The Chicago Story: Complete Greatest Hits

~ Veröffentlichung von Chicago (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
4.23:57
2Hard to Say I’m Sorry
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
cover recording of:
Hard to Say I’m Sorry (Chicago song)
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:52
3You’re the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
53:50
4Hard Habit to Break
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
Sologesang:
Peter Cetera (in 1984) und Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard Habit to Break (in 1984)
Verfasser(in):
Steve Kipner (in 1984) und John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
44:45
5Will You Still Love Me?
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
Verfasser(in):
Richard Baskin (film composer and producer) (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) und Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) und Young Millionaires Club Music (in 1986)
44:13
6Baby, What a Big Surprise
Assistent recording engineer und recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (in 1977)
zusätzlich Hintergrundgesang:
Tim Cetera (in 1977) und Carl Wilson (Beach Boys) (in 1977)
Orchestrator(in):
Peter Cetera, Dominic Frontiere und James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Baby, What a Big Surprise (in 1977)
Orchestrator(in):
Dominic Frontiere
Texter und Komponist(in):
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. und Universal Music Publishing MGB Ltd.
33:06
7Look Away
Produzent(in):
Ron Nevison
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recording of:
Look Away (in 1988)
Texter und Komponist(in):
Diane Warren (US songwriter) (in 1988)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
54:01
8What Kind of Man Would I Be?
Techniker(in):
Ron Nevison und Chas Sandford
Produzent(in):
Chas Sandford
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
What Kind of Man Would I Be? (in 1988)
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) (in 1988), Chas Sandford (in 1988) und Jason Scheff (in 1988)
publisher:
Bobby Caldwell Music, EMI Blackwood Music Inc., EMI Songs Ltd., Fallwater Music, Jason Scheff Music, MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sin-Drome Music, Texascity Music, The Music Force, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
4:15
9I Don’t Wanna Live Without Your Love
assistierende(r) Techniker(in):
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe und Bob Vogt
Techniker(in):
Daren Chadwick, Ron Nevison und Chas Sandford
Produzent(in):
Ron Nevison
Mix:
James Guthrie, Chas Sandford und Greg Walsh (producer and engineer)
Sologesang:
Bill Champlin (in 1988)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
I Don't Wanna Live Without Your Love (in 1988)
Verfasser(in):
Albert Hammond (in 1988) und Diane Warren (US songwriter) (in 1988)
publisher:
Albert Hammond Music, Realsongs und WB Music Corp. (1929–2019)
3:57
10Love Me Tomorrow
recording of:
Love Me Tomorrow
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. und Rondor Music (London) Ltd.
3:58
11Just You ’n’ Me
Assistent recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
Produzent(in):
James William Guercio
assistierende(r) Mix:
Richard Blakin (in 1973-02)
Mix:
Phil Ramone (in 1973-02)
Sologesang:
Peter Cetera (in 1973-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Rhino Entertainment Company (not for release label use!) (in 1973, in 2002) und Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
aufgenommen bei und mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
Texter:
James Pankow
Komponist(in):
James Pankow (in 1973)
publisher:
Moose Music und Big Elk Music (in 1973)
3:42
12Happy Man
recording engineer:
Armin Steiner (Saiteninstrumente)
Techniker(in):
Jeff Guercio und Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre:
James William Guercio (von 1973-08 bis 1973-12)
Bass:
Terry Kath (member of Chicago) (von 1973-08 bis 1973-12)
Perkussion:
Guille Garcia (Cuban-born American percussionist, congas, drummer and singer-songwriter) (von 1973-08 bis 1973-12) und Laudir de Oliveira (von 1973-08 bis 1973-12)
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1973-08 bis 1973-12)
recording of:
Happy Man (von 1973-08 bis 1973-12)
Texter und Komponist(in):
Peter Cetera (in 1973)
33:16
13You’re Not Alone
assistierende(r) Techniker(in):
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe und Bob Vogt
Techniker(in):
Daren Chadwick, Ron Nevison und Chas Sandford
