Modern 80’s: The Best of Discopop, Vol. 4

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Atlantis Is Calling (S.O.S. for Love)
phonographisches Urheberrecht (℗) von:
Ariola Eurodisc GmbH (not for release label use!) (in 1986)
recording of:
Atlantis is Calling (S.O.S. for Love) (Lady, I know it was hard... But it's much harder to ignore...)
Verfasser(in):
Dieter Bohlen
Modern Talking53:49
2Together Forever
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1987)
assistierende(r) Techniker(in):
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman) und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
Gitarre [guitars]:
Matt Aitken (in 1987)
Keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) und Matt Aitken (in 1987)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1987)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) und Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
Pete Waterman Ltd. (copyrights holder) (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1987) und PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 und PWL Studio 2
recording of:
Together Forever (in 1987)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (vom 1987 bis heute)
Rick Astley4.653:25
3Got to Be Certain
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
recording of:
Got to Be Certain
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue43:17
4Flames of Love
recording of:
Flames of Love
Verfasser(in):
Fancy (Manfred Alois Segieth, Italo / Eurodisco singer), Sabrina Lorenz und Alfons Weindorf
Fancy54:00
5Happy Song
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian, Bobby Farrell (Boney M.), Liz Mitchell und Reggie Tsiboe
cover recording of:
Happy Song
Texter:
I. Abacab
Komponist(in):
Ottavio Bacciocchi und Ivana Spagna
Boney M.3:59
6Strangers by Night
recording of:
Strangers by Night
Texter und Komponist(in):
Dieter Bohlen
C.C.Catch3:39
7Japanese Boy
Produzent(in):
Neil Ross (UK based Music Engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 26)
recording of:
Japanese Boy
Texter und Komponist(in):
Bobby Heatlie (songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
Aneka3.353:56
8Cry Wolf
Techniker(in):
Gerry Kitchingham
Produzent(in):
Alan Tarney
Mix:
John Hudson (producer, recording and mixing engineer) und Alan Tarney
Schlagzeug:
Øystein Jevanord
Interpret(in):
a‐ha (Norwegian synth‐pop band) (in 1986)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
Teil von:
The Downloader’s Music Source Book (Nummer: 273)
recording of:
Cry Wolf
Texter und Verfasser(in):
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Komponist(in):
Magne Furuholmen
publisher:
ATV Music
a‐ha3.854:06
9Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:42
10F.L.M.
Produzent(in):
Stock Aitken Waterman
arranger:
Stock Aitken Waterman
produced for:
PWL
recording of:
F.L.M.
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music (in 1987) und Hammer Musik GmbH (in 1987)
Mel & Kim13:54
11The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:28
12Especially for You
Techniker(in):
Karen Hewitt und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Pete Hammond (UK producer aka “Mixmaster”)
vocals:
Jason Donovan (Australian actor and singer) (in 1988) und Kylie Minogue (in 1988)
phonographisches Urheberrecht (℗) von:
PWL Records Ltd. (not release use) (in 1988)
recording of:
Especially for You (in 1988)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Sony/ATV Songs LLC, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und All Boys USA Music (in 1988)
Kylie Minogue & Jason Donovan43:58
13It’s a Real Good Feeling
recording of:
It's a Real Good Feeling
Verfasser(in):
Harald Steinhauer (producer and songwriter) und Vincent Promo (German singer and producer)
Version von:
Kon ik je maar geloven
Peter Kent4:01
14Cherish
phonographisches Urheberrecht (℗) von:
Delite Recorded Sound (not for release) (in 1984) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recording of:
Cherish
Verfasser(in):
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) und Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Windswept Pacific Music Ltd.
Kool & the Gang4.54:44
15Looking for Freedom
cover recording of:
Looking for Freedom
Texter:
Gary Cowtan (songwriter)
Komponist(in):
Jack White (German producer Horst Nußbaum)
publisher:
“Young” Musikverlag GmbH (Jack White)
David Hasselhoff3:54
16Love Is a ShieldCamouflage3:59
17Only for Love
recording of:
Only for Love
Texter und Komponist(in):
Limahl
Limahl3:46
18Brand New ToyThe Jeremy Days3:22
19The Tide Is High
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang [girl-group backup vocals]:
The ‘B’ Girls und Deborah Harry
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.154:33
20Sunshine Reggae
recording of:
Sunshine Reggae
Texter und Komponist(in):
John Guldberg und Tim Stahl
Laid Back3.354:14
2CD

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Polymedia Marketing Group GmbH (in 1999)
Discogs:https://www.discogs.com/release/690182 [Info]
ASIN:DE: B00001ZU1B [Info]

Veröffentlichungsgruppe

Teil von:Modern 80’s: The Best of Discopop (Nummer: 4) (Reihenfolge: 4)