The Complete RCA Albums Collection

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

disc 3, tracks 2-7, 9-10, 12-14:
live, 1968-04-07: Westbury Music Fair, Westbury, New York, USA

disc 6, tracks 1-9:
live, 1969-10-26: Philharmonic Hall, New York City, New York, USA

disc 6, tracks 10-11:
live, 1969-04: Munich, Bavaria, Germany

disc 8, tracks 1 & 4:
live, 1971-11-18: Fort Dix, New Jersey, USA

disc 9, tracks 2, 4-6, 8-11:
live, 1973-07-28: Philharmonic Hall, New York City, New York, USA

Anmerkung zuletzt geändert am 2015-04-14 02:05 UTC.

Titelliste

1▶CD: Nina Simone Sings the Blues
2▶CD: Silk & Soul
3▶CD: ’Nuff Said!
4▶CD: Nina Simone and Piano!
5▶CD: To Love Somebody
6▶CD: Black Gold
7▶CD: Here Comes the Sun
8▶CD: Emergency Ward!
9▼CD: It Is Finished
Nr.TitelBewertungLänge
1The Pusher
recording engineer:
Ed Begley (sound engineer in RCA Victor)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nina Simone
Akustikgitarre, Bass, klassiche Gitarre [Spanish guitar] und Sitar:
Avram Schackman
andere Instrumente [Guinee Kuna], andere Instrumente [Madagascar harp], andere Instrumente [Mama-Likembi] und andere Instrumente [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
Klavier und Sologesang:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-06-24)
cover recording of:
The Pusher (am 1971-06-24)
Texter und Komponist(in):
Hoyt Axton
publisher:
Lady Jane Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
55:16
2Com’ by H’Yere Good Lord (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nina Simone
Akustikgitarre, Bass, klassiche Gitarre [Spanish guitar] und Sitar:
Avram Schackman
andere Instrumente [Guinee Kuna], andere Instrumente [Madagascar harp], andere Instrumente [Mama-Likembi] und andere Instrumente [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
Klavier und Sologesang:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1973-06-28)
5:51
3Funkier Than a Mosquito’s Tweeter
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-06-24)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nina Simone
andere Instrumente [Guinee Kuna], andere Instrumente [Madagascar harp], andere Instrumente [Mama-Likembi] und andere Instrumente [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.) (am 1971-06-24)
Bass:
Gene A Perla (am 1971-06-24)
Gitarre:
David Spinozza (am 1971-06-24)
Klavier und Sologesang:
Nina Simone (am 1971-06-24)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-06-24)
Bearbeitung von:
Funkier Than a Mosquito’s Tweeter (‘It Is Finished’ recording without the added applause) von Nina Simone
cover recording of:
Funkier Than a Mosquito's Tweeter (am 1971-06-24)
Texter und Komponist(in):
Aillene Bullock
publisher:
United Artists Musikverlag (publisher) (in 1970)
2.755:20
4Mr. Bojangles (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nina Simone
Akustikgitarre, Bass, klassiche Gitarre [Spanish guitar] und Sitar:
Avram Schackman
andere Instrumente [Guinee Kuna], andere Instrumente [Madagascar harp], andere Instrumente [Mama-Likembi] und andere Instrumente [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
Klavier und Sologesang:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1973-06-28)
live cover recording of:
Mr. Bojangles (am 1973-06-28)
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
4:53
5I Want a Little Sugar in My Bowl (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nina Simone
Akustikgitarre, Bass, klassiche Gitarre [Spanish guitar] und Sitar:
Avram Schackman
andere Instrumente [Guinee Kuna], andere Instrumente [Madagascar harp], andere Instrumente [Mama-Likembi] und andere Instrumente [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
Klavier und Sologesang:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1973-06-28)
live recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (am 1973-06-28)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
5:56
6Dambala (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nina Simone
Akustikgitarre, Bass, klassiche Gitarre [Spanish guitar] und Sitar:
Avram Schackman
andere Instrumente [Guinee Kuna], andere Instrumente [Madagascar harp], andere Instrumente [Mama-Likembi] und andere Instrumente [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
Klavier und Sologesang:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1973-06-28)
live cover recording of:
Dambala (am 1973-06-28)
Texter und Komponist(in):
Tony McKay
6:52
7Let It Be Me
recording engineer:
Ed Begley (sound engineer in RCA Victor)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nat Shapiro, Nina Simone und Harold Wheeler
andere Instrumente [harmonizing] und Hintergrundgesang:
Sam Waymon
Klavier und Sologesang:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
produced for:
C.F.N.S. Production
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-09)
cover recording of:
Let It Be Me (von 1971-02-02 bis 1971-02-09)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
3:28
8Obeah Woman (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nina Simone
Akustikgitarre, Bass, klassiche Gitarre [Spanish guitar] und Sitar:
Avram Schackman
andere Instrumente [Guinee Kuna], andere Instrumente [Madagascar harp], andere Instrumente [Mama-Likembi] und andere Instrumente [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
Klavier und Sologesang:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1973-06-28)
live cover recording of:
Obeah Man (Obeah Man) (am 1973-06-28)
Texter und Komponist(in):
Exuma
6:26
9Nina (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor)
Gitarre und Sitar:
Al Schackman
Klavier:
Nina Simone
Perkussion:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
vocals:
Nina Simone
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1973-07-28)
recording of:
Nina (am 1973-06-28)
Komponist(in):
Nina Simone
4:14
10Zungo (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor)
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1973-07-28)
live cover recording of:
Zungo (Olatunji) (am 1973-07-28)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Thandewye Music (publisher; do NOT use as release label)
4:20
11Thandewye (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (beendet)
Gitarre und Sitar:
Al Schackman
Klavier:
Nina Simone
Perkussion:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
vocals:
Nina Simone
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1973-07-28)
live cover recording of:
Thandewye (am 1973-07-28)
Texter und Komponist(in):
Nina Simone
7:21