Produzent(in):
Ron Nevison
Mix:
James Guthrie, Chas Sandford und Greg Walsh (producer and engineer)
Sologesang:
Bill Champlin (in 1988)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
You’re Not Alone (in 1988)
Verfasser(in):
Jimmy Scott (British born songwriter) (in 1988)
publisher:
EMI Virgin Music, Inc.
4:00
14Chasin’ the Wind
recording of:
Chasin' the Wind
Verfasser(in):
Diane Warren (US songwriter) (in 1991)
publisher:
Realsongs (in 1990)
4:18
15Wishing You Were Here
recording engineer:
Armin Steiner (Saiteninstrumente)
Techniker(in):
Jeff Guercio und Wayne Tarnowski
Produzent(in):
James William Guercio
Mix:
Phil Ramone
Gitarre:
James William Guercio (von 1973-08 bis 1973-12)
Synthesizer:
David Wolinski (von 1973-08 bis 1973-12)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1973-08 bis 1973-12), Carl Wilson (Beach Boys) (von 1973-08 bis 1973-12) und Dennis Wilson (Beach Boys) (von 1973-08 bis 1973-12)
Sologesang:
Terry Kath (member of Chicago) (von 1973-08 bis 1973-12)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1973-08 bis 1973-12)
recording of:
Wishing You Were Here (von 1973-08 bis 1973-12)
Texter und Komponist(in):
Peter Cetera (in 1973)
publisher:
Big Elk Music und Polish Prince Music
4:36
16No Tell Lover
Techniker(in):
Jim Boyer (producer/engineer), Lee DeCarlo und Don Gehman
Produzent(in):
Chicago (American pop rock/jazz fusion band) und Phil Ramone
Mix:
Jim Boyer (producer/engineer) und Phil Ramone
Synthesizer:
Blue Weaver (von 1978-05 bis 1978-06)
Synthesizer [synthesizer strings]:
Blue Weaver (in 1978)
Hintergrundgesang:
Peter Cetera (in 1978), Donnie Dacus (in 1978), Robert Lamm (in 1978) und Lee Loughnane (in 1978)
Sologesang:
Peter Cetera (in 1978, von 1978-05 bis 1978-06)
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2002)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
No Tell Lover (von 1978-05 bis 1978-06)
Verfasser(in):
Peter Cetera (in 1978), Lee Loughnane (in 1978) und Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) und Street Sense Music (in 1978)
recording of:
No Tell Lover (in 1978)
Verfasser(in):
Peter Cetera (in 1978), Lee Loughnane (in 1978) und Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) und Street Sense Music (in 1978)
4:14
17(I’ve Been) Searchin’ So Long
recording engineer:
Armin Steiner (Saiteninstrumente)
Techniker(in):
Jeff Guercio und Wayne Tarnowski
Produzent(in):
James William Guercio
Mix:
Phil Ramone
Synthesizer:
David Wolinski (von 1973-08 bis 1973-12)
Sologesang:
Peter Cetera (von 1973-08 bis 1973-12)
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1973-08 bis 1973-12)
recording of:
(I’ve Been) Searchin’ So Long (von 1973-08 bis 1973-12)
Texter und Komponist(in):
James Pankow (in 1973)
publisher:
Big Elk Music und Make Me Smile Music
54:29
18Colour My World
Techniker(in):
Chris Hinshaw, Don Puluse und Brian Ross-Myring
Produzent(in):
James William Guercio
Solo-flute:
Walter Parazaider (in 1969-08)
Sologesang:
Terry Kath (member of Chicago) (in 1969-08)
phonographisches Urheberrecht (℗) von:
Warner Strategic Marketing Inc. (in 1970) und Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
Texter:
James Pankow
Komponist(in):
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. und Spirit Two Music Inc.
Teil von:
Ballet for a Girl in Buchannon
23:02
19You Come to My Senses
assistierende(r) Techniker(in):
Jim Mitchell (engineer) und Jeff Poe
Techniker(in) und Produzent(in):
Ron Nevison
zusätzliche(r) Techniker(in):
Alex Rodriguez (engineer)
Mix:
Humberto Gatica
Sologesang:
Jason Scheff (in 1991)
Blechblasinstrumente arranger:
Lee Loughnane und James Pankow
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991, in 2010)
recording of:
You Come to My Senses (in 1991)
Verfasser(in):
Tom Kelly (songwriter) (in 1991) und Billy Steinberg (in 1991)
publisher:
Billy Steinberg Music (in 1990) und Denise Barry Music (in 1990)
3:48
20We Can Last Forever
recording of:
We Can Last Forever
Verfasser(in):
John Dexter (Songwriter, Producer and A&R executive) und Jason Scheff
publisher:
Irving Music, Inc., Jason Scheff Music und Texascity Music
3:44
2CD

Nennungen

Veröffentlichung

hergestellt in:Deutschland
Produzent(in):Matthias Bauss
Chicago (American pop rock/jazz fusion band)
David McLees
hergestellt von:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Strategic Marketing (in 2002)
Discogs:https://www.discogs.com/release/783727 [Info]
ASIN:US: B0000793RA [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/412697 [Info]