The Golden Age of English Polyphony

~ Release by The Sixteen, Harry Christophers (see all versions of this release, 1 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▶Digital Media
4▶Digital Media
5▶Digital Media
6▶Digital Media
7▼Digital Media
#TitleArtistRatingLength
50Missa Cantate: Gloria
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Missa Cantate: I. Gloria (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
John Sheppard8:53
51Missa Cantate: Credo
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Missa Cantate: II. Credo (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
John Sheppard10:27
52Missa Cantate: Sanctus and Benedictus
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Missa Cantate: III. Sanctus (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
recording of:
Missa Cantate: IV. Benedictus (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
John Sheppard6:17
53Missa Cantate: Agnus Dei
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Missa Cantate: V. Agnus Dei I (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
recording of:
Missa Cantate: VI. Agnus Dei II (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
recording of:
Missa Cantate: VII. Agnus Dei III (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
John Sheppard5:50
54Salvator mundi, Domine
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Salvator mundi, Domine (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:38
55Verbum caro factum est
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Verbum cara factum est (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:45
56Laudem dicite Deo
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Laudem dicite Deo (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard7:33
57Reges Tharsis et insulae
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Reges Tharsis et insule (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:46
58In manus tuas I
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
In manus tuas I (from 1988-01-23 until 1988-01-24)
lyricist:
[anonymous] (special purpose artist)
composer:
John Sheppard (English renaissance composer)
John Sheppard3:16
59Filiae Hierusalem
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Filiae Hierusalem (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:26
60In pace, in idipsum
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
In pace in idipsum (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:23
61Paschal Kyrie
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Paschal Kyrie (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard3:51
62Jesu salvator saeculi, verbum
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Jesu salvator saeculi, verbum (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard5:00
8▶Digital Media
9▶Digital Media
10▶Digital Media

Credits

Release

liner notes:Stephen Rice (conductor) (in 2009)
liner notes translator:Hyperion (for roles credited to the British label Hyperion)
Viola Scheffel (Übersetzung)
copyrighted (©) by and phonographic copyright (℗) by:Hyperion Records Limited, London (holding company - do not use this as a release label) (in 2009)
purchase for download:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]
https://www.prestomusic.com/classical/products/7982408--the-golden-age-of-english-polyphony [info]
ASIN:US: B002P2S9R2 [info]
purchase for mail-order:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]

Release group

includes:‘Western Wynde’ Mass by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Cathedral Music by William Mundy (composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 2 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 3 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 4 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music, Volume 1 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Albanus / Aeterne laudis lilium by Robert Fayrfax (composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa corona spinea / Gaude plurimum / In pace by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Gloria tibi Trinitas / Audivi vocem de caelo by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Mater Christi Sanctissima by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor), Fretwork (consort of viols)
Missa O Michael / Leroy Kyrie / Dum transisset Sabbatum by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Sancti Wilhelmi devotio by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)