act II, no. 16 “Never Mind the Why and Wherefore” (Josephine, Captain, Sir Joseph) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
H.M.S. Pinafore: Act II
Gilbert & Sullivan2:54
13H.M.S. Pinafore: He Is an Englishman
choir vocals:
Glyndebourne Festival Chorus (in 1957)
lead vocals [Sir Joseph Porter]:
George Baker (baritone) (in 1957)
other vocals [Hebe]:
Marjorie Thomas (contralto)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
partial recording of:
H.M.S. Pinafore: Act II, no. 18 “Carefully on Tiptoe Stealing” / “Hold! Pretty Daughter of Mine” / “He is an Englishman” / “In Uttering a Reprobation” / “My Pain and My Distress”(Dick Deadeye, Captain, Ralph, Josephine, Boatswain, Sir Joseph, Hebe, Sailors, Ensemble) (in 1957)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
H.M.S. Pinafore: Act II
Gilbert & Sullivan1:40
14The Pirates of Penzance: Oh, Better Far to Live and Die
bass-baritone vocals [Pirate King]:
Donald Adams (operatic bass-baritone) (from 1957-11 until 1957-12)
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act I, no. 3. “Oh, better far to live and die” … “I am a Pirate King!” (Pirate King, Pirates) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I
Gilbert & Sullivan2:41
15The Pirates of Penzance: Climbing Over Rocky Mountain
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
mezzo-soprano vocals [Edith]:
Beryl Dixon (operatic mezzo-soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
mezzo-soprano vocals [Kate]:
Marian Martin (operatic mezzo-soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act I, no. 5. “Climbing over rocky mountain” (Girls, Edith, Kate) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I
Gilbert & Sullivan3:55
16The Pirates of Penzance: Oh, Is There Not One Maiden Breast
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
soprano vocals [Mabel]:
Jean Hindmarsh (operatic soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
tenor vocals [Frederic]:
Thomas Round (operatic tenor with D’Oyly Carte) (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act I, no. 7. “Oh, is there not one maiden breast?” (Frederic, Girls, Mabel) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I
Gilbert & Sullivan4:27
17The Pirates of Penzance: Poor Wandering One
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
soprano vocals [Mabel]:
Jean Hindmarsh (operatic soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act I, no. 8. “Poor wand’ring one …” (Mabel, Girls) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I
Gilbert & Sullivan2:57
18The Pirates of Penzance: What Ought We to Do... How Beautifully Blue the Sky
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
mezzo-soprano vocals [Edith]:
Beryl Dixon (operatic mezzo-soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
mezzo-soprano vocals [Kate]:
Marian Martin (operatic mezzo-soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
soprano vocals [Mabel]:
Jean Hindmarsh (operatic soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
tenor vocals [Frederic]:
Thomas Round (operatic tenor with D’Oyly Carte) (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act I, no. 9. “What ought we to do?” (Edith, Kate, Girls) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I
recording of:
The Pirates of Penzance: Act I, no. 10 “How beautifully blue the sky” (Girls, Mabel, Frederic) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I
Gilbert & Sullivan2:49
19The Pirates of Penzance: I Am the Model of a Modern Major-General
baritone vocals [Major‐General Stanley]:
Peter Pratt (British actor and singer) (from 1957-11 until 1957-12)
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act I, no. 13. “I am the very model of a modern Major‐General” (Major‐General, Chorus) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I
Gilbert & Sullivan2:49
20The Pirates of Penzance: When the Foeman Bares His Steel
bass vocals [Sergeant of Police]:
Kenneth Sandford (English baritone singer and actor) (from 1957-11 until 1957-12)
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
