| # | Title | Artist | Rating | Length |
|---|
| 1 | Naked Eye | Luscious Jackson | 4 | 4:42 |
| 2 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001), Capitol Records (in 2001), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 4.15 | 3:29 |
| 3 | Lust for Life- engineer:
- Eduard Meyer and Colin Thurston
- producer:
- Bewlay Bros.
- bass guitar:
- Tony Sales (from 1977-06-04 until 1977-06-18)
- drums (drum set), shakers and tambourine:
- Hunt Sales (from 1977-06-04 until 1977-06-18)
- guitar:
- Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
- piano:
- David Bowie (from 1977-06-04 until 1977-06-18)
- background vocals:
- Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
- lead vocals:
- Iggy Pop (from 1977-06-04 until 1977-06-18)
- phonographic copyright (℗) by:
- Thousand Mile, Inc. (in 1977, in 1990) and Virgin Records America (in 1977)
- recorded at:
- Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 67), Rolling Stone: 500 Greatest Songs of All Time (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 325)
- recording of:
- Lust for Life (from 1977-06-04 until 1977-06-18)
- lyricist:
- Iggy Pop
- composer:
- David Bowie and Iggy Pop
- publisher:
- Bewlay Bros. Music, EMI Music , Fleur Music Ltd. , Tintoretto Music, Virgin Music , Bug Music (in 1988) and James Osterberg Music (in 1988)
| Iggy Pop | 4.45 | 5:14 |
| 4 | Love Is a Battlefield- assistant engineer:
- Dave Hernandez
- producer and mixer:
- Pete Coleman and Neil Giraldo
- assistant mixer:
- Murray Dvorkin and Bino Espinoza
- bass guitar:
- Roger Capps and Donnie Nossov
- drums (drum set):
- Myron Grombacher
- guitar and harmonica:
- Neil Giraldo
- keyboard:
- Charles Giordano
- percussion:
- Charles Giordano , Neil Giraldo and Myron Grombacher
- lead vocals:
- Pat Benatar
- mixed at:
- Soundcastle in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 30)
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 3.65 | 5:25 |
| 5 | What Would Happen- drum machine [drum/loop] programming:
- Jim Ebert and David Ricketts
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer and mixer:
- Jim Ebert
- producer:
- David Ricketts
- bass:
- Paul Bushnell
- drums (drum set) [drums]:
- Josh Freese
- guitar [guitars] and background vocals:
- Meredith Brooks
- keyboard [keyboards]:
- David Ricketts
- additional background vocals [backgrounds]:
- Victoria Levy
- recorded at:
- Alpha Studios in Burbank, California, United States and The Salt Mines in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- What Would Happen
- lyricist and composer:
- Meredith Brooks
- publisher:
- Kissing Booth Music
| Meredith Brooks | 4 | 5:15 |
| 6 | Sherry Fraser | Marcy Playground | | 2:52 |
| 7 | More Than This | Roxy Music | | 4:08 |
| 8 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:40 |
| 9 | Rock This Town | Stray Cats | | 3:27 |
| 10 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 72) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.15 | 4:55 |
| 11 | Faded | Ben Harper | | 4:52 |
| 12 | Almost Honest | Megadeth | 3.35 | 4:07 |
| 13 | White Wedding- assistant engineer:
- Steve Bates
- engineer:
- Brian Reeves
- producer:
- Keith Forsey
- bass guitar:
- Phil Feit
- drums (drum set):
- Steve Missal
- guitar:
- Billy Idol and Steve Stevens
- lead vocals:
- Billy Idol
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records (in 1982), Capitol Records, Inc. (in 1982), Capitol Records, LLC (in 1982) and Chrysalis Records, Inc. (in 1982, in 2002)
- recorded at and mixed at:
- Westlake Audio in Los Angeles, California, United States
- music videos:
- White Wedding, Pt. 1 by Billy Idol
- recording of:
- White Wedding
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music , Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Copyright Control and Rare Blue Music Inc
| Billy Idol | 4.15 | 4:14 |
| 14 | Fake Plastic Trees- recording engineer:
- Jonny Greenwood
- sound engineer:
- Jim Warren
- assistant engineer:
- Guy Massey and Shelley Saunders
- engineer:
- Chris Brown , Nigel Godrich , John Leckie and Jim Warren
- producer:
- John Leckie
- mixer:
- John Leckie, Paul Q. Kolderee, Radiohead and Sean Slade
- editor:
- Chris Blair
- bass guitar:
- Colin Greenwood (from 1994-02 until 1994-11)
- cello:
- Caroline Lavelle (from 1994-02 until 1994-11)
- drums (drum set) and percussion:
- Philip Selway (from 1994-02 until 1994-11)
- guitar:
- Jonny Greenwood (from 1994-02 until 1994-11), Ed O’Brien (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
- organ and synthesizer:
- Jonny Greenwood (from 1994-02 until 1994-11)
- piano:
- Jonny Greenwood (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
- viola and violin:
- John Matthias (from 1994-02 until 1994-11)
- background vocals:
- Ed O’Brien (from 1994-02 until 1994-11)
- vocals:
- Thom Yorke (from 1994-02 until 1994-11)
- strings arranger:
- Jonny Greenwood and Thom Yorke
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1995)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1994-02 until 1994-11), RSK in London , England, United Kingdom (from 1994-02 until 1994-11) and The Manor in Oxfordshire, England, United Kingdom (from 1994-02 until 1994-11)
- mixed at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Fort Apache in Cambridge, Massachusetts, United States
- edited at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom
- music videos:
- Fake Plastic Trees by Radiohead
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 109) and Rolling Stone: 500 Greatest Songs of All Time (number: 377)
- recording of:
- Fake Plastic Trees (from 1994-02 until 1994-11)
- writer:
- Colin Greenwood , Jonny Greenwood , Ed O’Brien , Philip Selway and Thom Yorke
- publisher:
- Warner Chappell Music Ltd.
| Radiohead | 4.55 | 4:51 |
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