mezzo-soprano vocals [Edith]:
Beryl Dixon (operatic mezzo-soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
soprano vocals [Mabel]:
Jean Hindmarsh (operatic soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act II, no. 17. “When the foeman bares his steel” (Mabel, Edith, Sergeant, Policemen, Girls) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
Gilbert & Sullivan5:25
21The Pirates of Penzance: When You Had Left Our Pirate Fold
bass-baritone vocals [Pirate King]:
Donald Adams (operatic bass-baritone) (from 1957-11 until 1957-12)
contralto vocals [Ruth]:
Ann Drummond‐Grant (operatic contralto with D’Oyly Carte) (from 1957-11 until 1957-12)
tenor vocals [Frederic]:
Thomas Round (operatic tenor with D’Oyly Carte) (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act II, no. 19. “When you had left our pirate fold” (Ruth, Frederic, Pirate King) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
Gilbert & Sullivan3:55
22The Pirates of Penzance: Ah Leave Me Not to Pine
soprano vocals [Mabel]:
Jean Hindmarsh (operatic soprano with D’Oyly Carte) (from 1957-11 until 1957-12)
tenor vocals [Frederic]:
Thomas Round (operatic tenor with D’Oyly Carte) (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act II, no. 22. “Ah, Leave Me Not to Pine” (Mabel, Frederic) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
Gilbert & Sullivan3:34
23The Pirates of Penzance: When a Felon's Not Engaged in His Employment
bass vocals [Sergeant of Police]:
Kenneth Sandford (English baritone singer and actor) (from 1957-11 until 1957-12)
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act II, no. 24. “When a felon’s not engaged in his employment” (Sergeant, Policemen) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
Gilbert & Sullivan2:14
24The Pirates of Penzance: With Cat-Like Tread
baritone vocals [Samuel]:
Howard Short (operatic baritone with D’Oyly Carte) (from 1957-11 until 1957-12)
choir vocals:
D’Oyly Carte Opera Chorus (from 1957-11 until 1957-12)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (from 1957-11 until 1957-12)
conductor:
Isidore Godfrey (conductor) (from 1957-11 until 1957-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-11 until 1957-12)
recording of:
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen) (from 1957-11 until 1957-12)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
Gilbert & Sullivan2:44
25Patience: I Cannot Tell What This Love May Be
choir vocals:
D’Oyly Carte Opera Chorus (in 1951)
lead vocals [Patience]:
Margaret Mitchell (singer, D'oyly Carte Opera Company) (in 1951)
orchestra:
D’Oyly Carte Opera Orchestra (in 1951)
conductor:
Isidore Godfrey (conductor) (in 1951)
recording of:
Patience: Act I. 2a. “I Cannot Tell What This Love May Be” (Patience, Chorus) (in 1951)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I
Gilbert & Sullivan2:25
26Patience: So Go to Him and Say to Him
lead vocals [Lady Jane]:
Ella Halman (in 1951)
lead vocals [Reginald Bunthorne]:
Martyn Green (in 1951)
orchestra:
D’Oyly Carte Opera Orchestra (in 1951)
conductor:
Isidore Godfrey (conductor) (in 1951)
recording of:
Patience: Act II. 15. “So Go to Him, and Say to Him” (Jane, Bunthorne) (in 1951)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan2:02
27Patience: If Saphir I Choose to Marry
choir vocals:
D’Oyly Carte Opera Chorus (in 1951)
lead vocals [Colonel Calverley]:
Darrell Fancourt (in 1951)
lead vocals [Duke of Dunstable]:
Neville Griffiths (tenor) (in 1951)
lead vocals [Lady Angela]:
Yvonne Dean (in 1951)
lead vocals [Lady Saphir]:
Ann Drummond‐Grant (operatic contralto with D’Oyly Carte) (in 1951)
lead vocals [Major Murgatroyd]:
Peter Pratt (British actor and singer) (in 1951)
orchestra:
D’Oyly Carte Opera Orchestra (in 1951)
conductor:
Isidore Godfrey (conductor) (in 1951)
recording of:
Patience: Act II. 17. “If Saphir I Choose to Marry” (Angela, Saphir, Duke, Major, Colonel) (in 1951)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan2:47
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